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                <text>Paddy Cronin's Reel</text>
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                <text>Paddy Cronin was always very eager to learn new tunes. Paddy loved 'going through the books' with his fiddle in hand. He had a vast store of old tunes and an amazing repertoire, including this reel, played here for us by the lovely ladies of music, Liz and Yvonne, the wonderful Kane sisters from County Galway.</text>
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                <text>Kane, Liz (fiddle) 14434465</text>
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                <text>Séamus Connolly</text>
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                <text>Kane, Liz </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_1001.mp3</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Jigs</text>
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                <text>P.J. Conlon's</text>
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                <text>Clancy's Jig</text>
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                <text>The accordion master Peter 'P.J.' Conlon recorded an amazing series of 78 RPM records. He recorded this jig (under the title 'Clancy's Jig'), as did his friend Bill Sullivan, who called it 'Conlon's'. Here it is played on melodeon by my nephew Damien Connolly.</text>
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                <text>Boston College Libraries</text>
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                <text>Connolly, Damien </text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 04</name>
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                <text>One-Horned Buck, The</text>
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                <text>Another tune from the legendary Cathal McConnell. He gave me this tune, and the others in this collection, during that visit to Boston and Cambridge, Massachusetts, over thirty years ago (see &lt;a href="http://connollymusiccollection.bc.edu/document/643" target="_self"&gt;'Cathal's Reel'&lt;/a&gt;).</text>
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                <text>Madden, Joanie (whistle) 38423903</text>
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                <text>Donohue, Gabriel (guitar) 103020997</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_1002.mp3</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 10</name>
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                <text>Old Wheels of the World (Larry Redican's version)</text>
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                <text>Neary, Eleanor Kane 61343934</text>
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                <text>'The Wheels of the World' is known to musicians as the title of both a reel and a jig. The two tunes are not related musically, and both are unrelated to the tune presented here. I learned 'The Old Wheels of the World' from pianist Eleanor Kane Neary when I visited Chicago in 1972. It is played on this track by fiddle player Larry Redican, slightly differently from the way I heard Eleanor playing it.</text>
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                <text>Some of the lovely variations in Shannon Heaton's playing of this reel came from Johnny McGreevy, the Chicago fiddle master. They were given to Shannon by the one and only Liz Carroll, who also comes from that City by the Lake.</text>
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                <text>I believe it is important to feature master fiddle player Julia Clifford and her son Billy playing the first dance tune in this collection. It was the first reel that they recorded for me that night in Tralee over fifty years ago, when Julia invited me to record herself and Billy playing tunes she thought I might not have. When they played a tune I admitted to never having heard, she would ask me in surprise, 'You don't have it, do you?' &lt;br /&gt;&lt;br /&gt;As I look back now, I realise that it was an act of musical generosity to a young musician, which perhaps contained within it the inspiration not only for this project, but also for how I, throughout my life as a musician and teacher, have been driven and encouraged to do my utmost in passing along to others this incredible and astonishing oral and aural tradition. For that I say, 'Thank you, Julia; thank you, Billy'. Little did you both realise fifty years ago when you made that tape for me how much influence your music would have on today's musicians and students alike.</text>
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                <text>2</text>
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                <text>A great old jig that I first played with the legendary Clare piper Willie Clancy. It seems appropriate that Padraic Mac Math&amp;uacute;na, son of Ciar&amp;aacute;n Mac Math&amp;uacute;na, the radio and television presenter, should play it with me for this collection. Padraic spent much of his youth in Miltown Malbay where Willie Clancy lived, and Padraic's playing on the pipes is certainly a musical reflection of the nuances of Willie Clancy's music. Hospitality is at its best in the home of Padraic, his good wife Anne, and their lovely children. Sandy and I often reminisced about the evening we spent with them in Dublin, which was topped off when the man himself, Ciar&amp;aacute;n Mac Math&amp;uacute;na, shared a wonderful dinner with all of us.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270196439&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>I found an old brown manuscript page and remembered that my former sister-in-law Maureen Glynn had given it to me. Maureen grew up in Brooklyn, New York. She was a talented lady and widely respected in the Irish music and dance world. Maureen was a great musician: a piano, fiddle, and whistle player who taught hundreds of children in and around The Big Apple. She was also an Irish dance teacher, but most times could be heard playing music at the feiseanna instead of adjudicating the dancing. Maureen loved the old music and it was always a delight to play with her. &lt;br /&gt;&lt;br /&gt;The track heard here is taken from a cassette recording that I made years ago of myself playing the tune from that manuscript. If memory serves me well, I believe it was a handwritten transcription of a page from &lt;em&gt;The Roche Collection&lt;/em&gt;, where this tune occurs in the key of G under the title above. I moved the tune to the key of A, in order to give it a more open, pipes-like sound on the fiddle. At the time of recording, some variations had come to mind and I did not want to forget them, so onto the tape they went. I forgot about the tune after that, but I recently found the tape in a drawer in my music room. I thought it would make a worthy addition to this collection. So here is Maureen Glynn's old brown manuscript. A tune not to be forgotten. Enjoy!</text>
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                <text>'Maestro' Se&amp;aacute;n Maguire played this tune in the key of A major at a concert in Kilfenora, County Clare, many years ago. My friend Sally K. Sommers Smith Wells reminded me that it somehow was like the song 'Love Will You Marry Me?' Brendan Bulger from Boston plays the tune, a version of which may be found in &lt;em&gt;O'Neill's 1001&lt;/em&gt; collection.</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0928.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/09-28_The_Old_Schoolmaster-Reel.pdf</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270534970&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 09</name>
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                  <text>Reels</text>
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                <text>Old Mill Road, The</text>
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                <text>As I travel throughout the country, I have a compulsive habit of looking at street signs in the hope of discovering a good name or title for a new musical composition. I have seen a few variations on the above title and often wondered what road accordionist Paddy O'Brien was referring to when he named this tune, one of his many fine compositions. Paddy, from County Offaly, has been a friend and inspiration for many years. I have fond memories of him and me as teenagers playing music together in Tullamore, County Offaly. We were both young then, but the memories live on.</text>
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                <text>O'Brien, Paddy (accordion) (composer) 28799446</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0614.mp3</text>
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              <elementText elementTextId="10678">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270479313&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 06</name>
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                  <text>Hornpipes</text>
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                <text>Old Blackbird, The</text>
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                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="6127">
                <text>Hornpipes</text>
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                <text>Accordion music--Ireland</text>
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                <text>Looking back in time, one of my special memories of working on this project was the visit I made to Finbarr Dwyer. As I was setting up my recording machine he was playing this, his very own version of 'The Old Blackbird'. I have always loved this tune, but hearing it played by Finbarr that day made it even more special. I captured most of his remarkable playing of this tune, and here it is now. Finbarr's playing is a perfect lesson on the difference between the 'bones' of a tune that can be found in a transcription and what that tune can become in the mind and hands of a true master. The transcription included with this collection is taken from a book entitled &lt;em&gt;Forget Me Not&lt;/em&gt;, which Laurel Martin and I compiled for Mel Bay.</text>
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                <text>Jack Coen gave me the name for this jig, which can be found as a two-part tune in A major in the &lt;em&gt;O'Neill's 1001&lt;/em&gt; collection. I first heard the tune played by 'The Man of Many Tunes', Larry Gavin. I also heard a version of it performed by Mr. David Curry and his orchestra in a radio broadcast when I was still living in Ireland. A classical musician, David Curry took traditional tunes in the public domain and arranged them for orchestra. Maine flute player Nicole Rabata and I play David Curry's four-part setting of 'Old as the Hills'. We transposed it to the key of G major, the key that Larry Gavin played it in many years ago.</text>
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                <text>Geraldine Cotter liked this tune the first time she heard me playing it. 'Let's try and record it', she said, and as I played the jig a second time she followed right along. This track is the result of our efforts. I do not have a name for this jig, but I have given it a title based on the fact that I first heard it many years ago on a 78 record.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0320.mp3</text>
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          </element>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="10523">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270196405&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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          <element elementId="50">
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                <text>O'Reilly's Fancy</text>
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                <text>Folk dance music--Ireland</text>
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                <text>My friend in Tulla, Larry Gavin, sent me this reel thirty-five years ago. I love Larry's accordion playing and I am grateful to him for supplying many wonderful tunes to me during all the years that I have lived in America. Larry, as they say, you 'kept me at it'. The reel is played on this track by Joanie Madden.</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="10693">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491865&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 07</name>
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                <text>Turlough O'Carolan's eighteenth-century compositions have attracted the attention of musicians all over the world. His music occupies a unique and permanent place in the repertoire of Irish traditional music. I learned this tune from the guitar playing of my friend Anisa Angarola. We played it together on Anisa's CD &lt;em&gt;Birdwatcher Hill&lt;/em&gt;, and that track appears here. The tune can be found as number 174 in Donal O'Sullivan's magisterial collection &lt;em&gt;Carolan: The Life, Times and Music of an Irish Harper, Volume 1&lt;/em&gt;.</text>
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                <text>Paddy O'Brien, the learned and beloved accordionist from County Offaly who now lives in Minneapolis, recorded 'O'Brien's Tower', one of his many compositions, for me while on a visit to the home of Sally K. Sommers Smith Wells and her husband Paul Wells. Paddy possesses a vast repertoire of music, an encyclopedic knowledge of its history, and a profound understanding of the tradition. In his published music collections, a must for scholars and enthusiasts of Irish music, Paddy has compiled hundreds and hundreds of tunes, with stories for every one. Thank you, Paddy, for your music, your encouragement, and your enormous contributions to the traditional music of Ireland.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>My young friend Meghan Mette composed this reel. I was delighted that she asked me to play it with her, along with Nicole Rabata on flute and Kevin McElroy on mandolin. She tells us how the tune came about: &lt;br /&gt;&lt;br /&gt;'I wrote this tune for S&amp;eacute;amus first and foremost as a "thank you" for all of the musical wisdom he has imparted to me. However, it is also a tale of the many afternoons spent in S&amp;eacute;amus' music room, learning, listening, playing... Some days we just sat and listened to old albums on the wonderful sound system, the notes vibrating through the varnished floorboards and bouncing off the walls... &lt;br /&gt;&lt;br /&gt;My favourite afternoons, however, were when it was just the two of us, sitting side by side, playing tunes for the fun of it; maybe S&amp;eacute;amus would think of a special ornament he wanted to show me or a specific tune that was fun to play in a different key. I often enjoyed just sitting back and observing S&amp;eacute;amus when he went on a rant of tunes. I was, and still am, mesmerised by the fluidity and grace of his fingers as they tickle the fingerboard, his bow flying over the strings, his mind at obvious peace. These are my favourite images, frozen in time, S&amp;eacute;amus in another world entirely, just playing because he loves it so. When I play "The North Road", it reminds me of these moments...'&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Paddy Kierse, as Ciarán Mac Mathúna said on his Radio Éireann program A Job of Journeywork, was a lovely old musician. Ciarán recorded his playing of this tune on a visit to north County Clare. Mr. Kierse, from Kilnaboy, near Kilfenora, had wonderful old tunes, stories, and history from that part of the county. &#13;
&#13;
Monsignor Charlie Coen from New York State, formerly of Woodford, County Galway, did an excellent job playing the tune in the style of Mr. Kierse. We recorded the tune at my home in Maine. Kevin McElroy pulled out Sandy's old guitar and strummed along.</text>
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                <text>David Reiner composed 'The New Road to Sligo'. It is played for us by Liz Carroll. David told me that he composed this tune 'to tell the story of a musical road trip, from the bold beginning in G minor, to the detour into B flat, to the simpler and lyrical third part.'</text>
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