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                <text>I am so honoured that my great friend, the prolific composer Bob McQuillen, wrote this tune for me. 'The Professor', as I call him, is a special person in my life and I have for many years admired his compositions and music. Bob is heard playing his beloved piano with his 'Dear Girls', as he likes to describe Deanna Stiles, the flutist, and Jane McBride Orzechowski, the fiddle player, in his band. Old New England, as they are known, recorded this track for me in Bob's home in New Hampshire.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>My young friend Meghan Mette composed this reel. I was delighted that she asked me to play it with her, along with Nicole Rabata on flute and Kevin McElroy on mandolin. She tells us how the tune came about: &lt;br /&gt;&lt;br /&gt;'I wrote this tune for S&amp;eacute;amus first and foremost as a "thank you" for all of the musical wisdom he has imparted to me. However, it is also a tale of the many afternoons spent in S&amp;eacute;amus' music room, learning, listening, playing... Some days we just sat and listened to old albums on the wonderful sound system, the notes vibrating through the varnished floorboards and bouncing off the walls... &lt;br /&gt;&lt;br /&gt;My favourite afternoons, however, were when it was just the two of us, sitting side by side, playing tunes for the fun of it; maybe S&amp;eacute;amus would think of a special ornament he wanted to show me or a specific tune that was fun to play in a different key. I often enjoyed just sitting back and observing S&amp;eacute;amus when he went on a rant of tunes. I was, and still am, mesmerised by the fluidity and grace of his fingers as they tickle the fingerboard, his bow flying over the strings, his mind at obvious peace. These are my favourite images, frozen in time, S&amp;eacute;amus in another world entirely, just playing because he loves it so. When I play "The North Road", it reminds me of these moments...'&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Multi-instrumentalist Brian Hebert from the Boston area conferred on me special recognition by composing and playing this slip jig. The chair mentioned in the tune's title is my endowed position as Sullivan Artist in Residence at The Center for Irish Programs at Boston College.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270196374&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 03</name>
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                <text>Is It Any Good, Séamus?</text>
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                <text>I was honoured when Mrs. Matilda Murdoch from New Brunswick composed this hornpipe for me on her ninetieth birthday. After a night of playing music together at her daughter's home in Massachusetts, Matilda presented me with this very recording of herself playing her composition. A wonderful lady, a great composer and fiddle player, Matilda Murdoch has done much for the music of the Gael. God bless you, my friend. Gabriel Donohue added piano accompaniment to Matilda's fiddle, and we both spoke to her at her home as she celebrated her ninety-second birthday. She loved the track with Gabriel's piano playing. She asked Gabriel if he would go on tour with her &amp;ndash; so young at heart!</text>
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                <text>One of America's most distinguished master musicians, North Carolina banjo player, fiddle player, and composer Tony Ellis was out on his tractor one day when he began to hear this barndance in his head. Not knowing whether he'd heard the tune somewhere before, or if it was something new, he went inside and pulled out his fiddle. &lt;br /&gt;&lt;br /&gt;I was not at home when he rang me, but he played the tune onto my answering machine and asked if I had ever heard it. As soon as I received his message, I returned his phone call and told him that I had never heard the tune before. &lt;br /&gt;&lt;br /&gt;Later, on one of his CD recordings, &lt;em&gt;Quaker Girl&lt;/em&gt;, Tony recorded the tune for posterity and gave it the above title. I am very proud that my friend, the wonderful fiddle player Liz Knowles, kept Tony's interpretation and feeling in mind yet added her very own nuances, colour, and variations when she played the tune for this collection. Thanks, Liz!</text>
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