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                <text>Magpie in the Tree</text>
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                <text>And now to confuse things even more or, as they say at home in Ireland, 'to throw more turf on the fire', my brother Martin Connolly here plays 'Magpie in the Tree', which is yet another version of the classic jig 'Bryan O'Lynn'. Martin, a great accordion player and the maker of the 'Kincora' accordion, told me that the County Kerry fiddle player Johnny Cronin played this jig for him over the phone. Johnny was in New York and Martin was in John's sister's house near Killarney.</text>
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                <text>Connolly, Martin J. (accordion)</text>
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                <text>Connolly, Martin J. </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0104.mp3</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Jimmy Neary's</text>
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                <text>Jimmy Neary was a fiddle player from County Mayo who lived in Chicago. Johnny McGreevy, another fiddle player from Chicago and a hero of mine, gave me this tune in 1972 when I was on my first visit to that city, on the first ever Comhaltas Ceolt&amp;oacute;ir&amp;iacute; &amp;Eacute;ireann concert tour of North America. The tune is played here by my friends Jimmy Noonan from Cleveland, Ohio, who now lives in Boston, and Dan Gurney from New York State, two musicians who do much for traditional Irish music through their teaching and performing. Jimmy is on the faculty of the Boston College Irish Studies Program where he teaches flute and whistle. Dan, who plays the accordion, graduated from Harvard University with a degree in music.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0108.mp3</text>
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                <text>This reel first came to my attention when it was played by a group of wonderful young musicians from Dublin. Their band, known as The Castle C&amp;eacute;il&amp;iacute; Band, made a big name for themselves in the 1960s and were much admired throughout Ireland for their rhythm, phrasing, and selection of tunes. James Keane and his brother Se&amp;aacute;n &amp;ndash; the fiddle player with The Chieftains &amp;ndash; were central to the success and popularity of the band, so who better than accordionist James Keane from Dublin and New York to play this tune for us?</text>
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                <text>Martin Woods' Reel</text>
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                <text>A fine fiddle player from County Clare was Martin Woods. I had the honour of playing with him often in the early 1960s. Both of us were members of a c&amp;eacute;il&amp;iacute; band known as The Lough Derg. That was so long ago! Martin Woods had fine old tunes which he loved playing for me. &lt;br /&gt;&lt;br /&gt;Johnny McCarthy, the accordion player and great hurler from County Clare, recorded this tune on his CD &lt;em&gt;Solo Run&lt;/em&gt;. Thanks, Johnny, for all those solo runs on the playing pitch and for your mighty accordion music. Thanks also to Laura Byrne, flutist; Donna Long, pianist; and Billy McComiskey on accordion for their excellent rendition of this reel.</text>
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                <text>Folk dance music--Ireland</text>
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                <text>'Come to the Fair' was a very popular waltz/song played by The Kilfenora C&amp;eacute;il&amp;iacute; Band in the 1960s. I have always enjoyed listening to the band's singer Mary Higgins performing the song on a recording made at a c&amp;eacute;il&amp;iacute; in Ennis in 1960. The recording of all of the tunes and songs played on that night was given to me to learn when I was invited to join The Kilfenora and embark on my first 'big' tour of England. What a thrill and an honour for me! The tune is performed here on this track by Tara Lynch (daughter of Jerry Lynch, the accordionist with the band in the 1950s) and myself. The track was enhanced by the musicianship of Gabriel Donohue on piano and keyboards.</text>
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                <text>McGreevy's Tansey's</text>
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                <text>Johnny McGreevy from Chicago played this reel for me in 1972. I have given it this title because it reminds me of 'Tansey's Reel', a tune recorded by the Sligo fiddle player Paddy Killoran. My good friends Jimmy Noonan and Dan Gurney recorded this version at my home in Maine. Thanks, lads. Well done: great swing!</text>
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                <text>I met Jack Coughlin only once, sometime in the early '60s. Jack was a lovely flute player in the lyrical and flowing style associated with East County Galway. He was living in London when I was introduced to him by my lifelong friend, master musician Joe Burke. Joe also gave me this reel and told me that it was a favourite of Jack Coughlin's. My nephew Damien Connolly plays the tune on this track on his two row button accordion. It is interesting to note that he begins the tune on what might at first seem to the listener to be its second part, or as we say in Ireland 'the turn of the tune'. When one listens to the wonderful double CD recording of master musician Eddie Moloney, a neighbour of Jack Coughlin's, one hears Eddie play on flute this same reel with the parts reversed. One could ask the question then, which is the first part of the tune, and which is the second part? My answer would be that, delightfully, the parts work beautifully when played either way. &lt;br /&gt;&lt;br /&gt;Incidentally, Sean Moloney, in his notes on the CD recording of his father's music, tells us that Eddie learned many tunes, including the one featured here, from Tommy Whelan. A flute player, Tommy was a member of the Ballinakill Traditional Players and a composer of many fine tunes. In all probability then, these masters from the past, Jack Coughlin, Eddie Moloney, and Tommy Whelan, played this tune often. This amazing flute tradition from in and around Ballinakill, County Galway made its way across the Atlantic Ocean, brought to America by two other masters from East Galway, Mike Rafferty and Jack Coen. Both these gentlemen were awarded National Heritage Fellowships for their contributions to the living arts and culture of the United States. What an amazing life's journey in the name of music. Enjoy the tune and decide for yourself which part you would prefer to begin the tune on!</text>
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                <text>Nicky McAuliffe is an expert on the history and names of Irish music, as well as being proficient on many instruments and a noted teacher. Nicky and his wife Ann, herself a teacher and champion on a number of instruments, recorded this version of 'Maude Miller' for me in their home in County Kerry. We first heard it played by master accordionist Joe Burke in the early 1960s.</text>
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                  <text>Hornpipes</text>
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                <text>Accordion player Brendan McCann lived near Hartford in the state of Connecticut. He had many fine tunes in his repertoire, including this hornpipe which he first heard in his hometown of Moate, County Westmeath, many years ago. I was thrilled when Brendan sent it to me on a cassette tape. It is played here by Damien, my nephew, who also lives in Connecticut.</text>
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                  <text>Waltzes</text>
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          <element elementId="50">
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                <text>Cruca Glás na hÉireann</text>
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            <description>The topic of the resource</description>
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                <text>Folk dance music--Ireland</text>
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                <text>Accordion music--Ireland</text>
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                <text>Accordion and piano music</text>
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                <text>The music lives and breathes in the soul of Tara Lynch. Tara, daughter of Jerry Lynch (accordionist in the 1950s with the celebrated three-time All-Ireland champion Kilfenora C&amp;eacute;il&amp;iacute; Band), was born in New York. She learned her music from her father, and her style is steeped in the tradition of the old Kilfenora Band. The tune she plays on this track was part of the repertoire of the band in the 1960s and '70s, of which I was so honoured to be a member. I am also honoured to have Tara playing it for us: an unbroken link.</text>
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                <text>Lynch, Tara (accordion)</text>
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                <text>Boston College Libraries</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0306.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/03-06_Cruca_Glas_na_hEireann-Waltz.pdf</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270196449&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 03</name>
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                <text>Brother Gildas / Bryan O'Lynn</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Jigs</text>
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                <text>O'Lynn, Bryan</text>
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                <text>&lt;p dir="ltr"&gt;&lt;span&gt;The exciting recording on this track was made by RT&amp;Eacute; Raidi&amp;oacute; na Gaeltachta, featuring master musicians Tony MacMahon and Steve Cooney. The first jig is associated with the piping of Brother Gildas O'Shea. The second jig of the set, 'Bryan O'Lynn', is one of a number of closely related tunes, variants of which include &lt;a href="http://connollymusiccollection.bc.edu/document/453" target="_self"&gt;'The Planting Stick'&lt;/a&gt; and &lt;a href="http://connollymusiccollection.bc.edu/document/454" target="_self"&gt;'Magpie in the Tree'&lt;/a&gt;, found elsewhere in this collection. The two tunes on this track were played together previously by Tommy Potts and Tommy Reck, and they make for a beautiful pairing. Although the first tune does not appear in sheet music form in this collection, both tunes may be found in &lt;/span&gt;&lt;span&gt;&lt;em&gt;The Leo Rowsome Collection of Irish Music&lt;/em&gt;.&lt;/span&gt;&lt;span&gt; Thanks to Malachy Moran, manager of Audio Services and Archive at RT&amp;Eacute; Radio, for permission to use the recording for this project, and to Raidi&amp;oacute; na Gaeltachta. A special 'thank you' to Steve Cooney for his generous help in tracking down the original recording, and for the great guitar playing that complemented Tony's magical performance. Tony, thanks for the music and for bringing this track to my attention.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;div&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>MacMahon, Tony </text>
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                <text>Cooney, Steve</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0308.mp3</text>
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                <text>&lt;span&gt;Marie Reilly, the fiddle player from New York, played this reel at a Gaelic Roots Festival concert at Boston College, her alma mater. Thanks to Marie for bringing the tune to our attention. I did my utmost to find the tune's composer in order to give credit in the collection, but my efforts were unsuccessful. I now know that this delightful reel is a version of 'The Easy Club' composed by Jim Sutherland. The track is played here by Tara Breen and D&amp;aacute;ire Mulhern, for whom I named the tune before I learned of its correct title. Thanks to composer Jim Sutherland for his lovely reel.&lt;/span&gt;</text>
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                <text>Sean Nugent and his Pride of Erin C&amp;eacute;il&amp;iacute; Band from County Fermanagh loved to play this jig. So too did Johnny McGreevy from Chicago, who played it for me in 1972 with piano player Eleanor Kane Neary. Jimmy Noonan on flute and Dan Gurney on accordion took the time in 2009 to learn it and record it for this collection. Thanks, boys: beautifully played with that great old swing! For want of a better or more current title, 'Pride of Erin' is fine in my book.</text>
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                <text>Accordionist Larry Gavin, a longtime friend, put this tune on tape for me a few years ago at his home in Tulla, County Clare. Larry is a repository of Irish music, and he raised this tune up from his deep well. Apparently the tune was played by members of the old Aughrim Slopes C&amp;eacute;il&amp;iacute; Band from County Galway back in the 1940s. Larry, together with East Clare fiddle player Miche&amp;aacute;l O'Rourke and piano accompanist Charlie Lennon, recorded this version of the tune especially for me. The tune may also be heard on their own CD recording &lt;em&gt;Two Miles to Tulla&lt;/em&gt;&amp;nbsp;in a set with 'The Plains of Mayo'.</text>
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                <text>Master accordionist Bobby Gardiner from Clare composed this reel. I first heard it on an LP he recorded in Ireland, produced by his fellow accordionist Dermot O'Brien: exciting and wonderful music. When I asked Bobby if he would perform it again, for this collection, he told me that he had no recollection of the tune but I certainly could put the tune in the book. I convinced him to play it for me, but for that to happen, I had to send him a copy of the tune so that he could re-learn it. On a visit to Boston College, Bobby did record it and I greatly enjoyed that session. Barbara MacDonald Magone was with us that day and she &amp;ndash; with her stories and laughs &amp;ndash; made it a memorable occasion.</text>
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                <text>O'Brien's Tower</text>
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                <text>Paddy O'Brien, the learned and beloved accordionist from County Offaly who now lives in Minneapolis, recorded 'O'Brien's Tower', one of his many compositions, for me while on a visit to the home of Sally K. Sommers Smith Wells and her husband Paul Wells. Paddy possesses a vast repertoire of music, an encyclopedic knowledge of its history, and a profound understanding of the tradition. In his published music collections, a must for scholars and enthusiasts of Irish music, Paddy has compiled hundreds and hundreds of tunes, with stories for every one. Thank you, Paddy, for your music, your encouragement, and your enormous contributions to the traditional music of Ireland.</text>
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                <text>Harvest Field, The</text>
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                <text>I had a scratchy old 78 RPM recording of a band from Boston and could barely identify the tune they were playing. I believe the person playing the accordion on the track was Billy Caples, a well-known Boston accordion player and teacher. I sent it to Baltimore to Billy McComiskey. He and flutist Laura Byrne learned the tune and made this recording with Donna Long playing the piano: shades of Boston's Dudley Street dance halls in the 1950s.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0407.mp3</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270350193&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 04</name>
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