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                <text>Closing Message: A Bit of Clare</text>
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                <text>And so, as my friend Dr. Paris Mansmann said, ‘The tunes and songs have been told.’&#13;
 &#13;
Let us lift our parting glasses and toast all who have been associated with this collection. To our younger generation of musicians, singers, and dancers, may I suggest keep the tradition alive, enjoy life; live, love, and laugh, and always keep the flag flying. Or, as they proudly say in County Clare, ‘Up the Banner!’ Remember, there's a bit of Clare in us all. &#13;
&#13;
"A Bit of Clare" was written by Killaloe poet and family friend J.P. "Jack" Noonan. Thanks to Jack's family for allowing me to publish his wonderful poem in this collection.&#13;
&#13;
Séamus Connolly&#13;
Sullivan Artist-in-Residence, 2004-2015&#13;
Boston College&#13;
&#13;
&#13;
&#13;
A BIT OF CLARE&#13;
&#13;
There’s a bit of Clare about you&#13;
&#13;
That I cannot quite explain.&#13;
&#13;
It’s elusive as the fragrance&#13;
&#13;
Of wild-woodbine after rain.&#13;
&#13;
Or it may be I was dreaming&#13;
&#13;
When I first looked in your eyes&#13;
&#13;
Of the grey mists o’er the Shannon&#13;
&#13;
Mingling with the star-specked skies.&#13;
&#13;
&#13;
With your fingertips caressing&#13;
&#13;
I can feel again the thrill&#13;
&#13;
Of the breezes that steal softly&#13;
&#13;
O’er the turf-banks on the Hill&#13;
&#13;
And I hear the lark at dawning&#13;
&#13;
When your lilting laughter peals&#13;
&#13;
It’s that bit of Clare about you&#13;
&#13;
Which your ev’ry act reveals.&#13;
&#13;
&#13;
But whatever is that something&#13;
&#13;
It brings back a memory&#13;
&#13;
Of the wild rose in the hedges&#13;
&#13;
And the berried rowan tree;&#13;
&#13;
There’s a breath of Irish Springtime&#13;
&#13;
Fragrant flowers and April rain&#13;
&#13;
In that bit of Clare about you&#13;
&#13;
That I cannot quite explain.&#13;
&#13;
-- Jack Noonan&#13;
&#13;
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                <text>Connolly, Séamus&#13;
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                <text>Noonan, J. P. </text>
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                <text>Boston College University Libraries&#13;
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                <text>Séamus Connolly</text>
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                  <text>Waltzes</text>
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                <text>Grover Jones' Waltz</text>
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                <text>Folk dance music--Ireland</text>
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                <text>The great Appalachian fiddle player Alan Jabbour recorded this tune for me with Ken Perlman on banjo and Pete Sutherland at the piano. Alan told me that Grover Jones loved to play this tune on his fiddle, and even when in the company of other musicians without his fiddle he would always request this waltz. Although Mr. Jones did not compose the tune, it was because of his enthusiasm, love, and eagerness to hear it that his name automatically became associated with it. Dr. Jabbour also told me that he learned the waltz from the legendary West Virginia fiddle player Henry Reed. Listen to the beautiful, sensitive, and refined music of Alan Jabbour. Alan, I have listened to this track many times and every time a little happy tear runs down my face. Lonesome music, my friend.</text>
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                <text>Séamus Connolly</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0925.mp3</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270534986&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 09</name>
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                <text>Waltzing Down the Aisle</text>
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                <text>Another tune from the pen of Kathleen Boyle from Glasgow in Scotland. She wrote this waltz for her sister's wedding, for her to walk down the aisle to. Here we hear 'K.T.' beautifully playing her own composition on piano and piano accordion.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 09</name>
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                <text>Just Because It's You</text>
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                <text>My dear friend Cindy Polo wrote this lovely tune in memory of her Dad. In her own words she tells us how it came to be: &lt;br /&gt;&lt;br /&gt;'My first attempt at Irish fiddle playing was at a music camp in 2008, a violin novice, where I had the opportunity to learn from S&amp;eacute;amus Connolly. He suggested that I could create a tune if I thought about a meaningful event. The tune played here by S&amp;eacute;amus was my first attempt at composing music. It is in waltz time, and I wrote it in memory of my father, Edward Thomas Keane. As a young child, we would waltz across the living room, me riding on his feet. In later years there were father&amp;ndash;daughter dinner dances and the dance at my wedding. We had our last waltz in 2001, the weekend before he died in the World Trade Tower on September 11th.'</text>
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                <text>Kathleen Boyle, a great musician from Glasgow, composed this tune for her mother and father. They had returned home to County Donegal after living for forty-seven years in Scotland. Kathleen, who plays her composition on this track, travels back and forth from Scotland to America very often. She is a member of Joanie Madden's Cherish the Ladies ensemble. There is more on this young lady elsewhere in the collection.</text>
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                <text>Turlough O'Carolan's eighteenth-century compositions have attracted the attention of musicians all over the world. His music occupies a unique and permanent place in the repertoire of Irish traditional music. I learned this tune from the guitar playing of my friend Anisa Angarola. We played it together on Anisa's CD &lt;em&gt;Birdwatcher Hill&lt;/em&gt;, and that track appears here. The tune can be found as number 174 in Donal O'Sullivan's magisterial collection &lt;em&gt;Carolan: The Life, Times and Music of an Irish Harper, Volume 1&lt;/em&gt;.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Summer's Waltz</text>
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                <text>A beautiful waltz played by its composer, Eliza Mette, from Cape Elizabeth, Maine, with Kimberley Fraser at the piano. Eliza made up this tune for her friend Summer, another young and talented musician. Eliza generously took the time (from doing her homework) to record it for this collection. When she went away to college, I missed hearing her play. I am happy to say that she is still playing her beloved fiddle and composing other tunes. Thank you, Eliza: keep playing and composing.</text>
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                <text>Mette, Eliza </text>
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                <text>Fraser, Kimberley </text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
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              <elementText elementTextId="10437">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 03</name>
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                <text>The music lives and breathes in the soul of Tara Lynch. Tara, daughter of Jerry Lynch (accordionist in the 1950s with the celebrated three-time All-Ireland champion Kilfenora C&amp;eacute;il&amp;iacute; Band), was born in New York. She learned her music from her father, and her style is steeped in the tradition of the old Kilfenora Band. The tune she plays on this track was part of the repertoire of the band in the 1960s and '70s, of which I was so honoured to be a member. I am also honoured to have Tara playing it for us: an unbroken link.</text>
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                <text>Keith Corrigan's</text>
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                <text>I learned this tune from accordionist Keith Corrigan. Keith had a wonderful repertoire of fine old Irish and Qu&amp;eacute;becois tunes. On one memorable visit to his home in Valcartier, north of Qu&amp;eacute;bec City ('God's Country', as he called it), we played music long into the night and on that occasion Keith played this waltz for me. I recently found my recording of it on a microcassette and asked Damien Connolly to learn and record it for this collection. Thanks, Damien.</text>
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                <text>Boston College Libraries</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0208.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/02-08_Keith_Corrigans-Waltz.pdf</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Waltzes</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="10256">
                <text>Come to the Fair</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="10257">
                <text>Folk dance music--Ireland</text>
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                <text>Waltzes--Ireland</text>
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                <text>Accordion music--Ireland</text>
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                <text>Accordion and piano music</text>
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                <text>Higgins, Mary</text>
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                <text>'Come to the Fair' was a very popular waltz/song played by The Kilfenora C&amp;eacute;il&amp;iacute; Band in the 1960s. I have always enjoyed listening to the band's singer Mary Higgins performing the song on a recording made at a c&amp;eacute;il&amp;iacute; in Ennis in 1960. The recording of all of the tunes and songs played on that night was given to me to learn when I was invited to join The Kilfenora and embark on my first 'big' tour of England. What a thrill and an honour for me! The tune is performed here on this track by Tara Lynch (daughter of Jerry Lynch, the accordionist with the band in the 1950s) and myself. The track was enhanced by the musicianship of Gabriel Donohue on piano and keyboards.</text>
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                <text>Lynch, Tara (accordion)</text>
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                <text>Connolly, Séamus (fiddle) 33682623</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>Lynch, Tara </text>
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                <text>Connolly, Séamus</text>
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                <text>Donohue, Gabriel</text>
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              <elementText elementTextId="10273">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0119.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/01-19_Come_to_the_Fair-Waltz.pdf</text>
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              <elementText elementTextId="10434">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270176358&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Polo, Cynthia Keane</text>
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                <text>Cindy Polo, my good friend, phoned me one night and lilted part of this melody to me. I loved the sound of it and suggested to Cindy that it might fit naturally on the fiddle in a minor key. We talked about 'doing something with it', and so we began to collaborate on making a tune. For inspiration, we talked about Cindy's evening ritual of walking her dogs: an evening parade in her neighbourhood of people young and old, big and little, walking and being walked by a vast array of canines. Our musical thoughts and ideas were sung and played to one another over the phone for a few weeks, until we finally decided that our tune didn't sound too bad. In fact, we liked it! We are still unsure, though, as to whether it is a strathspey or a march. Time and distance did not allow Cindy and I to record our tune together, so, for what it's worth, and for your pleasure, here I am playing 'The Dogwalker'.</text>
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                <text>Boston College Libraries</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_1013.mp3</text>
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                <text>Tommy Peoples played this tune for me at a recording session at Boston College. The tune may also be found on Tommy's fine albums &lt;em&gt;Traditional Irish Music Played on the Fiddle&lt;/em&gt; and &lt;em&gt;Waiting for a Call&lt;/em&gt;.</text>
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                <text>During one of his short visits to Boston from his native County Donegal, the great gentleman Tommy Peoples took time out of his busy schedule to record this tune for me at The Center for Irish Programs at Boston College. It was a thrill and an honour for me to spend time with this master musician, an afternoon of music that will stay with me forever.</text>
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                <text>Another young player who contributed to this project is Sean Gavin from Detroit, son of fiddle player and teacher Mick Gavin from Meelick, County Clare. Here Sean plays the flute on one of his own compositions, a strathspey that somehow must have many stories behind its title. He is joined by his musical friend, fiddle player Devin Shepherd.</text>
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                <text>&lt;p&gt;Meghan Mette was one of the musicians featured on &lt;a href="http://connollymusiccollection.bc.edu/document/555" target="_self"&gt;'A Polka for Matt'&lt;/a&gt;. She is the younger sister to Eliza Mette, who can be heard on &lt;a href="http://connollymusiccollection.bc.edu/document/728" target="_self"&gt;'Summer's Waltz'&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Here Meghan plays one of her own compositions and, below, she tells us in her own words how the tune came to be. What beautiful sentiments about our music and song from such a young person. It tells us much about her soul.&lt;/p&gt;&#13;
&lt;p&gt;'Every summer of my life I have gone with my family down to New Hampshire to spend a week on Squam Lake. These weeks are always wonderful, but my fondest memories come from a time when I was much younger, a time when the entire family was able to join us at the lake.&lt;/p&gt;&#13;
&lt;p&gt;For us, as children, the lake was a sea of mysteries waiting to be discovered and fully taken advantage of on sunny days: swimming, canoeing, going to the rope swing in Sandwich Bay, or maybe a motorboat ride out to the islands, setting up camp for a picnic. However, when a rainy day came along, we were far from disappointed. Today there would be a trip to Moultonborough. We would all pile into our cars and drive through the sprinkling rain &amp;ndash; or the downpour &amp;ndash; to Moultonborough Country Candy Shop.&lt;/p&gt;&#13;
&lt;p&gt;The tired floorboards would creak as all of us children ran to collect our brown paper bags at the front of the candy bar, our mothers calling "Five dollar limit!" It is amazing, however, how much candy one can purchase for five dollars at a penny candy store. On the car ride home we would trade some candy &amp;ndash; as long as it was an equal trade of course...&lt;/p&gt;&#13;
&lt;p&gt;I wrote this strathspey in honor of those memories. Although we have grown up since then and many of my cousins no longer join us at the lake, we continue to go to Moultonborough once a year, because the tradition &amp;ndash; like the music &amp;ndash; must be passed on, never forgotten. Tradition is what allows us to hold the past dear, while all the time making and adding new memories and creations to our lives. We can never let these traditions die.'&lt;/p&gt;</text>
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                <text>Mette, Meghan (fiddle) (composer)</text>
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                <text>Mette, Meghan </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0331.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/03-31_Trip_to_Moultonborough-Strathspey.pdf</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <elementText elementTextId="340">
                  <text>Strathspeys</text>
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          <element elementId="50">
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                <text>Buddy MacMaster's</text>
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              <elementText elementTextId="10169">
                <text>Folk dance music--Nova Scotia--Cape Breton Island</text>
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                <text>Strathspeys</text>
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              <elementText elementTextId="10171">
                <text>Piano music--Nova Scotia--Cape Breton Island</text>
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                <text>MacMaster, Buddy 21455012</text>
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              <elementText elementTextId="10173">
                <text>Cape Breton fiddle legend Mr. Buddy MacMaster gave this tune to our mutual friend, piano player Barbara MacDonald Magone. Barbara graciously passed it along to me when she recorded it for this collection in Portland, Maine, almost ten years ago.</text>
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                <text>Magone, Barbara MacDonald (piano) 53396920</text>
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                <text>Séamus Connolly</text>
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                <text>Magone, Barbara MacDonald</text>
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              <elementText elementTextId="10180">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0324.mp3</text>
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              <elementText elementTextId="10764">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270196385&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Reels</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="10156">
                <text>Ballykinler Reel</text>
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              <elementText elementTextId="10157">
                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="10158">
                <text>Spoken word</text>
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              <elementText elementTextId="10412">
                <text>Reels (music)</text>
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              <elementText elementTextId="10413">
                <text>Fiddle tunes--Ireland</text>
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              <elementText elementTextId="10414">
                <text>O'Higgins, Frank</text>
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              <elementText elementTextId="10159">
                <text>Here, Larry Redican introduces and then plays a reel he composed to memorialise his friend, the Dublin fiddle player Frank O'Higgins. Ballykinler, in County Down in the North of Ireland, was an army base used as an internment camp during the War of Independence in 1919.</text>
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                <text>Redican, Larry (spoken word, fiddle) (composer)</text>
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              <elementText elementTextId="10162">
                <text> Séamus Connolly</text>
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              <elementText elementTextId="11141">
                <text>Boston College Libraries</text>
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                <text>Redican, Larry </text>
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              <elementText elementTextId="10166">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0233.mp3</text>
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          <element elementId="47">
            <name>Rights</name>
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              <elementText elementTextId="10763">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/playlists/250901910&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="450"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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            <element elementId="50">
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                  <text>Songs and Mouth music&#13;
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                <text>Parting Glass, The / The Peacock's Feather</text>
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            <description>The topic of the resource</description>
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              <elementText elementTextId="10143">
                <text>Folk music--Ireland</text>
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                <text>Folk songs,  English--Ireland</text>
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                <text>Mouth music--Ireland</text>
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              <elementText elementTextId="10147">
                <text>The majestic vocals of the one and only Len Graham bring us near the end of this collaborative collection as he sings 'The Parting Glass'. His is an old County Antrim setting of the song, one that he and Joe Holmes sang together in the Guild Hall, Derry, shortly before Joe passed away. For those wishing to further their knowledge of the music, song and traditions of an Ulsterman, Len Graham's book, &lt;em&gt;Joe Holmes: Here I am Amongst You&lt;/em&gt;, is a must read! In 'The Parting Glass', Len wishes us goodnight and bids joy to all, but the feeling is tinged with the sadness of a goodbye. Len told me that Joe used to speed up the slow air of the song until it became the dance tune 'The Peacock's Feather'. &lt;br /&gt;&lt;br /&gt;'The Parting Glass' somehow makes me nostalgic, bringing to mind many wonderful moments of joy and laughter as I reminisce on the years of recording and collecting for this project. These memories, the songs and music, will forever remain in my heart. Not wanting to say goodbye, I would prefer something a little more upbeat, in the spirit of what my father always said to me as I was leaving home: 'Never say goodbye, always say Cheerio'. So, I have chosen Len's song as a way of saying not goodbye, but for now, 'Cheerio'. Len, my friend, thank you for the wonderful singing, and for 'The Peacock's Feather' schottische at the end, a happy surprise!</text>
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                <text>Graham, Len </text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Lament for Mick Mackey</text>
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                <text>Poet Cr&amp;iacute;ost&amp;oacute;ir Mac Gearailt penned the words of this song in tribute to one of Ireland's greatest sportsmen, the mighty Mick Mackey from Ahane, County Limerick. Mick Mackey played hurling for his native county in the 1930s and '40s, and the county depended on him to bring home the McCarthy Cup, the prize for winning an All-Ireland championship. Like many before me, I had the honour of shaking Mr. Mackey's hand. My father had introduced me to him when they worked together for the ESB, the Electricity Supply Board of Ireland. &lt;br /&gt;&lt;br /&gt;In addition to Mick Mackey, the Limerick teams back in the 1930s and '40s that won All-Ireland championships had among them on the field men like Paddy Clohessy and the star goalkeeper Paddy Scanlon, who, as the song says, was 'defiant in the goal'. I got to know this great County Limerick goalkeeper and had the special honour of sitting beside him on a number of occasions when both of us travelled on the Killaloe-to-Limerick bus that wound its way through Castleconnell, where Mr. Scanlon would board. We talked at length about hurling and about other greats such as the mighty Christy Ring from Cloyne in County Cork. I have always had a fascination with the game's goalkeepers and, with my encouragement, Paddy would discuss the great ones. Doctor Tommy Daly from County Clare was many times mentioned in our discussion, as was the legendary Tony Reddin, who played in goal for counties Galway and Tipperary. I mentioned to Paddy Scanlon that I knew Tony Reddin: Tony lived in Banagher, County Offaly, and he often visited my sister's home, where I had the honour of chatting with him. Paddy Scanlon's praise for Tony Reddin was like that of many others, regarding him as one of the greatest goalkeepers of all time. &lt;br /&gt;&lt;br /&gt;Today, May 24, 2015, it is by some strange coincidence that I write these few lines whilst listening via Internet radio to counties Limerick and Clare battling it out in Semple Stadium, Thurles, County Tipperary, in the first round of the Munster Hurling Championship. This stadium has over the years established itself as the leading venue for Munster hurling finals and a field where other Limerick teams of the past paraded with pride before capacity crowds. And so, you stalwart heroes of the 1930s and '40s, Mick Mackey, Paddy Scanlon, and Paddy Clohessy, I somehow know that your hearts would be filled with pride were you to watch the Limerick team of today running up and down the pitch in Thurles, as they hopefully make their way to Croke Park, the stadium in Dublin where the All-Ireland hurling finals are played each September, to reclaim the McCarthy Cup. &lt;br /&gt;&lt;br /&gt;Ann Mulqueen sings with pride Cr&amp;iacute;ost&amp;oacute;ir Mac Gearailt's song about Ann's neighbour, the great Mick Mackey, and the giants of hurling of days now long gone. A lot of ramblings, one might say, but memories worth remembering! The ramblings themselves are part of an Irish tradition whenever our national game of hurling is discussed. And always looking for a win, the hurler on the ditch could be heard desperately shouting, 'Come on, let the game begin! Never mind the ball, play the man!' &lt;br /&gt;&lt;br /&gt;Thank you, Cr&amp;iacute;ost&amp;oacute;ir, for your lovely song and for permission to use it here. Thank you Ann, and thank you Miche&amp;aacute;l &amp;Oacute; Conghaile and Cl&amp;oacute; Iar-Chonnachta for permission to use this recording, along with the two other songs that Ann beautifully sang for us in this collection. All of the songs were taken from her CD &lt;em&gt;Mo Ghr&amp;aacute;sa Thall na D&amp;eacute;ise&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;P.S. I, too, played in Croke Park, but not with a hurley!</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Edward on Lough Erne's Shore</text>
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                <text>There are a number of songs that mention Lough Erne in County Fermanagh, and much has been written about this beautiful spot. Rita Gallagher's performance of this song is a dream. Listen as one of Ireland's great singers tells the story.</text>
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