https://connollymusiccollection.bc.edu/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Jigs&sort_field=Dublin+Core%2CTitle&sort_dir=d&output=atom <![CDATA[The Séamus Connolly Collection of Irish Music]]> 2024-03-29T06:43:23-07:00 Omeka https://connollymusiccollection.bc.edu/document/539 <![CDATA[Young When He's Dancing]]> 2016-10-12T08:08:57-07:00

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This tune was composed by Chicago fiddle player Devin Shepherd. He plays it here with his friend Sean Gavin on flute. Devin named the tune for Mike Doyle from County Wexford, who now lives in Chicago. Mike is an avid enthusiast of the music and can be found on the floor youthfully dancing wherever music is played.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/473 <![CDATA[Will Hardy's Twiggy Jig]]> 2016-10-12T08:08:49-07:00

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My friend Beth Sweeney is the librarian for the Irish Music Archives at the Burns Library of Boston College. When she finds time in her schedule, Beth likes to play music and compose. On this track she plays one of her own tunes, which she describes in this way: 'In the early 1990s I recorded a cassette tape of a few fiddle tunes I had composed, including this jig, and gave the tape to Séamus Connolly, my first teacher of Irish fiddle music. Years later, after listening to the tape again, Séamus asked me if I would record this particular jig for his collection. On this track I play both fiddle and piano. The tune is named for a dear friend of mine, Will Hardy, an award-winning designer and a great appreciator of music. The "twigginess" of the jig is a play on words, a reference to my friend Forrest, with whom I exchanged many a tune around the same time that this jig was written.'

Publisher

Séamus Connolly
Boston College Libraries

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Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/494 <![CDATA[Whelan's Auld Sow]]> 2016-10-12T08:08:51-07:00

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The leader of the band Cherish the Ladies is Joanie Madden, who plays this tune for us on the flute. I first heard Eddie Moloney play it. Eddie came from Ballinakill in County Galway and may have named the tune. Tommy Whelan was a member of the Ballinakill Traditional Players. However, I do not know if he indeed owned a sow...

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/538 <![CDATA[What Care I for the Minister?]]> ‘The First Slip’).

When Kathleen did arrive in Maine, guess what happened? Yes, my machine would not record. I was so upset, especially because she had driven over 150 miles for nothing. Well, that's not true: we turned the day into something special by having dinner and a nice bottle of wine while reminiscing about friends in Boston and our musical exploits together around New England. Kathleen did eventually get to record the slip jig, this time in her own home and with her own equipment. I ask myself if there was a jinx on this tune. Maybe it had something to do with its title. I'm puzzled. Anyhow I am grateful to you, Kathleen. Thank you, my friend. I think we beat the odds.]]>
2016-10-12T08:08:57-07:00

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This slip jig from the Scottish tradition was taught to me by Boston harpist Kathleen Guilday. I told her about this project and asked her if she would record it for me. Kathleen was delighted, and graciously agreed to come to Maine to do the recording. I also told Kathleen of the mishap in my brother's home in Ennis, County Clare (for further insight into the recording of this slip jig, see ‘The First Slip’).

When Kathleen did arrive in Maine, guess what happened? Yes, my machine would not record. I was so upset, especially because she had driven over 150 miles for nothing. Well, that's not true: we turned the day into something special by having dinner and a nice bottle of wine while reminiscing about friends in Boston and our musical exploits together around New England. Kathleen did eventually get to record the slip jig, this time in her own home and with her own equipment. I ask myself if there was a jinx on this tune. Maybe it had something to do with its title. I'm puzzled. Anyhow I am grateful to you, Kathleen. Thank you, my friend. I think we beat the odds.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
]]>
https://connollymusiccollection.bc.edu/document/464 <![CDATA[Victor's Return, The]]> unfortunate experience. I first heard the tune in the 1950s played by the Tulla Céilí Band from County Clare. A version of this tune with the above title may be found in O'Neill's 1001 collection. At the very least, it is a close relative!]]> 2016-10-12T08:08:48-07:00

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I recorded this tune with another nephew, Karl Connolly, playing piano, on the same day as Kevin Crawford's unfortunate experience. I first heard the tune in the 1950s played by the Tulla Céilí Band from County Clare. A version of this tune with the above title may be found in O'Neill's 1001 collection. At the very least, it is a close relative!

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
]]>
https://connollymusiccollection.bc.edu/document/518 <![CDATA[Vermont Jig, The]]> Down by the Glenside. Courtesy of Eamon and Helen, I give you 'The Vermont Jig'.]]> 2016-10-12T08:08:54-07:00

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Another composition from the multi-instrumentalist Eamon Flynn from Mountcollins in County Limerick. Eamon moved from Boston to The Green Mountain State, Vermont, in 1987. His memories of the hills and fishing brooks of this beautiful state in New England live with him now as he enjoys his retirement (not from music!) in his native Limerick. We hear him playing his own composition with our mutual friend Helen Kisiel playing piano, on a track taken from Eamon's CD Down by the Glenside. Courtesy of Eamon and Helen, I give you 'The Vermont Jig'.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
]]>
https://connollymusiccollection.bc.edu/document/474 <![CDATA[Thomas Reilly, Clerk of Fore]]> The Mulvey Manuscript. Stephen Grier wrote it out on the twenty-fifth of May, 1883. Father John has supplied me with many tunes from his part of the country over the last thirty years, for which I am most grateful.

I am grateful also to the wonderful fiddle player Martin Hayes for taking time from his busy schedule to record this tune for me. Martin's playing, as always, has depth of soul, with an understanding of the tune's beauty and simplicity. Beautifully played with feeling and emotion. Up the Banner, Martin!]]>
2016-10-12T08:08:49-07:00

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Rev. John Quinn from County Leitrim sent me this tune in the 1980s. It was a copy of handwritten music from The Mulvey Manuscript. Stephen Grier wrote it out on the twenty-fifth of May, 1883. Father John has supplied me with many tunes from his part of the country over the last thirty years, for which I am most grateful.

I am grateful also to the wonderful fiddle player Martin Hayes for taking time from his busy schedule to record this tune for me. Martin's playing, as always, has depth of soul, with an understanding of the tune's beauty and simplicity. Beautifully played with feeling and emotion. Up the Banner, Martin!

Publisher

Séamus Connolly
Boston College Libraries

Relation

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/511 <![CDATA[Thomas Power's Jig]]> 'Thomas Power's Polka').]]> 2016-10-12T08:08:54-07:00

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This jig, played here for us by Josephine Keegan from South Armagh, was learned from the cassette tape that Michael Power sent me of the playing of his father, Thomas Power, a lovely fiddle player from Doonbeg in west County Clare (see 'Thomas Power's Polka').

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/521 <![CDATA[Terry's Jig]]> 2016-10-12T08:08:55-07:00

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Here we have another melody composed by the Grand Lady of New Brunswick fiddle music, Mrs. Matilda Murdoch. Its performer on this track, who once again gives Matilda's music a genuine Irish flavour, is none other than Maeve Donnelly.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/460 <![CDATA[Tart ar an Ól]]> The Roche Collection, but I first heard it played by Eddie Moloney from Ballinakill, County Galway. Eddie, Tommy Mulhaire, and his son Brendan were among those who travelled on a number of occasions in the 1960s with Mulhaire's Céilí Band to perform in different towns around County Kerry. These performances were part of a series of concerts and music weekends organised by Diarmuid Ó Catháin, who was later to become president of Comhaltas Ceoltóirí Éireann. I was thrilled when Joanie Madden, daughter of yet another Galway musician, Joe Madden, recorded the tune for me. Thanks, Joanie – keep up the great work that you and Cherish the Ladies do. We cherish you! Sláinte to you all!]]> 2016-10-12T08:08:47-07:00

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A version of this tune can be found in The Roche Collection, but I first heard it played by Eddie Moloney from Ballinakill, County Galway. Eddie, Tommy Mulhaire, and his son Brendan were among those who travelled on a number of occasions in the 1960s with Mulhaire's Céilí Band to perform in different towns around County Kerry. These performances were part of a series of concerts and music weekends organised by Diarmuid Ó Catháin, who was later to become president of Comhaltas Ceoltóirí Éireann. I was thrilled when Joanie Madden, daughter of yet another Galway musician, Joe Madden, recorded the tune for me. Thanks, Joanie – keep up the great work that you and Cherish the Ladies do. We cherish you! Sláinte to you all!

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
]]>
https://connollymusiccollection.bc.edu/document/526 <![CDATA[Shoemaker's Fancy, The]]> The Roche Collection. This tune was a favourite of flute player Eddie Moloney from Ballinakill, County Galway.]]> 2016-10-12T08:08:55-07:00

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The young fiddle player Liam Lewis played this jig on a tape given to me by a friend one night after a concert. I stuck the tape into the cover of my fiddle case and forgot about it. Finding it later was a lovely surprise. My friend Laurel Martin learned the jig from the tape and traveled all the way to my home in Maine to record it. A version of the tune may be found in The Roche Collection. This tune was a favourite of flute player Eddie Moloney from Ballinakill, County Galway.

Publisher

Séamus Connolly
Boston College Libraries

Relation

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/510 <![CDATA[Shandon Bells]]>
'With deep affection
And recollection
I often think of
Those Shandon Bells
Whose sounds so wild would,
In the days of childhood,
Fling round my cradle
Their magic spells.
On this I ponder
Where'er I wander,
And thus grow fonder,
Sweet Cork, of thee.
With thy bells of Shandon,
That sound so grand on
The pleasant waters
Of the river Lee.'

The grand old jig 'Shandon Bells', the first in O'Neill's The Dance Music of Ireland, 1001 Gems, is played on this track by Nicole Rabata on flute and myself on fiddle. We play it as a four-part tune. I played it many times as a two-part jig in the city by the River Lee. I first heard the two extra parts played by David Curry and his orchestra. They are two parts well worth hearing and preserving for posterity.]]>
2016-10-12T08:08:53-07:00

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Having lived in the beautiful and historic city of Cork in the 1960s, I often think back to the happy times I had while beginning to find my feet in the big world of city life. The clock tower of St. Anne's Church has special meaning for me because the Bells of Shandon often chimed as I walked past the church. Whenever I hear the wonderful poem 'The Bells of Shandon', penned by Francis Sylvester Mahony, it is with deep affection and recollection that I think of the Shandon Bells. Mahony's words are very meaningful to me, and I quote from his poem here for all to read:

'With deep affection
And recollection
I often think of
Those Shandon Bells
Whose sounds so wild would,
In the days of childhood,
Fling round my cradle
Their magic spells.
On this I ponder
Where'er I wander,
And thus grow fonder,
Sweet Cork, of thee.
With thy bells of Shandon,
That sound so grand on
The pleasant waters
Of the river Lee.'

The grand old jig 'Shandon Bells', the first in O'Neill's The Dance Music of Ireland, 1001 Gems, is played on this track by Nicole Rabata on flute and myself on fiddle. We play it as a four-part tune. I played it many times as a two-part jig in the city by the River Lee. I first heard the two extra parts played by David Curry and his orchestra. They are two parts well worth hearing and preserving for posterity.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
]]>
https://connollymusiccollection.bc.edu/document/503 <![CDATA[Sarah's Valentine]]> Down by the Glenside, which he recorded with our mutual friend Helen Kisiel playing piano.]]> 2016-10-12T08:08:53-07:00

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Eamon Flynn composed this slow jig for his daughter Sarah on Valentine's Day when she was five years old. Sarah asked her dad to 'do a song' for her. What a lovely present to get, one that will remain documented forever. This recording comes to us courtesy of Eamon. It was taken from his CD Down by the Glenside, which he recorded with our mutual friend Helen Kisiel playing piano.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/528 <![CDATA[Rock Point Lane]]>
I had forgotten completely about the tune and did not remember any of it when years later we came across the videotape and watched it together. She said as we watched it, 'See I told you, I knew you wouldn't remember it'. How right she was! That was Sandy. Always thinking and a step ahead. The tune is more complete now as I give it my best shot on this track. Another transcription of the jig is to be found in A Drop in the Ocean, a book of Irish traditional tunes compiled by my friend Josephine Keegan.]]>
2016-10-12T08:08:56-07:00

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'Rock Point Lane' is the name of the street in California where Sandy's parents live. One Christmas day, around 1990, when she and I were visiting them, the basic outline of this jig came to me. After working on it for a while and deciding which key would best suit the fiddle, Sandy subtly suggested that we videotape it. Secretly understanding her motive, I reluctantly agreed.

I had forgotten completely about the tune and did not remember any of it when years later we came across the videotape and watched it together. She said as we watched it, 'See I told you, I knew you wouldn't remember it'. How right she was! That was Sandy. Always thinking and a step ahead. The tune is more complete now as I give it my best shot on this track. Another transcription of the jig is to be found in A Drop in the Ocean, a book of Irish traditional tunes compiled by my friend Josephine Keegan.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
]]>
https://connollymusiccollection.bc.edu/document/536 <![CDATA[Road to Durham, The]]> A Friend Indeed. Liz informed us in the liner notes of the recording that Armin Barnett and David Molk composed the tune while driving to Durham, New York. Liz called this smashing tune 'The Ride to Durham', and her playing is a delight to listen to. The lovely fiddle playing of John Daly from County Cork is heard on this track as he remains true to the version from the tape of Cathal McConnell's flute playing. John's fiddle playing is also a delight to hear.]]> 2016-10-12T08:08:57-07:00

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Ride to Durham, The

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Cathal McConnell, 'The Great One', gave me this tune, and he also gave it the above title. Recently, I discovered that the other 'Great One', Liz Carroll, had recorded her rendition of the tune on her long-playing record A Friend Indeed. Liz informed us in the liner notes of the recording that Armin Barnett and David Molk composed the tune while driving to Durham, New York. Liz called this smashing tune 'The Ride to Durham', and her playing is a delight to listen to. The lovely fiddle playing of John Daly from County Cork is heard on this track as he remains true to the version from the tape of Cathal McConnell's flute playing. John's fiddle playing is also a delight to hear.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
]]>
https://connollymusiccollection.bc.edu/document/472 <![CDATA[Quadrille]]> 2016-10-12T08:08:49-07:00

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I had no idea of the name of the fiddle player who performed this jig on a cassette tape I had of an old 78 RPM recording. However, my friend Paul Wells knew the tune and the fiddle player, whom he identified as Leizime Brusoe. Mr. Brusoe was born in 1870, of French-Canadian stock, and lived in the North Woods region of Wisconsin. He was a champion fiddle player who was recorded by the Library of Congress in the 1930s and '40s. The jig, played here for us by Jerry O'Sullivan on the uilleann pipes, will be saved for posterity thanks to Mr. Brusoe and my dear friend Jerry.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
]]>
https://connollymusiccollection.bc.edu/document/476 <![CDATA[Pride of Erin]]> 2016-10-12T08:08:49-07:00

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Sean Nugent and his Pride of Erin Céilí Band from County Fermanagh loved to play this jig. So too did Johnny McGreevy from Chicago, who played it for me in 1972 with piano player Eleanor Kane Neary. Jimmy Noonan on flute and Dan Gurney on accordion took the time in 2009 to learn it and record it for this collection. Thanks, boys: beautifully played with that great old swing! For want of a better or more current title, 'Pride of Erin' is fine in my book.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
]]>
https://connollymusiccollection.bc.edu/document/532 <![CDATA[Port an Deoraí]]> Rogha, Geraldine Cotter's Choice.]]> 2016-10-12T08:08:56-07:00

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This lovely and unusual slip jig is played here by Geraldine Cotter. It may also be found in her collection of fifty traditional Irish tunes called Rogha, Geraldine Cotter's Choice.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
]]>
https://connollymusiccollection.bc.edu/document/502 <![CDATA[Poke and a Tickle, A]]> 2016-10-12T08:08:53-07:00

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While reflecting on Eric Eid-Reiner's musical compositions, my first thought was that he created 'happy music'. Indeed, as Eric himself described it, this is 'a light-hearted jig with a sense of humour'. Eric kindly arrived at Boston College one Sunday morning at eight o'clock to record this tune in the Irish Room at Gasson Hall. An unreasonable and unnatural hour, one might say, for a musician to record. Thanks for being so gracious, as always, Eric.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/453 <![CDATA[Planting Stick, The]]> 'The Planting Stick' is a variant of the venerable jig 'Bryan O'Lynn', a tune I first learned from my grandmother, Elizabeth Collins (née Rochford). A number of versions of 'Bryan O'Lynn' are to be found in this collection. The tune appears in Patrick W. Joyce's collection Ancient Irish Music as 'The Planting Stick'. However, the first time I heard the version which Maeve Donnelly plays for us on this track was on a cassette tape recorded in New York in the 1950s, played by an unknown fiddle player. Paddy Canny from Tulla in County Clare was in the company in New York that same evening, and he played yet another version of 'Bryan O'Lynn'.

 
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2016-10-12T08:08:46-07:00

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Bryan O’Lynn

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'The Planting Stick' is a variant of the venerable jig 'Bryan O'Lynn', a tune I first learned from my grandmother, Elizabeth Collins (née Rochford). A number of versions of 'Bryan O'Lynn' are to be found in this collection. The tune appears in Patrick W. Joyce's collection Ancient Irish Music as 'The Planting Stick'. However, the first time I heard the version which Maeve Donnelly plays for us on this track was on a cassette tape recorded in New York in the 1950s, played by an unknown fiddle player. Paddy Canny from Tulla in County Clare was in the company in New York that same evening, and he played yet another version of 'Bryan O'Lynn'.

 

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
]]>