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                <text>Biddy from Sligo / The Connaughtman's Rambles</text>
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                <text>And as we present this last selection, we come to the end of a long musical journey. It is my hope that whoever reads my stories, anecdotes, and ramblings will get some insight into the tunes' histories, and some new information about them. &lt;br /&gt;&lt;br /&gt;Preferring to end this collection with lively, happy music, I asked my young musical friends, Kathleen Boyle from Scotland and Gr&amp;aacute;inne Murphy from Massachusetts, to do me the honour of recording the above-named tunes for this last track. These same jigs were recorded in 1937 by Kathleen's grandfather, the famed fiddle maestro N&amp;eacute;illidh Boyle from County Donegal. The young ladies are joined by N&amp;eacute;illidh's son Hughie Boyle, who plays piano, and together, with pride, they give us that same lift and drive associated with the wonderful music that is peculiar to County Donegal. I was thrilled when Kathleen invited me to join herself, her dad, and Gr&amp;aacute;inne in remembering her grandfather, completing an extraordinary musical circle. The torch has indeed been passed.&lt;br /&gt;&lt;br /&gt;It so happens that the last tune on the track, 'The Connaughtman's Rambles', is the first jig I ever learned, and I did so from the 78 RPM recording that N&amp;eacute;illidh Boyle recorded seventy-eight years ago. In a way, then, this track is symbolic of how Irish traditional music keeps coming full circle, shared back and forth between musicians across the broad Atlantic and across generations. &lt;br /&gt;&lt;br /&gt;And lest I forget about the not-often-heard tune dedicated to a certain Biddy (a nickname for 'Bridget') from Sligo, my mind goes back in time to my grandmother sitting by the fireside listening to me trying to learn and play this fine jig. And so, in remembrance of my grandmother, &lt;span&gt;Elizabeth Collins (n&amp;eacute;e Rochford)&lt;/span&gt;, a wonderful lady of tunes, songs, and stories, I hereby offer an account of the lyrics she had for 'Biddy from Sligo': &lt;br /&gt;&lt;br /&gt;'Oh mother dear, may I go for a swim? &lt;br /&gt;Yes, my darling daughter! &lt;br /&gt;Mind the boys don't see your shins, &lt;br /&gt;Keep them well under the water!'</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Young When He's Dancing</text>
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                <text>Folk dance music--Ireland</text>
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                <text>This tune was composed by Chicago fiddle player Devin Shepherd. He plays it here with his friend Sean Gavin on flute. Devin named the tune for Mike Doyle from County Wexford, who now lives in Chicago. Mike is an avid enthusiast of the music and can be found on the floor youthfully dancing wherever music is played.</text>
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                <text>Shepherd, Devin (fiddle) (composer)</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>What Care I for the Minister?</text>
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                <text>This slip jig from the Scottish tradition was taught to me by Boston harpist Kathleen Guilday. I told her about this project and asked her if she would record it for me. Kathleen was delighted, and graciously agreed to come to Maine to do the recording. I also told Kathleen of the mishap in my brother's home in Ennis, County Clare (for further insight into the recording of this slip jig, see &lt;a href="http://connollymusiccollection.bc.edu/document/484" target="_self"&gt;&amp;lsquo;The First Slip&amp;rsquo;&lt;/a&gt;). &lt;br /&gt;&lt;br /&gt;When Kathleen did arrive in Maine, guess what happened? Yes, my machine would not record. I was so upset, especially because she had driven over 150 miles for nothing. Well, that's not true: we turned the day into something special by having dinner and a nice bottle of wine while reminiscing about friends in Boston and our musical exploits together around New England. Kathleen did eventually get to record the slip jig, this time in her own home and with her own equipment. I ask myself if there was a jinx on this tune. Maybe it had something to do with its title. I'm puzzled. Anyhow I am grateful to you, Kathleen. Thank you, my friend. I think we beat the odds.</text>
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                <text>Guilday, Kathleen (harp)</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_1024.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/10-24_What_Care_I_for_the_Minister-Slip_Jig.pdf</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270539937&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>The fiddle master N&amp;eacute;illidh Boyle recorded this tune as part of a two-jig set in Dublin in 1937. That recording happened to be the very first record of Irish fiddle music that I had when I was growing up. It is performed on this track by N&amp;eacute;illidh's grandaughter Kathleen on piano accordion and Gr&amp;aacute;inne Murphy on fiddle. They both did me the honour of recording the track in Donegal, home to Kathleen's parents and grandfather.</text>
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                <text>Cathal McConnell, 'The Great One', gave me this tune, and he also gave it the above title. Recently, I discovered that the other 'Great One', Liz Carroll, had recorded her rendition of the tune on her long-playing record &lt;em&gt;A Friend Indeed&lt;/em&gt;. Liz informed us in the liner notes of the recording that Armin Barnett and David Molk composed the tune while driving to Durham, New York. Liz called this smashing tune 'The Ride to Durham', and her playing is a delight to listen to. The lovely fiddle playing of John Daly from County Cork is heard on this track as he remains true to the version from the tape of Cathal McConnell's flute playing. John's fiddle playing is also a delight to hear.</text>
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                <text>During that &lt;a href="http://connollymusiccollection.bc.edu/document/434" target="_self"&gt;musical evening at the Gavins'&lt;/a&gt; in Balbriggan so long ago, Jimmy Keane, the piano accordion player from Chicago, played this tune. He informed me that it is one of Liz Carroll's compositions, entitled 'The Champaign Jig Goes to Columbia'. It can be found in &lt;em&gt;Liz Carroll Collected&lt;/em&gt;, a beautifully produced book of her wonderful compositions. Gr&amp;aacute;inne Murphy plays her version of the tune on this track.</text>
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                <text>David Curry's broadcasts from the BBC studios in Belfast were eagerly awaited in my home. He broadcast many fine tunes, including this one, which Nicole Rabata and I arranged for flute and fiddle. Not having the tune's original title, I have named it for the river that flows through Mr. Curry's hometown of Belfast.</text>
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                <text>David Reiner composed 'The New Road to Sligo'. It is played for us by Liz Carroll. David told me that he composed this tune 'to tell the story of a musical road trip, from the bold beginning in G minor, to the detour into B flat, to the simpler and lyrical third part.'</text>
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                <text>This lovely and unusual slip jig is played here by Geraldine Cotter. It may also be found in her collection of fifty traditional Irish tunes called &lt;em&gt;Rogha, Geraldine Cotter's Choice&lt;/em&gt;.</text>
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                <text>I first heard this tune played by Nicky McAuliffe and Connie O'Connell on two fiddles. They played it at a concert in Miltown Malbay at the Willie Clancy Summer School in 1988. They learned the tune from a P&amp;aacute;draig O'Keeffe manuscript. Here we listen to fiddle player Kevin Burke playing the jig in his unmistakable lilting style.</text>
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                <text>This tune may be found in the &lt;em&gt;O'Neill's Music of Ireland&lt;/em&gt; collection under the title 'Gallant Tipperary'. It also appears in &lt;em&gt;The Roche Collection of Traditional Irish Music&lt;/em&gt; in the 'Airs' section of that book. The tune, played here by Laurel Martin, was popular in Boston in the 1930s and 1940s.</text>
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                <text>Séamus Connolly</text>
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                <text>Four-Fingered Fisherman, The</text>
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                <text>The young Chicago fiddle player Devin Shepherd composed this fine jig. He plays it on this track with his musical friend, flute player Sean Gavin from Detroit, accompanied by Brian Miller on guitar and Jackie Moran on bodhr&amp;aacute;n.</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0907.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/09-07_The_Four-Fingered_Fisherman-Jig.pdf</text>
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              <elementText elementTextId="10577">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270535059&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 09</name>
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                  <text>Jigs</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="7293">
                <text>Rock Point Lane</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="7295">
                <text>Jigs</text>
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                <text>Fiddle tunes--Ireland</text>
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                <text>Walter, Chrysandra</text>
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                <text>'Rock Point Lane' is the name of the street in California where Sandy's parents live. One Christmas day, around 1990, when she and I were visiting them, the basic outline of this jig came to me. After working on it for a while and deciding which key would best suit the fiddle, Sandy subtly suggested that we videotape it. Secretly understanding her motive, I reluctantly agreed. &lt;br /&gt;&lt;br /&gt;I had forgotten completely about the tune and did not remember any of it when years later we came across the videotape and watched it together. She said as we watched it, 'See I told you, I knew you wouldn't remember it'. How right she was! That was Sandy. Always thinking and a step ahead. The tune is more complete now as I give it my best shot on this track. Another transcription of the jig is to be found in &lt;em&gt;A Drop in the Ocean&lt;/em&gt;, a book of Irish traditional tunes compiled by my friend Josephine Keegan.</text>
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              <elementText elementTextId="7298">
                <text>Connolly, Séamus (fiddle) (composer) 33682623</text>
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                <text>Séamus Connolly</text>
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                <text>Connolly, Séamus</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0905.mp3</text>
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              <elementText elementTextId="7305">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/09-05_Rock_Point_Lane-Jig.pdf</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="10576">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270535070&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 09</name>
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          <element elementId="50">
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                <text>For Betty Killoran</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>Accordion music--Ireland</text>
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                <text>Another composition of accordionist and concertina player Charlie Mulvihill from New York. It is played on this track by Charlie and his children Tommy on fiddle, and Geraldine on piano. It is another of the tunes on the tape that Mr. Mulvihill made for Mrs. Betty Killoran, wife of Sligo fiddle player Paddy Killoran. Hopefully, some day in the not too distant future, we will see and hear a CD recording of more of the music of Mr. Mulvihill, this great tunesmith.</text>
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                <text>Mulvihill, Charlie </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0838.mp3</text>
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          </element>
          <element elementId="47">
            <name>Rights</name>
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              <elementText elementTextId="10575">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>My good friend Cindy Polo made this tune and dedicated it to another friend, Randy Bridgman. I enjoyed playing this tune with Cindy and Gabriel Donohue. In Cindy's own words, she tells us about 'The Crooked Hurricane': &lt;br /&gt;&lt;br /&gt;'What else to do while the power is out in the middle of a hurricane? Fiddle and fiddle! I composed this tune as Hurricane Irene battered eastern North Carolina in 2011. The hurricane did not travel as expected. Its unusual pattern of travel was described as crooked. The tune too is crooked in the style of some Canadian fiddle tunes. I dedicate the jig to my friend Randy Bridgman, a native of Newfoundland. This tune is also crooked, somewhat like the shape of many of the trees in my garden when the storm subsided.'</text>
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                <text>I love slip jigs and I enjoy playing them. Patrick W. Joyce collected this one from David Grady, a flute player from Ardpatrick in County Limerick, but he did not get the tune's name. 'David Grady's' sounds good to me. Mr. Joyce's collection was published in 1876. I have it in my library, and my copy once belonged to a Br&amp;iacute;d O'Callaghan from County Limerick. She signed the book in 1961, when she was 16 years old. I wonder where she is now. Wherever you are, Br&amp;iacute;d, this tune lives on and I play it here for you.</text>
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                <text>My musical colleague and friend Laurel Martin made this lovely tune. Laurel did not think highly of her composition, nor did she think it good enough for this collection. Laurel, I love your jig, as do many others who have heard it. Thanks for playing it and recording it for all of us to hear and learn.</text>
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                <text>I first fell in love with this tune when I heard fiddle master supreme Winston 'Scotty' Fitzgerald from Cape Breton playing it on a recording. I had in my collection a tape of my friend, pianist Barbara MacDonald Magone, playing the jig in two different keys. I sent the recording to pianist Donna Long. Donna recorded the tune, also in the same two musical keys that Barbara had played them in. I am grateful to Donna for this track and to Barbara for the original recording. The tune is named for the Green Mountain Boys, headed by Ethan Allen during the American Revolution in the 1700s.</text>
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                <text>Here we have another melody composed by the Grand Lady of New Brunswick fiddle music, Mrs. Matilda Murdoch. Its performer on this track, who once again gives Matilda's music a genuine Irish flavour, is none other than Maeve Donnelly.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270512741&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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