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                <text>Key in the Kiln, The</text>
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                <text>Key in the Cill, The</text>
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                <text>Monsignor Charles Coen recorded the jig on this track. In his own words, Father Charlie tells us what he knows about the tune: &lt;br /&gt;&lt;br /&gt;'This tune "The Key in the Cill" or "The Key in the Kiln" was popular in Woodford when I was growing up. It was a great favourite of Bill Logue's. Bill took a strong sweet tone from a flute and had amazing breath control. As with many Irish tunes, the title doesn't have to make sense. "Cill" being the Irish for "church", the title could mean "The Key in the Church", or "church key", or the latter sometimes a humorous name for a corkscrew, or "Kiln" being a place for burning lime, it may have some strange connection with that. The tune is important for me because I made my debut along with Bill's son Josie at a church concert playing it on two fifes. I was ten and Josie was eight and it was the only tune we both knew. My mother had some words to that melody as follows: &lt;br /&gt;&lt;br /&gt;"The girls are on the lookout young men, &lt;br /&gt;The flowers are blooming, &lt;br /&gt;It is Spring and June will surely a wedding bring. &lt;br /&gt;The girls are on the lookout young men."' &lt;br /&gt;&lt;br /&gt;Sl&amp;aacute;n, Charlie.</text>
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                <text>Coen, Charles (concertina) 38213636</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Joanie Madden of Cherish the Ladies fame composed this happy jig. In her own words Joanie tells us of her inspiration: 'I was inspired to write this tune after a very rocky ferry ride to the beautiful island of Inishbofin off the coast of Connemara in County Galway'.</text>
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                <text>Plains of Mayo, The</text>
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                <text>This jig is tune number 304 in [George] &lt;em&gt;Petrie's Complete Irish Music&lt;/em&gt;. It is given a special melodic lift by Larry Gavin and Miche&amp;aacute;l O'Rourke on accordion and fiddle. Charlie Lennon adds his own unmistakable accompaniment on piano. They recorded this version of the tune especially for me. The tune may also be heard on their own CD recording &lt;em&gt;Two Miles to Tulla&lt;/em&gt; in a set with 'The Galway Jig'.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Mordaunt's Fancy</text>
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                <text>Kevin Burke learned this tune from a tape of Larry Redican which I sent to him, one of a number of tapes given to me by dancing master Mr. Roger Casey. Kevin plays this jig in his own lonesome and swinging style.</text>
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                <text>Lame Crowley</text>
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                <text>Accordion music--Ireland</text>
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                <text>I knew that Billy McComiskey, Laura Byrne, and Donna Long, with their superlative musicianship, would be the right people to play this tune. I learned it many years ago from my long-time friend Mr. Larry Gavin. Billy was curious as to where the jig had come from, while saying in a few words that it sounded to him like a beautiful old melody. Glad you like it as much as I do, Billy.</text>
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                <text>Whelan's Auld Sow</text>
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                <text>The leader of the band Cherish the Ladies is Joanie Madden, who plays this tune for us on the flute. I first heard Eddie Moloney play it. Eddie came from Ballinakill in County Galway and may have named the tune. Tommy Whelan was a member of the Ballinakill Traditional Players. However, I do not know if he indeed owned a sow...</text>
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                <text>Keith Corrigan played melodeon and had some grand old tunes including this jig. It is another of the tunes that he played for me at his home in Qu&amp;eacute;bec. It is played on this track by Damien, my nephew.</text>
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                <text>Growing up in Ireland, and while practicing my fiddle in the home of my grandmother, &lt;span&gt;Elizabeth Collins (n&amp;eacute;e Rochford)&lt;/span&gt;, I drank many's the mug of black tea. I remember her tea being very strong and having to drink it without milk. I questioned my granny as to why she made it so strong. Her response to me was that it was 'no good unless you could trot a mouse on it'. Food for thought I suppose. &lt;br /&gt;&lt;br /&gt;My good friend, the wonderful musician Josephine Keegan, composed this lovely tune. She plays it here for us on fiddle to her own piano accompaniment. Josephine did make some tea for Sandy and me when we visited her home in County Armagh and she did have milk! Josephine's composition may also be found in &lt;em&gt;The Keegan Tunes, Cuid a Tr&amp;aacute; (Book 3)&lt;/em&gt;.</text>
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                <text>Séamus Connolly</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Drunken Ganger's, The</text>
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                <text>This is another tune that was given to me by accordionist Larry Gavin, who lives in Tulla, in east County Clare. A version of this slip jig may be found in &lt;em&gt;Ryan's Mammoth Collection&lt;/em&gt;. It is played here in fine style by the talented Gr&amp;aacute;inne Murphy.</text>
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                <text>Murphy, Gráinne (fiddle)</text>
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                <text>Murray, Alan (guitar)</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0518.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/05-18_The_Drunken_Gangers-Slip_Jig.pdf</text>
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              <elementText elementTextId="10539">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270372151&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                  <text>Jigs</text>
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                <text>Marg's Jig</text>
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                <text>Maeve Donnelly plays a composition of master composer Mrs. Matilda Murdoch, the queen of New Brunswick fiddle playing. Matilda has numerous compositions to her credit and she takes great pleasure in passing the tunes along to musicians eager to learn them. Matilda was delighted to hear the musical confluence that resulted when Maeve played this New Brunswick tune in her wonderful Irish fiddle style.</text>
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                <text>Murdoch, Matilda (composer)</text>
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                <text>This grand old jig appears in &lt;em&gt;O'Neill's 1001&lt;/em&gt;. I first heard the legendary Joe Burke play this tune with the lovely surprise variation in the second part. Thanks to Holland Raper for learning the tune and playing it on her fiddle. She is a former student of Mick Gavin of Meelick, County Clare, and Detroit, and, at the time of writing, a student at Berklee College of Music in Boston.</text>
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                <text>Catherine McEvoy composed this jig. I named it 'Catherine's Classroom' after reading her story of how the tune came about. In her own words: 'I have a wooden cabin at the back of the house that I use for teaching in, and for musical purposes. I was on my own one evening waiting for pupils to come, and playing a few tunes, and it just came to me. I called it "The Cabin Jig" just to give it a name when I wrote it down, hoping to come up with something better. Unfortunately, it's not a very exciting story, and I never did get round to re-naming it.'</text>
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                <text>I have known Ted and Bridget McGraw of Rochester, New York, since the 1980s. I have great memories of playing with Ted in The Village Coachhouse, in Brookline, Massachusetts, a veritable musical institution that was owned by the Varian family of Cork. Here Ted recounts how he came to have a tune written for him and Bridgie by Jimmy Shand, Jr., renowned Scottish accordionist, composer, and accordion tuner: 'We were in Scotland in '86 heading out of Auchtermuchty looking for Jimmy Shand's house when I spotted Jimmy Jr. standing by his gate across the road. He was instantly recognizable from his record jackets. His famous father was adjudicating somewhere up the country so Jimmy Jr. graciously invited us in for a chat. When I saw his shop I immediately asked if he could convert an old Hohner Club Morino to Irish tuning. The bargain was made and even at that time, it was difficult to match the quality of 'Artiste' reeds, so about a year later the box came back to me in Rochester with the tune enclosed, dated Oct. '87. The tone quality of the box, by the way, was beautiful!' The jig is played here for us by Josephine Keegan on fiddle and piano.</text>
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                <text>Accordion music--Ireland</text>
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                <text>When I visited the accordion master Finbarr Dwyer at his home in County Clare, he played this jig, which he had composed when he was about ten years old. Finbarr did not think too highly of the tune: he can be heard on the recording describing it with the words in the above title. But I have no doubt that whoever hears this track will enjoy the creation of this prolific composer and extraordinary musical genius.</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10533">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                  <text>Jigs</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="6622">
                <text>First Slip, The</text>
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            <description>The topic of the resource</description>
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                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="6624">
                <text>Jigs</text>
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                <text>Flute music--Ireland</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>On that night in Ennis in the home of my brother Martin and his wife Pauline (see &lt;a href="http://connollymusiccollection.bc.edu/document/585" target="_self"&gt;&amp;lsquo;John Egan&amp;rsquo;s&amp;rsquo;&lt;/a&gt;), I thought I had captured Kevin Crawford playing a slip jig called 'What Care I For The Minister?' However, in the confusion, commotion, and mayhem that ensued when we realised that the tape recorder had been unplugged, it turned out that the slip jig Kevin played that evening was one called 'The First Slip'. &lt;br /&gt;&lt;br /&gt;Featured here on this track, this melody also appears in &lt;em&gt;The Dance Music of Willie Clancy&lt;/em&gt;, a collection compiled by Pat Mitchell and published in 1976. Everything turned out just fine, as it happens: 'The First Slip' is a wonderful melody, and I was able to get my friend Kathleen Guilday to play 'What Care I For the Minister?', found &lt;a href="http://connollymusiccollection.bc.edu/document/538" target="_self"&gt;elsewhere&lt;/a&gt; in this collection.</text>
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                <text>Crawford, Kevin (flute) 71291044</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>Crawford, Kevin </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0420.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/04-20_The_First_Slip-Slip_Jig.pdf</text>
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              <elementText elementTextId="10532">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270350144&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 04</name>
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          <element elementId="50">
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                <text>Humours of Ballyhaunis</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>Flute music--Ireland</text>
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                <text>The 'goings on' or happy and fun times in Ballyhaunis, County Mayo, give this slip jig its name. I first heard the tune played by the talented musical Quinn family from New York. A version of the tune may be found in O'Neill's great collection of Irish music. A tune well worth playing and worth its weight in gold: on this track performed for us by Shannon Heaton.</text>
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              <elementText elementTextId="6612">
                <text>Heaton, Shannon (flute)</text>
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                <text>Heaton, Matt (guitar)</text>
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                <text>Séamus Connolly</text>
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                <text>Heaton, Shannon </text>
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              <elementText elementTextId="10531">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Another of Jimmy Hogan's North County Clare tunes. It is played here, as was &lt;a href="http://connollymusiccollection.bc.edu/document/463" target="_self"&gt;'Jimmy Hogan's Number One'&lt;/a&gt;, by Josephine Keegan on fiddle.</text>
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                <text>Jack Coen had a storehouse of older tunes from his native East Galway. Jack learned this tune from the playing of Jim Conroy, a flute player from his part of the country who was a great musical influence. It is played here for us by the one and only Joanie Madden.</text>
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