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                <text>Traditional Irish music is on a strong footing, due in no small way to Peig and Mick Ryan from Murroe, County Limerick. At a time when the music was unpopular, Peig and her husband Mick worked diligently to promote Irish music and culture in all its forms. We have been friends forever it seems. Peig and Mick would visit my home in Killaloe, County Clare, and hearing Peig's flute playing and Mick's singing was always a delight. &lt;br /&gt;&lt;br /&gt;When my wife Sandy and I visited Peig a few years ago we recorded her music including this polka (with me playing along). At eighty-four years young, Peig had the same old enthusiasm and fondness for the music. Paddy Neil from near Newport, County Tipperary, recorded this polka for Ciar&amp;aacute;n Mac Math&amp;uacute;na over fifty years ago. I had originally named it for Mr. Neil, but I'm confident he would approve of my naming it for his friends and neighbours, Peig and Mick Ryan.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>If ever you get a chance to visit The Clare Glens you will not be disappointed. They are a beautiful wooded area, very picturesque, with walkways on both sides of the Clare River. The Glens are very close to Newport, County Tipperary, and are only seven or eight miles from where I grew up. There are a number of swimming areas and a waterfall. Standing under the falls with the cold mountain water flowing over you is most invigorating. &lt;br /&gt;&lt;br /&gt;Not having a name for this polka, I thought, why not call it 'The Clare Glens'? I was honoured to get the opportunity to play it on my fiddle with Monsignor Charlie Coen on concertina. The tune originally came to us from another recording that Ciar&amp;aacute;n Mac Math&amp;uacute;na made of concertina player Paddy Neil from around that same area of Newport, County Tipperary, a place well-known for its polkas.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270184022&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Mountain Pathway, The</text>
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                <text>Kevin McElroy, Barbara MacDonald Magone, and I came together to record this tune, which we learned from the cassette tape of fiddle player Mrs. Ellen Galvin that was given to me by Tony MacMahon. A version of this tune was recorded by the great Sligo fiddle master, James Morrison.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270176336&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Matt Cranitch, the well-known fiddle player and scholar from County Cork, came to visit Sandy and me in Maine a few years ago. Matt loves to play polkas, so I composed this three-part tune for him. I play it here with my friends Kevin McElroy on bodhr&amp;aacute;n, Barbara MacDonald Magone on the piano and, on the fiddle, Meghan Mette, who at the time of recording was a young and enthusiastic sixteen-year-old.</text>
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                <text>The Bells of Congress were presented to the United States by the Ditchley Foundation of Great Britain in 1976. A replica of the bells in London's Westminster Abbey, they are rung in honour of the opening and closing of Congress, and on state occasions and all national holidays. The Old Post Office in Washington houses the Bells of Congress and a guided tour of the building by the National Park Service is worth taking. &lt;br /&gt;&lt;br /&gt;In the 1980s, as part of a musical delegation to Washington, D.C., representing the State of Massachusetts, I had the honour of visiting the Old Post Office and hearing the bells ring. When in full peal, the bells can take up to three and a half hours to complete their continuous performance. However, my composition on this track takes only a few minutes. I am joined by Gabriel Donohue on guitar.</text>
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                  <text>Marches</text>
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                <text>Thomas Power's March</text>
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                <text>Another tune from the playing of Thomas Power from Doonbeg in County Clare. On this track, I am joined by Kevin McElroy on bodhr&amp;aacute;n and Nicole Rabata on flute to perform our interpretation of the march.</text>
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                <text>Irish c&amp;eacute;il&amp;iacute; dancing was very popular in the late 1950s and early '60s, and dancers loved the idea of dancing to the music of different bands. In the late 1950s I was invited to join The Ormond Star C&amp;eacute;il&amp;iacute; Band, one of a number of bands that were formed around the banks of The Shannon and Lough Derg. The Ormond Star counted among its members many fine musicians, including All-Ireland champion button accordionist Paddy Ryan from Coolbawn, Nenagh, County Tipperary, and fiddle player Liam O'Connor, originally from Brosna, County Kerry. Liam taught me many tunes, including the one played on this track by my friend Nicole Rabata on flute, with myself on fiddle. Just for the record, The Ormond Star did travel to Dublin to make a long-playing recording &amp;ndash; exciting times for me as a teenager.</text>
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                <text>And as we present this last selection, we come to the end of a long musical journey. It is my hope that whoever reads my stories, anecdotes, and ramblings will get some insight into the tunes' histories, and some new information about them. &lt;br /&gt;&lt;br /&gt;Preferring to end this collection with lively, happy music, I asked my young musical friends, Kathleen Boyle from Scotland and Gr&amp;aacute;inne Murphy from Massachusetts, to do me the honour of recording the above-named tunes for this last track. These same jigs were recorded in 1937 by Kathleen's grandfather, the famed fiddle maestro N&amp;eacute;illidh Boyle from County Donegal. The young ladies are joined by N&amp;eacute;illidh's son Hughie Boyle, who plays piano, and together, with pride, they give us that same lift and drive associated with the wonderful music that is peculiar to County Donegal. I was thrilled when Kathleen invited me to join herself, her dad, and Gr&amp;aacute;inne in remembering her grandfather, completing an extraordinary musical circle. The torch has indeed been passed.&lt;br /&gt;&lt;br /&gt;It so happens that the last tune on the track, 'The Connaughtman's Rambles', is the first jig I ever learned, and I did so from the 78 RPM recording that N&amp;eacute;illidh Boyle recorded seventy-eight years ago. In a way, then, this track is symbolic of how Irish traditional music keeps coming full circle, shared back and forth between musicians across the broad Atlantic and across generations. &lt;br /&gt;&lt;br /&gt;And lest I forget about the not-often-heard tune dedicated to a certain Biddy (a nickname for 'Bridget') from Sligo, my mind goes back in time to my grandmother sitting by the fireside listening to me trying to learn and play this fine jig. And so, in remembrance of my grandmother, &lt;span&gt;Elizabeth Collins (n&amp;eacute;e Rochford)&lt;/span&gt;, a wonderful lady of tunes, songs, and stories, I hereby offer an account of the lyrics she had for 'Biddy from Sligo': &lt;br /&gt;&lt;br /&gt;'Oh mother dear, may I go for a swim? &lt;br /&gt;Yes, my darling daughter! &lt;br /&gt;Mind the boys don't see your shins, &lt;br /&gt;Keep them well under the water!'</text>
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                <text>David Curry's broadcasts from the BBC studios in Belfast were eagerly awaited in my home. He broadcast many fine tunes, including this one, which Nicole Rabata and I arranged for flute and fiddle. Not having the tune's original title, I have named it for the river that flows through Mr. Curry's hometown of Belfast.</text>
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                <text>'Rock Point Lane' is the name of the street in California where Sandy's parents live. One Christmas day, around 1990, when she and I were visiting them, the basic outline of this jig came to me. After working on it for a while and deciding which key would best suit the fiddle, Sandy subtly suggested that we videotape it. Secretly understanding her motive, I reluctantly agreed. &lt;br /&gt;&lt;br /&gt;I had forgotten completely about the tune and did not remember any of it when years later we came across the videotape and watched it together. She said as we watched it, 'See I told you, I knew you wouldn't remember it'. How right she was! That was Sandy. Always thinking and a step ahead. The tune is more complete now as I give it my best shot on this track. Another transcription of the jig is to be found in &lt;em&gt;A Drop in the Ocean&lt;/em&gt;, a book of Irish traditional tunes compiled by my friend Josephine Keegan.</text>
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        <name>Playlist 09</name>
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                <text>My good friend Cindy Polo made this tune and dedicated it to another friend, Randy Bridgman. I enjoyed playing this tune with Cindy and Gabriel Donohue. In Cindy's own words, she tells us about 'The Crooked Hurricane': &lt;br /&gt;&lt;br /&gt;'What else to do while the power is out in the middle of a hurricane? Fiddle and fiddle! I composed this tune as Hurricane Irene battered eastern North Carolina in 2011. The hurricane did not travel as expected. Its unusual pattern of travel was described as crooked. The tune too is crooked in the style of some Canadian fiddle tunes. I dedicate the jig to my friend Randy Bridgman, a native of Newfoundland. This tune is also crooked, somewhat like the shape of many of the trees in my garden when the storm subsided.'</text>
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                <text>I love slip jigs and I enjoy playing them. Patrick W. Joyce collected this one from David Grady, a flute player from Ardpatrick in County Limerick, but he did not get the tune's name. 'David Grady's' sounds good to me. Mr. Joyce's collection was published in 1876. I have it in my library, and my copy once belonged to a Br&amp;iacute;d O'Callaghan from County Limerick. She signed the book in 1961, when she was 16 years old. I wonder where she is now. Wherever you are, Br&amp;iacute;d, this tune lives on and I play it here for you.</text>
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                <text>My friends from Winnipeg, Canada, Alice Bérubé and her sister Jeannine, visited with Sandy and me a few years ago. Both of them play fiddles and they enjoy getting together to talk, laugh, and play music. They meet once a year, as Alice lives on Prince Edward Island and Jeannine three thousand miles away in Vancouver. We played music in my house for a few days and had much fun. On the day of their departure, they told me that they were going to go shopping for a gift for me. I appreciated their kindness, but told them, 'don't get me anything!' I left the house to do some errands and when I returned my friends were nowhere to be found. I somehow thought I heard fiddle music in the house but did not know where it was coming from.&#13;
&#13;
A few days later, after my friends had returned home, a fax came to my house with a tune written on manuscript paper. It was a jig that the ladies had composed while up in my attic. They had somehow found their way up there. Unfortunately, on the day the fax arrived my machine was running low on ink. The lines on the paper all ran together on the tune's second part, and I was unable to make it out. At Sandy's suggestion, I sat at the kitchen table to compose a temporary replacement for it. &#13;
&#13;
I next met the ladies a year later at the Northeast Heritage Music Camp, and we began to play the jig, but with a few surprises and laughs as our two competing second parts clashed against each other! I had to explain to them what had happened to their original second part, and my addition was demoted to a third part. We recorded it with help from Ken Perlman on banjo and Pete Sutherland on piano, two fellow teachers at the camp. Thanks, ladies, a nice gift, better than 'anything' from a shop.</text>
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                <text>Having lived in the beautiful and historic city of Cork in the 1960s, I often think back to the happy times I had while beginning to find my feet in the big world of city life. The clock tower of St. Anne's Church has special meaning for me because the Bells of Shandon often chimed as I walked past the church. Whenever I hear the wonderful poem 'The Bells of Shandon', penned by Francis Sylvester Mahony, it is with deep affection and recollection that I think of the Shandon Bells. Mahony's words are very meaningful to me, and I quote from his poem here for all to read: &lt;br /&gt;&lt;br /&gt;'With deep affection &lt;br /&gt;And recollection &lt;br /&gt;I often think of &lt;br /&gt;Those Shandon Bells &lt;br /&gt;Whose sounds so wild would, &lt;br /&gt;In the days of childhood, &lt;br /&gt;Fling round my cradle &lt;br /&gt;Their magic spells. &lt;br /&gt;On this I ponder &lt;br /&gt;Where'er I wander, &lt;br /&gt;And thus grow fonder, &lt;br /&gt;Sweet Cork, of thee. &lt;br /&gt;With thy bells of Shandon, &lt;br /&gt;That sound so grand on &lt;br /&gt;The pleasant waters &lt;br /&gt;Of the river Lee.' &lt;br /&gt;&lt;br /&gt;The grand old jig 'Shandon Bells', the first in O'Neill's &lt;em&gt;The Dance Music of Ireland, 1001 Gems&lt;/em&gt;, is played on this track by Nicole Rabata on flute and myself on fiddle. We play it as a four-part tune. I played it many times as a two-part jig in the city by the River Lee. I first heard the two extra parts played by David Curry and his orchestra. They are two parts well worth hearing and preserving for posterity.</text>
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                <text>How Are You, Sandy? (Sandy Connolly's)</text>
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                <text>It meant much to my wife Sandy and me when Bill Black, our friend from Cape Cod, sent us a tune that he composed in her honour entitled 'How Are You, Sandy?' Bill later sent the tune under the new title 'Sandy Connolly's' when she left us to go to her eternal reward. Thank you, sir, for caring so much. Sandy was very moved by your thoughtfulness. My friend Kevin McElroy joins me on this track.</text>
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                <text>This well-known jig is performed on this track by yours truly, S&amp;eacute;amus Connolly. With help on the banjo from my friend Kevin McElroy, we offer this grand two-part jig as a way to invite musicians to play this tune once again. The interesting second part of the tune comes from the fiddle playing of Thomas Power from Doonbeg in County Clare.</text>
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                <text>Old as the Hills</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jack Coen gave me the name for this jig, which can be found as a two-part tune in A major in the &lt;em&gt;O'Neill's 1001&lt;/em&gt; collection. I first heard the tune played by 'The Man of Many Tunes', Larry Gavin. I also heard a version of it performed by Mr. David Curry and his orchestra in a radio broadcast when I was still living in Ireland. A classical musician, David Curry took traditional tunes in the public domain and arranged them for orchestra. Maine flute player Nicole Rabata and I play David Curry's four-part setting of 'Old as the Hills'. We transposed it to the key of G major, the key that Larry Gavin played it in many years ago.</text>
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              <elementText elementTextId="10549">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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        <name>Playlist 06</name>
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                  <text>Jigs</text>
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    <elementSetContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Mordaunt's Fancy</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>This jig was played in my home in Killaloe, County Clare, when I was a young boy. It was not played by me, but by button accordionist Terry Lane on the turntable of our record player! Now, whenever I hear Mr. Lane's recordings, or 'Mordaunt's Fancy', it brings back childhood memories. My friend Geraldine Cotter from Ennis, County Clare, joins me on piano. We recorded the track in Geraldine's home in front of a blazing turf fire.</text>
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            <name>Creator</name>
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              <elementText elementTextId="6818">
                <text>Connolly, Séamus (fiddle) 33682623</text>
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                <text>Séamus Connolly</text>
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              <elementText elementTextId="6826">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0603.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/06-03_Mordaunts_Fancy-Jig.pdf</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="10545">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270479338&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 06</name>
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  <item itemId="475" public="1" featured="1">
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Jigs</text>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="6482">
                <text>Old 78 Record, An</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="6484">
                <text>Jigs</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Geraldine Cotter liked this tune the first time she heard me playing it. 'Let's try and record it', she said, and as I played the jig a second time she followed right along. This track is the result of our efforts. I do not have a name for this jig, but I have given it a title based on the fact that I first heard it many years ago on a 78 record.</text>
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                <text>Connolly, Séamus (fiddle) 33682623</text>
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                <text>Séamus Connolly</text>
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                <text>Connolly, Séamus</text>
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                <text>Cotter, Geraldine </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0320.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/03-20_An_Old_78_Record-Jig.pdf</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10523">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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            <name>Has Part</name>
            <description>A related resource that is included either physically or logically in the described resource.</description>
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              <elementText elementTextId="11275">
                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270196405&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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    <tagContainer>
      <tag tagId="7">
        <name>Playlist 03</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
