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                <text>Don't Get Me Anything</text>
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                <text>B&amp;eacute;rub&amp;eacute;, Alice</text>
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                <text>My friends from Winnipeg, Canada, Alice Bérubé and her sister Jeannine, visited with Sandy and me a few years ago. Both of them play fiddles and they enjoy getting together to talk, laugh, and play music. They meet once a year, as Alice lives on Prince Edward Island and Jeannine three thousand miles away in Vancouver. We played music in my house for a few days and had much fun. On the day of their departure, they told me that they were going to go shopping for a gift for me. I appreciated their kindness, but told them, 'don't get me anything!' I left the house to do some errands and when I returned my friends were nowhere to be found. I somehow thought I heard fiddle music in the house but did not know where it was coming from.&#13;
&#13;
A few days later, after my friends had returned home, a fax came to my house with a tune written on manuscript paper. It was a jig that the ladies had composed while up in my attic. They had somehow found their way up there. Unfortunately, on the day the fax arrived my machine was running low on ink. The lines on the paper all ran together on the tune's second part, and I was unable to make it out. At Sandy's suggestion, I sat at the kitchen table to compose a temporary replacement for it. &#13;
&#13;
I next met the ladies a year later at the Northeast Heritage Music Camp, and we began to play the jig, but with a few surprises and laughs as our two competing second parts clashed against each other! I had to explain to them what had happened to their original second part, and my addition was demoted to a third part. We recorded it with help from Ken Perlman on banjo and Pete Sutherland on piano, two fellow teachers at the camp. Thanks, ladies, a nice gift, better than 'anything' from a shop.</text>
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                <text>Connolly, Séamus (fiddle) (composer) 33682623</text>
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                <text>Boston College Libraries</text>
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                <text>Webb, Jeannine </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0814.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/08-14_Dont_Get_Me_Anything-Jig.pdf</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 08</name>
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                <text>Johnson State Jig, The</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Piano music--Ireland</text>
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                <text>Another tune that Eric Eid-Reiner played for me during that &lt;a href="http://connollymusiccollection.bc.edu/document/502" target="_self"&gt;early morning recording session&lt;/a&gt; in Gasson Hall on the Boston College campus. Eric told me that he wrote the jig after listening to a lively session at Johnson State College in Vermont. The music session was part of the Northeast Heritage Music Camp.</text>
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                <text>Eid-Reiner, Eric (piano) (composer)</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>2016-02-12</text>
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                <text>Eid-Reiner, Eric </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0813.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/08-13_The_Johnson_State_Jig.pdf</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270512789&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 08</name>
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                  <text>Jigs</text>
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                <text>Vermont Jig, The</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>Fiddle tunes--Ireland</text>
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                <text>Flynn, Eamon</text>
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                <text>Another composition from the multi-instrumentalist Eamon Flynn from Mountcollins in County Limerick. Eamon moved from Boston to The Green Mountain State, Vermont, in 1987. His memories of the hills and fishing brooks of this beautiful state in New England live with him now as he enjoys his retirement (not from music!) in his native Limerick. We hear him playing his own composition with our mutual friend Helen Kisiel playing piano, on a track taken from Eamon's CD &lt;em&gt;Down by the Glenside&lt;/em&gt;. Courtesy of Eamon and Helen, I give you 'The Vermont Jig'.</text>
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                <text>Flynn, Eamon (fiddle) (composer)</text>
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                <text>Flynn, Eamon </text>
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                <text>Kisiel, Helen</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0812.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/08-12_The_Vermont_Jig.pdf</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270512798&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 08</name>
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                  <text>Jigs</text>
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                <text>Barney's Jig</text>
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                <text>This track comes to us courtesy of Kathleen Boyle from Glasgow. Kathleen recorded it in Donegal in 2011 in the county where her grandfather, the great N&amp;eacute;illidh Boyle, lived. Kathleen carries on her grandfather's tradition of composing as she plays her own tune, 'Barney's Jig'.</text>
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                <text>Boyle, Kathleen (piano, piano accordion) (composer) 254341404</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Go Easy, Young Hag</text>
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                <text>Celtic harp music--Ireland</text>
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                <text>The fiddle playing of Devin Shepherd from Chicago is heard once again on this track, playing one of his own compositions. He is joined by Marta Cook, who plays the harp. A lovely tune, Devin, thanks for sending it along. Thank you too, Marta, for helping with the recording.</text>
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                <text>Shepherd, Devin (fiddle) (composer)</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0803.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/08-03_Go_Easy_Young_Hag-Jig.pdf</text>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="10564">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270512858&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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        <name>Playlist 08</name>
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              <name>Title</name>
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                  <text>Jigs</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="7093">
                <text>Larry's Strange Jig</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="7095">
                <text>Jigs</text>
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                <text>Fiddle tunes--Ireland</text>
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                <text>Redican, Larry</text>
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                <text>McGraw, Ted</text>
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              <elementText elementTextId="7098">
                <text>Ted McGraw has an amazing collection of music in his library. He sent me this recording of Larry Redican and suggested that it was 'a strange jig'. Ted doesn't know where the recording took place, and he has little or no information about the tune. My own intuition seems to suggest that the jig may be of Canadian origin. Thank you, Ted, for bringing the tune to light once more.</text>
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                <text>Redican, Larry (fiddle)</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>Redican, Larry </text>
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              <elementText elementTextId="7105">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0735.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/07-35_Larrys_Strange_Jig.pdf</text>
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          </element>
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="10563">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491813&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 07</name>
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            <element elementId="50">
              <name>Title</name>
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                <elementText elementTextId="352">
                  <text>Jigs</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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              <elementText elementTextId="7078">
                <text>Bill Sullivan's Jig</text>
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          <element elementId="49">
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                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="7080">
                <text>Jigs</text>
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              <elementText elementTextId="7081">
                <text>Melodeon music</text>
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              <elementText elementTextId="7082">
                <text>Sullivan, William F. 16824076</text>
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                <text>Conlon, Peter (P.J.)</text>
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              <elementText elementTextId="7083">
                <text>&lt;span&gt;Accordion player William Sullivan immigrated from Clifden, Ireland, to New York City in the 1920s, later settling in Parlin, New Jersey. He recorded this tune on Sampler Records in the late 1980s in a duo with Mitzie Collins, a hammered dulcimer and piano player. Bill Sullivan was a friend of the 1920s accordion player Peter 'P.J.' Conlon, and they often played music together. My friend Ted McGraw from Rochester told me that both these accordionists appeared on a 78 RPM recording on the Clarion label, with Peter Conlon on one side of the record and Bill Sullivan on the other. The jig is played on this track by my nephew Damien Connolly on melodeon. The title that I gave to the jig is 'Bill Sullivan's'. Names change from time to time: Bill Sullivan had named it for Mr. Conlon.&lt;/span&gt;</text>
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            <name>Creator</name>
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              <elementText elementTextId="7085">
                <text>Connolly, Damien (melodeon)</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>2016-02-12</text>
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                <text>Connolly, Damien </text>
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              <elementText elementTextId="7091">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0734.mp3</text>
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              <elementText elementTextId="7092">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/07-34_Bill_Sullivans_Jig.pdf</text>
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            <name>Rights</name>
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              <elementText elementTextId="10562">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491814&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 07</name>
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                <text>A week-long Irish music school known as Meitheal is held every year in Limerick. The five-day immersion in Irish music is directed by flute player Garry Shannon. As a teacher at the summer school, I had an assignment to work with a group of students who were interested in learning how to make up tunes. The music of composers Liz Carroll, Josephine Keegan, and Phil Cunningham from Scotland were used as examples. Students were asked to study the approach and methods used by these well-known composers. 'I'm not too sure where this is going to go', I said to myself. 'Music, I believe, happens when one is least thinking about it." However, after much listening, discussion, agreement, and collaborating, the students composed this tune. A talented group of young musicians &amp;ndash; concertina players, accordionists, and other instruments all performing together &amp;ndash; a wonderful sight to hear and behold! I have no fear for the future of Irish music. Nicole Rabata, a young flute player from Portland, Maine, joins me on this track. Listen and enjoy.</text>
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                <text>Connolly, Séamus (fiddle) 33682623</text>
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              <elementText elementTextId="10561">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Great Composer, The</text>
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                <text>Fiddle tunes--Ireland</text>
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                <text>Redican, Larry</text>
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                <text>A prolific composer in the world of Irish music was master fiddle player Larry Redican. I didn't have a name for this jig, hence the title 'The Great Composer' came to mind. Larry plays the fiddle on this tune, which was a favourite of his friend Mr. Roger Casey, an Irish dance adjudicator. Roger kindly gave me all the recordings of Larry Redican which are featured in this collection, with the exception of the recording of &lt;a href="http://connollymusiccollection.bc.edu/document/515" target="_self"&gt;'Larry's Strange Jig'&lt;/a&gt;.</text>
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                <text>Redican, Larry (fiddle) (composer)</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0732.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/07-32_The_Great_Composer-Jig.pdf</text>
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            <elementTextContainer>
              <elementText elementTextId="10560">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491818&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                  <text>Jigs</text>
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                <text>Thomas Power's Jig</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>Power, Thomas</text>
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                <text>This jig, played here for us by Josephine Keegan from South Armagh, was learned from the cassette tape that Michael Power sent me of the playing of his father, Thomas Power, a lovely fiddle player from Doonbeg in west County Clare (see &lt;a href="http://connollymusiccollection.bc.edu/document/544" target="_self"&gt;'Thomas Power's Polka'&lt;/a&gt;).</text>
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                <text>Keegan, Josephine (fiddle) 72741909</text>
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                <text>Séamus Connolly</text>
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                <text>Keegan, Josephine </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0726.mp3</text>
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              <elementText elementTextId="7047">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/07-26_Thomas_Powers_Jig.pdf</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10559">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Shandon Bells</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>Mahony, Francis 71293686</text>
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                <text>Having lived in the beautiful and historic city of Cork in the 1960s, I often think back to the happy times I had while beginning to find my feet in the big world of city life. The clock tower of St. Anne's Church has special meaning for me because the Bells of Shandon often chimed as I walked past the church. Whenever I hear the wonderful poem 'The Bells of Shandon', penned by Francis Sylvester Mahony, it is with deep affection and recollection that I think of the Shandon Bells. Mahony's words are very meaningful to me, and I quote from his poem here for all to read: &lt;br /&gt;&lt;br /&gt;'With deep affection &lt;br /&gt;And recollection &lt;br /&gt;I often think of &lt;br /&gt;Those Shandon Bells &lt;br /&gt;Whose sounds so wild would, &lt;br /&gt;In the days of childhood, &lt;br /&gt;Fling round my cradle &lt;br /&gt;Their magic spells. &lt;br /&gt;On this I ponder &lt;br /&gt;Where'er I wander, &lt;br /&gt;And thus grow fonder, &lt;br /&gt;Sweet Cork, of thee. &lt;br /&gt;With thy bells of Shandon, &lt;br /&gt;That sound so grand on &lt;br /&gt;The pleasant waters &lt;br /&gt;Of the river Lee.' &lt;br /&gt;&lt;br /&gt;The grand old jig 'Shandon Bells', the first in O'Neill's &lt;em&gt;The Dance Music of Ireland, 1001 Gems&lt;/em&gt;, is played on this track by Nicole Rabata on flute and myself on fiddle. We play it as a four-part tune. I played it many times as a two-part jig in the city by the River Lee. I first heard the two extra parts played by David Curry and his orchestra. They are two parts well worth hearing and preserving for posterity.</text>
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                <text>Rabata, Nicole (flute)</text>
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                <text>How Are You, Sandy? (Sandy Connolly's)</text>
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                <text>It meant much to my wife Sandy and me when Bill Black, our friend from Cape Cod, sent us a tune that he composed in her honour entitled 'How Are You, Sandy?' Bill later sent the tune under the new title 'Sandy Connolly's' when she left us to go to her eternal reward. Thank you, sir, for caring so much. Sandy was very moved by your thoughtfulness. My friend Kevin McElroy joins me on this track.</text>
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                <text>Connolly, Séamus (fiddle) 33682623</text>
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                <text>David Reiner has published a number of fiddle books, including &lt;em&gt;Anthology of Fiddle Tunes&lt;/em&gt; (Mel Bay). According to Dave, this tune came together in his head while he was hiking with his parents and brother in the Canadian Rocky Mountains. After he returned from the hike he picked up his fiddle and, he writes, 'made a few improvements to the tune, including the ending that tumbles down arpeggios like a waterfall into a canyon.' The great Liz Carroll recreates Dave's musical hiking adventure with her interpretation of this composition.</text>
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                <text>I Love You Not and I Care Not</text>
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                <text>One could say not a very pleasing or romantic title, but certainly a tune worth preserving, even more so when it's played on the fiddle by Maeve Donnelly. Whilst driving through Italy with Chrysandra (Sandy), my wife, this old jig came into my head, and I scribbled some of the notes on paper so that I would remember it again. I had first heard the tune played on the C&amp;eacute;il&amp;iacute; House programme in the 1960s by the well-known nine-brother band The McCusker Brothers, from Northern Ireland. What a pleasant coincidence it was, upon my return from Italy, to hear the tune on Maeve's 2002 recording &lt;em&gt;Maeve Donnelly&lt;/em&gt;. Maeve has done me the honour of playing it again for this collection.</text>
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                <text>Donnelly, Maeve (fiddle) 63623960</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0703.mp3</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Joy of My LIfe</text>
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                <text>This well-known jig is performed on this track by yours truly, S&amp;eacute;amus Connolly. With help on the banjo from my friend Kevin McElroy, we offer this grand two-part jig as a way to invite musicians to play this tune once again. The interesting second part of the tune comes from the fiddle playing of Thomas Power from Doonbeg in County Clare.</text>
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                <text>Connolly, Séamus (fiddle) 33682623</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0702.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/07-02_Joy_of_My_Life-Jig.pdf</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Lough Key</text>
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                <text>A lovely slip jig played here for us by its composer, master fiddle player Larry Redican. Lough Key in County Roscommon is one of the beautiful lakes in Ireland famous for its fishing.</text>
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                <text>Redican, Larry (fiddle) (composer)</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0629.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/06-29_Lough_Key-Slip_Jig.pdf</text>
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              <elementText elementTextId="10552">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270479263&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 06</name>
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          <element elementId="50">
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                <text>Sarah's Valentine</text>
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                <text>Jigs</text>
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                <text>Flynn, Sarah</text>
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                <text>Flynn, Eamon</text>
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              <elementText elementTextId="6909">
                <text>Eamon Flynn composed this slow jig for his daughter Sarah on Valentine's Day when she was five years old. Sarah asked her dad to 'do a song' for her. What a lovely present to get, one that will remain documented forever. This recording comes to us courtesy of Eamon. It was taken from his CD &lt;em&gt;Down by the Glenside&lt;/em&gt;, which he recorded with our mutual friend Helen Kisiel playing piano.</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>Flynn, Eamon </text>
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                <text>While reflecting on Eric Eid-Reiner's musical compositions, my first thought was that he created 'happy music'. Indeed, as Eric himself described it, this is 'a light-hearted jig with a sense of humour'. Eric kindly arrived at Boston College one Sunday morning at eight o'clock to record this tune in the Irish Room at Gasson Hall. An unreasonable and unnatural hour, one might say, for a musician to record. Thanks for being so gracious, as always, Eric.</text>
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                <text>Jack Coen gave me the name for this jig, which can be found as a two-part tune in A major in the &lt;em&gt;O'Neill's 1001&lt;/em&gt; collection. I first heard the tune played by 'The Man of Many Tunes', Larry Gavin. I also heard a version of it performed by Mr. David Curry and his orchestra in a radio broadcast when I was still living in Ireland. A classical musician, David Curry took traditional tunes in the public domain and arranged them for orchestra. Maine flute player Nicole Rabata and I play David Curry's four-part setting of 'Old as the Hills'. We transposed it to the key of G major, the key that Larry Gavin played it in many years ago.</text>
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