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                  <text>Jigs</text>
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                <text>P.J. Conlon's</text>
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                <text>Clancy's Jig</text>
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                <text>Folk dance music--Ireland</text>
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                <text>The accordion master Peter 'P.J.' Conlon recorded an amazing series of 78 RPM records. He recorded this jig (under the title 'Clancy's Jig'), as did his friend Bill Sullivan, who called it 'Conlon's'. Here it is played on melodeon by my nephew Damien Connolly.</text>
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                <text>Connolly, Damien (melodeon)</text>
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                <text>Boston College Libraries</text>
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                <text>Connolly, Damien </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0408.mp3</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270350189&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 04</name>
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                  <text>Jigs</text>
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                <text>North Clare Jig</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Concertina music</text>
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                <text>Mac Math&amp;uacute;na, Ciar&amp;aacute;n 36142146</text>
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                <text>Kierse, Paddy</text>
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                <text>Paddy Kierse, as Ciarán Mac Mathúna said on his Radio Éireann program A Job of Journeywork, was a lovely old musician. Ciarán recorded his playing of this tune on a visit to north County Clare. Mr. Kierse, from Kilnaboy, near Kilfenora, had wonderful old tunes, stories, and history from that part of the county. &#13;
&#13;
Monsignor Charlie Coen from New York State, formerly of Woodford, County Galway, did an excellent job playing the tune in the style of Mr. Kierse. We recorded the tune at my home in Maine. Kevin McElroy pulled out Sandy's old guitar and strummed along.</text>
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                <text>Coen, Charles (concertina) 38213636</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>Coen, Charles </text>
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                <text>McElroy, Kevin</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0402.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/04-02_North_Clare_Jig-Single_Jig.pdf</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270350220&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 04</name>
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                  <text>Jigs</text>
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                <text>Connolly's Chair</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>Banjo music--Ireland</text>
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                <text>Connolly, Séamus 33682623</text>
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                <text>Multi-instrumentalist Brian Hebert from the Boston area conferred on me special recognition by composing and playing this slip jig. The chair mentioned in the tune's title is my endowed position as Sullivan Artist in Residence at The Center for Irish Programs at Boston College.</text>
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                <text>Hebert, Brian (banjo, octave mandolin) (composer)</text>
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                <text>Séamus Connolly</text>
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                <text>Hebert, Brian </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0329.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/03-29_Connollys_Chair-Slip_Jig.pdf</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270196374&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 03</name>
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                <text>Galway Jig, The</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>Accordionist Larry Gavin, a longtime friend, put this tune on tape for me a few years ago at his home in Tulla, County Clare. Larry is a repository of Irish music, and he raised this tune up from his deep well. Apparently the tune was played by members of the old Aughrim Slopes C&amp;eacute;il&amp;iacute; Band from County Galway back in the 1940s. Larry, together with East Clare fiddle player Miche&amp;aacute;l O'Rourke and piano accompanist Charlie Lennon, recorded this version of the tune especially for me. The tune may also be heard on their own CD recording &lt;em&gt;Two Miles to Tulla&lt;/em&gt;&amp;nbsp;in a set with 'The Plains of Mayo'.</text>
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                <text>Sean Nugent and his Pride of Erin C&amp;eacute;il&amp;iacute; Band from County Fermanagh loved to play this jig. So too did Johnny McGreevy from Chicago, who played it for me in 1972 with piano player Eleanor Kane Neary. Jimmy Noonan on flute and Dan Gurney on accordion took the time in 2009 to learn it and record it for this collection. Thanks, boys: beautifully played with that great old swing! For want of a better or more current title, 'Pride of Erin' is fine in my book.</text>
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                <text>Geraldine Cotter liked this tune the first time she heard me playing it. 'Let's try and record it', she said, and as I played the jig a second time she followed right along. This track is the result of our efforts. I do not have a name for this jig, but I have given it a title based on the fact that I first heard it many years ago on a 78 record.</text>
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                <text>Rev. John Quinn from County Leitrim sent me this tune in the 1980s. It was a copy of handwritten music from &lt;em&gt;The Mulvey Manuscript&lt;/em&gt;. Stephen Grier wrote it out on the twenty-fifth of May, 1883. Father John has supplied me with many tunes from his part of the country over the last thirty years, for which I am most grateful. &lt;br /&gt;&lt;br /&gt;I am grateful also to the wonderful fiddle player Martin Hayes for taking time from his busy schedule to record this tune for me. Martin's playing, as always, has depth of soul, with an understanding of the tune's beauty and simplicity. Beautifully played with feeling and emotion. Up the Banner, Martin!</text>
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                <text>Will Hardy's Twiggy Jig</text>
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                <text>My friend Beth Sweeney is the librarian for the Irish Music Archives at the Burns Library of Boston College. When she finds time in her schedule, Beth likes to play music and compose. On this track she plays one of her own tunes, which she describes in this way: 'In the early 1990s I recorded a cassette tape of a few fiddle tunes I had composed, including this jig, and gave the tape to S&amp;eacute;amus Connolly, my first teacher of Irish fiddle music. Years later, after listening to the tape again, S&amp;eacute;amus asked me if I would record this particular jig for his collection. On this track I play both fiddle and piano. The tune is named for a dear friend of mine, Will Hardy, an award-winning designer and a great appreciator of music. The "twigginess" of the jig is a play on words, a reference to my friend Forrest, with whom I exchanged many a tune around the same time that this jig was written.'</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0314.mp3</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Quadrille</text>
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                <text>I had no idea of the name of the fiddle player who performed this jig on a cassette tape I had of an old 78 RPM recording. However, my friend Paul Wells knew the tune and the fiddle player, whom he identified as Leizime Brusoe. Mr. Brusoe was born in 1870, of French-Canadian stock, and lived in the North Woods region of Wisconsin. He was a champion fiddle player who was recorded by the Library of Congress in the 1930s and '40s. The jig, played here for us by Jerry O'Sullivan on the uilleann pipes, will be saved for posterity thanks to Mr. Brusoe and my dear friend Jerry.</text>
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                <text>O'Sullivan, Jerry (uilleann pipes) 31619251</text>
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                <text>O'Sullivan, Jerry </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0311.mp3</text>
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              <elementText elementTextId="10520">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="6425">
                <text>Old Tipperary</text>
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          <element elementId="49">
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                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="6427">
                <text>Jigs</text>
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                <text>A great old jig that I first played with the legendary Clare piper Willie Clancy. It seems appropriate that Padraic Mac Math&amp;uacute;na, son of Ciar&amp;aacute;n Mac Math&amp;uacute;na, the radio and television presenter, should play it with me for this collection. Padraic spent much of his youth in Miltown Malbay where Willie Clancy lived, and Padraic's playing on the pipes is certainly a musical reflection of the nuances of Willie Clancy's music. Hospitality is at its best in the home of Padraic, his good wife Anne, and their lovely children. Sandy and I often reminisced about the evening we spent with them in Dublin, which was topped off when the man himself, Ciar&amp;aacute;n Mac Math&amp;uacute;na, shared a wonderful dinner with all of us.</text>
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                <text>Mac Mathúna, Padraic </text>
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                <text>&lt;p dir="ltr"&gt;&lt;span&gt;The exciting recording on this track was made by RT&amp;Eacute; Raidi&amp;oacute; na Gaeltachta, featuring master musicians Tony MacMahon and Steve Cooney. The first jig is associated with the piping of Brother Gildas O'Shea. The second jig of the set, 'Bryan O'Lynn', is one of a number of closely related tunes, variants of which include &lt;a href="http://connollymusiccollection.bc.edu/document/453" target="_self"&gt;'The Planting Stick'&lt;/a&gt; and &lt;a href="http://connollymusiccollection.bc.edu/document/454" target="_self"&gt;'Magpie in the Tree'&lt;/a&gt;, found elsewhere in this collection. The two tunes on this track were played together previously by Tommy Potts and Tommy Reck, and they make for a beautiful pairing. Although the first tune does not appear in sheet music form in this collection, both tunes may be found in &lt;/span&gt;&lt;span&gt;&lt;em&gt;The Leo Rowsome Collection of Irish Music&lt;/em&gt;.&lt;/span&gt;&lt;span&gt; Thanks to Malachy Moran, manager of Audio Services and Archive at RT&amp;Eacute; Radio, for permission to use the recording for this project, and to Raidi&amp;oacute; na Gaeltachta. A special 'thank you' to Steve Cooney for his generous help in tracking down the original recording, and for the great guitar playing that complemented Tony's magical performance. Tony, thanks for the music and for bringing this track to my attention.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>This tune, played by Damien Connolly on fiddle this time, is one of his own compositions. I'm not sure who the title refers to, but since he was born in County Clare, maybe it's himself!</text>
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                <text>The first time that I saw Gr&amp;aacute;inne Murphy was when her mother and father, Joan and Dan, brought her to a music session in Watertown, Massachusetts. Gr&amp;aacute;inne did not have a fiddle with her then because she was just a little baby in a basket! One could see that day that Gr&amp;aacute;inne was excited and charmed by the music. Those of us there that afternoon somehow knew that she would become a musician of note, and that she did. She is a fine fiddle player who has recorded a solo CD which was given a number of excellent reviews, and she has been a member of the renowned group Cherish the Ladies. The tune on this track is performed by Gr&amp;aacute;inne herself and is one of her own compositions.</text>
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                <text>At a county Fleadh Cheoil in Tulla, County Clare, in the late 1950s, I recorded fiddle player Paddy Canny and accordionist Mattie Ryan playing this tune in a duet competition. Here, Kevin Crawford joins me in playing this single jig.</text>
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                <text>This tune is named for a winding part of the road leading into Lisdoonvarna, County Clare. Try pedalling a bicycle up or down those hills! This single jig was very popular with The Kilfenora C&amp;eacute;il&amp;iacute; Band during my tenure with them. It is performed on this track by Geraldine Cotter on the whistle. Thanks for the memories, Geraldine. As they say in County Clare, 'keep the fire down, and keep pedalling'.</text>
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                <text>Any Auld Thing At All</text>
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                <text>Victor's Return</text>
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                <text>My brother Martin learned this version of &lt;a href="http://connollymusiccollection.bc.edu/document/464" target="_self"&gt;'The Victor's Return'&lt;/a&gt; from fiddle player Johnny Cronin from County Kerry. When Martin asked Johnny for the tune's title, Johnny told Martin to call it 'any auld thing at all'! Martin was reluctant to play the tune for me as he had not played for many months. He felt that he might not be able to get through it. When he did agree and got going he was loving the tune so much I couldn't get him to stop. I hope you never stop playing, Martin!</text>
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                <text>Connolly, Martin J. (accordion)</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0213.mp3</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270184067&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Victor's Return, The</text>
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                <text>I recorded this tune with another nephew, Karl Connolly, playing piano, on the same day as Kevin Crawford's &lt;a href="http://connollymusiccollection.bc.edu/document/585" target="_self"&gt;unfortunate experience&lt;/a&gt;. I first heard the tune in the 1950s played by the Tulla C&amp;eacute;il&amp;iacute; Band from County Clare. A version of this tune with the above title may be found in &lt;em&gt;O'Neill's 1001&lt;/em&gt; collection. At the very least, it is a close relative!</text>
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                <text>Connolly, Séamus (fiddle) 33682623</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0212.mp3</text>
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              <elementText elementTextId="10512">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270184068&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Jimmy Hogan's (Number One)</text>
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                <text>Jigs</text>
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                <text>Jimmy Hogan from Liscannor in County Clare loved to play his whistle and batter out the County Clare set dances on the floor. Jimmy was an icon in Boston and he was loved by everyone who met him. This tune from north County Clare was one of his favourites. It is recorded here for us by Josephine Keegan from County Armagh.</text>
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                <text>Roberta (Bobbie) Lawrie comes from the musical Lawrie family from Birmingham, England. On one occasion when I was visiting her home, Bobbie recorded some of her compositions for me. At that time, nobody in her household knew that she was composing tunes on her whistle. I'm glad that I had the opportunity to capture some of these tunes on tape. Catherine McEvoy was delighted to learn and play this tune for this collection. As mentioned &lt;a href="http://connollymusiccollection.bc.edu/document/553" target="_self"&gt;elsewhere&lt;/a&gt;, Catherine also grew up in Birmingham.</text>
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