https://connollymusiccollection.bc.edu/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Polo%2C+Cynthia+Keane&output=atom <![CDATA[The Séamus Connolly Collection of Irish Music]]> 2024-03-29T05:05:24-07:00 Omeka https://connollymusiccollection.bc.edu/document/731 <![CDATA[Just Because It's You]]>
'My first attempt at Irish fiddle playing was at a music camp in 2008, a violin novice, where I had the opportunity to learn from Séamus Connolly. He suggested that I could create a tune if I thought about a meaningful event. The tune played here by Séamus was my first attempt at composing music. It is in waltz time, and I wrote it in memory of my father, Edward Thomas Keane. As a young child, we would waltz across the living room, me riding on his feet. In later years there were father–daughter dinner dances and the dance at my wedding. We had our last waltz in 2001, the weekend before he died in the World Trade Tower on September 11th.']]>
2016-10-12T08:09:28-07:00

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Description

My dear friend Cindy Polo wrote this lovely tune in memory of her Dad. In her own words she tells us how it came to be:

'My first attempt at Irish fiddle playing was at a music camp in 2008, a violin novice, where I had the opportunity to learn from Séamus Connolly. He suggested that I could create a tune if I thought about a meaningful event. The tune played here by Séamus was my first attempt at composing music. It is in waltz time, and I wrote it in memory of my father, Edward Thomas Keane. As a young child, we would waltz across the living room, me riding on his feet. In later years there were father–daughter dinner dances and the dance at my wedding. We had our last waltz in 2001, the weekend before he died in the World Trade Tower on September 11th.'

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/525 <![CDATA[Crooked Hurricane, The]]>
'What else to do while the power is out in the middle of a hurricane? Fiddle and fiddle! I composed this tune as Hurricane Irene battered eastern North Carolina in 2011. The hurricane did not travel as expected. Its unusual pattern of travel was described as crooked. The tune too is crooked in the style of some Canadian fiddle tunes. I dedicate the jig to my friend Randy Bridgman, a native of Newfoundland. This tune is also crooked, somewhat like the shape of many of the trees in my garden when the storm subsided.']]>
2016-10-12T08:08:55-07:00

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My good friend Cindy Polo made this tune and dedicated it to another friend, Randy Bridgman. I enjoyed playing this tune with Cindy and Gabriel Donohue. In Cindy's own words, she tells us about 'The Crooked Hurricane':

'What else to do while the power is out in the middle of a hurricane? Fiddle and fiddle! I composed this tune as Hurricane Irene battered eastern North Carolina in 2011. The hurricane did not travel as expected. Its unusual pattern of travel was described as crooked. The tune too is crooked in the style of some Canadian fiddle tunes. I dedicate the jig to my friend Randy Bridgman, a native of Newfoundland. This tune is also crooked, somewhat like the shape of many of the trees in my garden when the storm subsided.'

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/724 <![CDATA[Dogwalker, The]]> 2016-10-12T08:09:27-07:00

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Cindy Polo, my good friend, phoned me one night and lilted part of this melody to me. I loved the sound of it and suggested to Cindy that it might fit naturally on the fiddle in a minor key. We talked about 'doing something with it', and so we began to collaborate on making a tune. For inspiration, we talked about Cindy's evening ritual of walking her dogs: an evening parade in her neighbourhood of people young and old, big and little, walking and being walked by a vast array of canines. Our musical thoughts and ideas were sung and played to one another over the phone for a few weeks, until we finally decided that our tune didn't sound too bad. In fact, we liked it! We are still unsure, though, as to whether it is a strathspey or a march. Time and distance did not allow Cindy and I to record our tune together, so, for what it's worth, and for your pleasure, here I am playing 'The Dogwalker'.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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