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                <text>Ah, a Simple Little Yoke</text>
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                <text>When I visited the accordion master Finbarr Dwyer at his home in County Clare, he played this jig, which he had composed when he was about ten years old. Finbarr did not think too highly of the tune: he can be heard on the recording describing it with the words in the above title. But I have no doubt that whoever hears this track will enjoy the creation of this prolific composer and extraordinary musical genius.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Any Auld Thing At All</text>
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                <text>Victor's Return</text>
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                <text>My brother Martin learned this version of &lt;a href="http://connollymusiccollection.bc.edu/document/464" target="_self"&gt;'The Victor's Return'&lt;/a&gt; from fiddle player Johnny Cronin from County Kerry. When Martin asked Johnny for the tune's title, Johnny told Martin to call it 'any auld thing at all'! Martin was reluctant to play the tune for me as he had not played for many months. He felt that he might not be able to get through it. When he did agree and got going he was loving the tune so much I couldn't get him to stop. I hope you never stop playing, Martin!</text>
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                <text>Connolly, Martin J. (accordion)</text>
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                <text>Connolly, Martin J. </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0213.mp3</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 02</name>
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                <text>Barney's Jig</text>
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                <text>This track comes to us courtesy of Kathleen Boyle from Glasgow. Kathleen recorded it in Donegal in 2011 in the county where her grandfather, the great N&amp;eacute;illidh Boyle, lived. Kathleen carries on her grandfather's tradition of composing as she plays her own tune, 'Barney's Jig'.</text>
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                <text>Biddy from Sligo</text>
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                <text>The fiddle master N&amp;eacute;illidh Boyle recorded this tune as part of a two-jig set in Dublin in 1937. That recording happened to be the very first record of Irish fiddle music that I had when I was growing up. It is performed on this track by N&amp;eacute;illidh's grandaughter Kathleen on piano accordion and Gr&amp;aacute;inne Murphy on fiddle. They both did me the honour of recording the track in Donegal, home to Kathleen's parents and grandfather.</text>
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                <text>And as we present this last selection, we come to the end of a long musical journey. It is my hope that whoever reads my stories, anecdotes, and ramblings will get some insight into the tunes' histories, and some new information about them. &lt;br /&gt;&lt;br /&gt;Preferring to end this collection with lively, happy music, I asked my young musical friends, Kathleen Boyle from Scotland and Gr&amp;aacute;inne Murphy from Massachusetts, to do me the honour of recording the above-named tunes for this last track. These same jigs were recorded in 1937 by Kathleen's grandfather, the famed fiddle maestro N&amp;eacute;illidh Boyle from County Donegal. The young ladies are joined by N&amp;eacute;illidh's son Hughie Boyle, who plays piano, and together, with pride, they give us that same lift and drive associated with the wonderful music that is peculiar to County Donegal. I was thrilled when Kathleen invited me to join herself, her dad, and Gr&amp;aacute;inne in remembering her grandfather, completing an extraordinary musical circle. The torch has indeed been passed.&lt;br /&gt;&lt;br /&gt;It so happens that the last tune on the track, 'The Connaughtman's Rambles', is the first jig I ever learned, and I did so from the 78 RPM recording that N&amp;eacute;illidh Boyle recorded seventy-eight years ago. In a way, then, this track is symbolic of how Irish traditional music keeps coming full circle, shared back and forth between musicians across the broad Atlantic and across generations. &lt;br /&gt;&lt;br /&gt;And lest I forget about the not-often-heard tune dedicated to a certain Biddy (a nickname for 'Bridget') from Sligo, my mind goes back in time to my grandmother sitting by the fireside listening to me trying to learn and play this fine jig. And so, in remembrance of my grandmother, &lt;span&gt;Elizabeth Collins (n&amp;eacute;e Rochford)&lt;/span&gt;, a wonderful lady of tunes, songs, and stories, I hereby offer an account of the lyrics she had for 'Biddy from Sligo': &lt;br /&gt;&lt;br /&gt;'Oh mother dear, may I go for a swim? &lt;br /&gt;Yes, my darling daughter! &lt;br /&gt;Mind the boys don't see your shins, &lt;br /&gt;Keep them well under the water!'</text>
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                <text>&lt;span&gt;Accordion player William Sullivan immigrated from Clifden, Ireland, to New York City in the 1920s, later settling in Parlin, New Jersey. He recorded this tune on Sampler Records in the late 1980s in a duo with Mitzie Collins, a hammered dulcimer and piano player. Bill Sullivan was a friend of the 1920s accordion player Peter 'P.J.' Conlon, and they often played music together. My friend Ted McGraw from Rochester told me that both these accordionists appeared on a 78 RPM recording on the Clarion label, with Peter Conlon on one side of the record and Bill Sullivan on the other. The jig is played on this track by my nephew Damien Connolly on melodeon. The title that I gave to the jig is 'Bill Sullivan's'. Names change from time to time: Bill Sullivan had named it for Mr. Conlon.&lt;/span&gt;</text>
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                <text>Joanie Madden of Cherish the Ladies fame composed this happy jig. In her own words Joanie tells us of her inspiration: 'I was inspired to write this tune after a very rocky ferry ride to the beautiful island of Inishbofin off the coast of Connemara in County Galway'.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Roberta (Bobbie) Lawrie comes from the musical Lawrie family from Birmingham, England. On one occasion when I was visiting her home, Bobbie recorded some of her compositions for me. At that time, nobody in her household knew that she was composing tunes on her whistle. I'm glad that I had the opportunity to capture some of these tunes on tape. Catherine McEvoy was delighted to learn and play this tune for this collection. As mentioned &lt;a href="http://connollymusiccollection.bc.edu/document/553" target="_self"&gt;elsewhere&lt;/a&gt;, Catherine also grew up in Birmingham.</text>
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                <text>&lt;p dir="ltr"&gt;&lt;span&gt;The exciting recording on this track was made by RT&amp;Eacute; Raidi&amp;oacute; na Gaeltachta, featuring master musicians Tony MacMahon and Steve Cooney. The first jig is associated with the piping of Brother Gildas O'Shea. The second jig of the set, 'Bryan O'Lynn', is one of a number of closely related tunes, variants of which include &lt;a href="http://connollymusiccollection.bc.edu/document/453" target="_self"&gt;'The Planting Stick'&lt;/a&gt; and &lt;a href="http://connollymusiccollection.bc.edu/document/454" target="_self"&gt;'Magpie in the Tree'&lt;/a&gt;, found elsewhere in this collection. The two tunes on this track were played together previously by Tommy Potts and Tommy Reck, and they make for a beautiful pairing. Although the first tune does not appear in sheet music form in this collection, both tunes may be found in &lt;/span&gt;&lt;span&gt;&lt;em&gt;The Leo Rowsome Collection of Irish Music&lt;/em&gt;.&lt;/span&gt;&lt;span&gt; Thanks to Malachy Moran, manager of Audio Services and Archive at RT&amp;Eacute; Radio, for permission to use the recording for this project, and to Raidi&amp;oacute; na Gaeltachta. A special 'thank you' to Steve Cooney for his generous help in tracking down the original recording, and for the great guitar playing that complemented Tony's magical performance. Tony, thanks for the music and for bringing this track to my attention.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>David Reiner has published a number of fiddle books, including &lt;em&gt;Anthology of Fiddle Tunes&lt;/em&gt; (Mel Bay). According to Dave, this tune came together in his head while he was hiking with his parents and brother in the Canadian Rocky Mountains. After he returned from the hike he picked up his fiddle and, he writes, 'made a few improvements to the tune, including the ending that tumbles down arpeggios like a waterfall into a canyon.' The great Liz Carroll recreates Dave's musical hiking adventure with her interpretation of this composition.</text>
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                <text>Catherine McEvoy composed this jig. I named it 'Catherine's Classroom' after reading her story of how the tune came about. In her own words: 'I have a wooden cabin at the back of the house that I use for teaching in, and for musical purposes. I was on my own one evening waiting for pupils to come, and playing a few tunes, and it just came to me. I called it "The Cabin Jig" just to give it a name when I wrote it down, hoping to come up with something better. Unfortunately, it's not a very exciting story, and I never did get round to re-naming it.'</text>
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                <text>During that &lt;a href="http://connollymusiccollection.bc.edu/document/434" target="_self"&gt;musical evening at the Gavins'&lt;/a&gt; in Balbriggan so long ago, Jimmy Keane, the piano accordion player from Chicago, played this tune. He informed me that it is one of Liz Carroll's compositions, entitled 'The Champaign Jig Goes to Columbia'. It can be found in &lt;em&gt;Liz Carroll Collected&lt;/em&gt;, a beautifully produced book of her wonderful compositions. Gr&amp;aacute;inne Murphy plays her version of the tune on this track.</text>
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                <text>Charlie Mulvihill's Jig in A</text>
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                <text>Accordionist, concertina player, and composer Charlie Mulvihill from New York composed this tune. Charlie was very friendly with the great Paddy Killoran, master fiddle player from County Sligo. When Paddy Killoran died, his wife Betty gave Charlie the 78 RPM recordings that Paddy had recorded in the 1930s and '40s. Charlie transferred the records to tape for Mrs. Killoran to enjoy once again. Along with the Killoran recordings, Charlie gave her a tape of his own compositions which includes this jig cleverly structured around the recurrence of the note 'A'. He plays it on this track with his daughter Geraldine on piano and son Tommy on fiddle. I am grateful to Tommy Mulvihill for giving me permission to feature the track with this collection.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491858&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Multi-instrumentalist Brian Hebert from the Boston area conferred on me special recognition by composing and playing this slip jig. The chair mentioned in the tune's title is my endowed position as Sullivan Artist in Residence at The Center for Irish Programs at Boston College.</text>
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                <text>I love slip jigs and I enjoy playing them. Patrick W. Joyce collected this one from David Grady, a flute player from Ardpatrick in County Limerick, but he did not get the tune's name. 'David Grady's' sounds good to me. Mr. Joyce's collection was published in 1876. I have it in my library, and my copy once belonged to a Br&amp;iacute;d O'Callaghan from County Limerick. She signed the book in 1961, when she was 16 years old. I wonder where she is now. Wherever you are, Br&amp;iacute;d, this tune lives on and I play it here for you.</text>
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                <text>My friends from Winnipeg, Canada, Alice Bérubé and her sister Jeannine, visited with Sandy and me a few years ago. Both of them play fiddles and they enjoy getting together to talk, laugh, and play music. They meet once a year, as Alice lives on Prince Edward Island and Jeannine three thousand miles away in Vancouver. We played music in my house for a few days and had much fun. On the day of their departure, they told me that they were going to go shopping for a gift for me. I appreciated their kindness, but told them, 'don't get me anything!' I left the house to do some errands and when I returned my friends were nowhere to be found. I somehow thought I heard fiddle music in the house but did not know where it was coming from.&#13;
&#13;
A few days later, after my friends had returned home, a fax came to my house with a tune written on manuscript paper. It was a jig that the ladies had composed while up in my attic. They had somehow found their way up there. Unfortunately, on the day the fax arrived my machine was running low on ink. The lines on the paper all ran together on the tune's second part, and I was unable to make it out. At Sandy's suggestion, I sat at the kitchen table to compose a temporary replacement for it. &#13;
&#13;
I next met the ladies a year later at the Northeast Heritage Music Camp, and we began to play the jig, but with a few surprises and laughs as our two competing second parts clashed against each other! I had to explain to them what had happened to their original second part, and my addition was demoted to a third part. We recorded it with help from Ken Perlman on banjo and Pete Sutherland on piano, two fellow teachers at the camp. Thanks, ladies, a nice gift, better than 'anything' from a shop.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Drunken Ganger's, The</text>
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              <elementText elementTextId="6728">
                <text>This is another tune that was given to me by accordionist Larry Gavin, who lives in Tulla, in east County Clare. A version of this slip jig may be found in &lt;em&gt;Ryan's Mammoth Collection&lt;/em&gt;. It is played here in fine style by the talented Gr&amp;aacute;inne Murphy.</text>
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              <elementText elementTextId="6729">
                <text>Murphy, Gráinne (fiddle)</text>
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                <text>Murray, Alan (guitar)</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0518.mp3</text>
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            </elementTextContainer>
          </element>
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              <elementText elementTextId="10539">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270372151&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 05</name>
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                  <text>Jigs</text>
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          <element elementId="50">
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                <text>Father Tom's Wager</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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              <elementText elementTextId="6700">
                <text>This grand old jig appears in &lt;em&gt;O'Neill's 1001&lt;/em&gt;. I first heard the legendary Joe Burke play this tune with the lovely surprise variation in the second part. Thanks to Holland Raper for learning the tune and playing it on her fiddle. She is a former student of Mick Gavin of Meelick, County Clare, and Detroit, and, at the time of writing, a student at Berklee College of Music in Boston.</text>
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                <text>Raper, Holland (fiddle)</text>
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              <elementText elementTextId="10537">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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        <name>Playlist 05</name>
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