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                <text>McGreevy's Tansey's</text>
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                <text>Johnny McGreevy from Chicago played this reel for me in 1972. I have given it this title because it reminds me of 'Tansey's Reel', a tune recorded by the Sligo fiddle player Paddy Killoran. My good friends Jimmy Noonan and Dan Gurney recorded this version at my home in Maine. Thanks, lads. Well done: great swing!</text>
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                <text>Séamus Connolly</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 01</name>
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                <text>McQuillen's March</text>
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                <text>This tune is not a composition of 'Professor' Bob McQuillen, but of the master fiddle player from New Hampshire, Rodney Miller. Rodney is considered today to be the foremost exponent of the music of New England. He has traveled all over the world playing his music and passing it on through his teaching. Spending the day with Rodney at his home was an inspiration for me, and trying out the beautiful fiddles that he makes and sells was truly special. Thank you, Rodney, for the music and for the memories: you are one of my heroes.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0316.mp3</text>
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                <text>Memories of East Clare</text>
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                <text>Folk dance music--Ireland</text>
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                <text>The tune on this track was composed by my nephew Damien Connolly. When I asked Damien what memories this tune's title referred to, he immediately said, 'Well, I grew up listening to a blend of Clare, Sligo, and Kerry fiddling. This is a tune that kind of reminds me of Paddy Canny and East Clare music in general.' Listen as he tells of his memories.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Hornpipes</text>
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                <text>Norfolk</text>
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                <text>Se&amp;aacute;n Maguire recorded this tune and gave it the above title. It may be found in &lt;em&gt;Ryan's Mammoth Collection&lt;/em&gt; in the key of G-major under the name 'Norfolk'. The beginning of the tune always brings to mind the hornpipe 'The Wily Bachelor'. Laurel Martin plays it in her own distinctive style on the fiddle. Thanks, friend. As our mutual friend Peter Barnes once said of you, 'You're the hornpipe queen!'</text>
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                <text>Martin, Laurel (fiddle) 31936123</text>
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                <text>One of America's most distinguished master musicians, North Carolina banjo player, fiddle player, and composer Tony Ellis was out on his tractor one day when he began to hear this barndance in his head. Not knowing whether he'd heard the tune somewhere before, or if it was something new, he went inside and pulled out his fiddle. &lt;br /&gt;&lt;br /&gt;I was not at home when he rang me, but he played the tune onto my answering machine and asked if I had ever heard it. As soon as I received his message, I returned his phone call and told him that I had never heard the tune before. &lt;br /&gt;&lt;br /&gt;Later, on one of his CD recordings, &lt;em&gt;Quaker Girl&lt;/em&gt;, Tony recorded the tune for posterity and gave it the above title. I am very proud that my friend, the wonderful fiddle player Liz Knowles, kept Tony's interpretation and feeling in mind yet added her very own nuances, colour, and variations when she played the tune for this collection. Thanks, Liz!</text>
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                <text>All-Ireland champion harpist and singer P&amp;aacute;draig&amp;iacute;n Caesar attended Boston College as a Fulbright Scholar, and we became great friends. When Sandy and I lived in Groton, Massachusetts, 'Paudi', as we called her, visited us on a number of occasions, and traveled with us to Philadelphia and other places of note in the northeast region of the National Park Service. Despite her busy academic schedule at Boston College, she found time to study fiddle and whistle. I marveled at her enthusiasm and at the huge amount of time she put in to practicing her music at home during Boston's long, snowy winter season. So much dedication, so much talent. P&amp;aacute;draig&amp;iacute;n sings to her own harp accompaniment on this track. The English translation of the lyrics is provided by Dr. Philip O'Leary, Boston College.</text>
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                <text>A lovely tune that came from the playing of John Kelly, the fiddle and concertina master from west County Clare. John had a storehouse of unusual tunes and was ever so generous in handing them down to other interested musicians. Michael Relihan was a neighbour to John Kelly before John moved to Dublin City. I first heard my friend Larry Gavin playing the version played here by Catherine McEvoy.</text>
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                <text>On this track we once again hear Eamon Flynn on fiddle as he plays 'Mike Duggan's Polka'. Thanks to Brosna-born accordionist Michael Mulcahy for the tune title.</text>
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          <element elementId="50">
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            <description>A name given to the resource</description>
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                <text>Minnie's Favourite</text>
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                <text>Flute music--Ireland</text>
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                <text>Here, we hear one of Sean Nugent's many fine compositions, played by his son, Larry. Sean named it for his sister, Minnie.</text>
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          </element>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10635">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
              </elementText>
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              <elementText elementTextId="11245">
                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270184047&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 02</name>
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              <name>Title</name>
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                  <text>Reels</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="8327">
                <text>Miss Cathy Chilcott's</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="8328">
                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="8329">
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              <elementText elementTextId="8330">
                <text>Fiddle tunes--Ireland</text>
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                <text>Chilcott, Cathy</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="8332">
                <text>The amazing and distinctive fiddle music of Liz Carroll from Chicago is featured on this track. Here, she performs one of her own compositions in the creative playing style which is very much her hallmark. I am honoured that this great player so generously gave of herself and her composition for this collection. The tune named above was composed as a birthday present for Miss Chilcott. It also may be found in Liz's book,&lt;em&gt; Liz Carroll Collected: Original Irish Tunes&lt;/em&gt;.</text>
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                <text>Carroll, LIz (fiddle) (composer) 60417993</text>
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                <text>Broaders, Pat (bouzouki)</text>
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            <name>Publisher</name>
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                <text>Séamus Connolly</text>
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                <text>Carroll, LIz </text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="8341">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0307.mp3</text>
              </elementText>
              <elementText elementTextId="8342">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/03-07_Miss_Cathy_Chilcotts-Reel.pdf</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10641">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="67">
            <name>Has Part</name>
            <description>A related resource that is included either physically or logically in the described resource.</description>
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              <elementText elementTextId="11262">
                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270196446&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 03</name>
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                  <text>Airs </text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="5354">
                <text>Miss Chrysandra Walter</text>
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            </elementTextContainer>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="5355">
                <text>Folk music--Ireland</text>
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              <elementText elementTextId="5356">
                <text>Violin music--Ireland</text>
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              <elementText elementTextId="5357">
                <text>Viola music--Ireland</text>
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              <elementText elementTextId="5358">
                <text>Cello music--Ireland</text>
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              <elementText elementTextId="5359">
                <text>Airs</text>
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                <text>Walter, Chrysandra</text>
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              <elementText elementTextId="5361">
                <text>Writing the stories of these tunes brings back many memories. When Sandy, my late wife, was diagnosed with kidney cancer, my life was turned upside down. We were so happy together and loved doing and planning different things: places to see, friends to visit, recordings to make. To help and encourage young and talented people, and to travel, were part of our dreams. After I left Chrysandra at the hospital, late at night whilst driving home I thought of how good she was to me and how she wanted to make my life comfortable and easy. She always said, 'When you are with me, Baby, all you have to do is breathe'. She gave her whole life to me and, until the day she left us, was dedicated to me and to her beloved National Park Service of the United States of America. &lt;br /&gt;&lt;br /&gt;Anyway, as I drove home that night, many tears flowed like a river and the pain hurt, but the beginning notes of this tune came to me. As I sat in her hospital room for the next few days I worked on the air, writing it on the corners of the local paper 'The Boston Globe'. The end result is what you have on this track. It is played by my friend Bonnie Bewick Brown, a member of the Boston Symphony Orchestra. Bonnie also arranged 'Miss Chrysandra Walter' for cello and viola and invited her friends to perform it, and they did so beautifully. I am forever grateful to Bonnie for this wonderful arrangement and for all the help she gave to me on this project. I know Sandy would be very proud of this tune and how it was played. My dear wife and friend Chrysandra will be forever remembered by me, and through this tune her memory will live on!</text>
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                <text>Brown, Bonnie Bewick (violin)</text>
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                <text>Katz, Mickey (cello) 63719871</text>
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              <elementText elementTextId="5365">
                <text>Connolly, Séamus (composer) 33682623</text>
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          <element elementId="45">
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>This reel comes to us by kind permission of my good friend Richard 'Richie' Dwyer, its composer. It is taken from his CD &lt;em&gt;In a Creative Mood&lt;/em&gt;, which he recorded in his native West Cork looking out to sea and the mist on the ocean. Richie is again joined by Miche&amp;aacute;l O'Rourke on piano.</text>
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                <text>The town of Moate is in County Westmeath. It has a strong musical tradition and at one time had a famous c&amp;eacute;il&amp;iacute; band that made a number of 78 RPM recordings. The late accordionist Brendan McCann, who lived in Connecticut, grew up near Moate. As a tribute to Brendan and his music, Josephine Keegan from County Armagh, whose music is to be found throughout this collection, composed and recorded this track.</text>
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                <text>Molly, Put the Kettle On</text>
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                <text>Joanie Madden gives us her interpretation of a tune I first learned from Larry Gavin. It also appears in &lt;em&gt;O'Neill's 1001&lt;/em&gt;. I temporarily mislaid the recording Joanie made for me, so the tune almost didn't make it into this collection. I'm glad I found it, Joanie. Great playing!</text>
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                <text>David Kaynor graciously played his own composition for me, with Pete Sutherland at the piano, at the Northeast Heritage Music Camp held at Johnson State College in Vermont in 2009. David told me that this tune occurred to him after he hosted a fiddle convention, about 1985, in Montague Center, Massachusetts. David is well-known as a caller and fiddle player in the world of New England contra dancing. His tune is very popular at weddings and celebrations. One can certainly imagine a bride walking to this elegant and stately composition. Thanks, David, and a special thanks to Jay Ungar and Swinging Door Music for permission to include the tune in this collection.</text>
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                <text>Mountain Pathway, The</text>
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                <text>Kevin McElroy, Barbara MacDonald Magone, and I came together to record this tune, which we learned from the cassette tape of fiddle player Mrs. Ellen Galvin that was given to me by Tony MacMahon. A version of this tune was recorded by the great Sligo fiddle master, James Morrison.</text>
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                <text>Another tune from the repertoire of Mrs. Ellen Galvin. It is played on this track for all of us to enjoy by one of my heroes, Josephine Keegan. Josephine again makes full use of modern recording technology in order to be recorded playing both fiddle and piano. A beautiful blend of West Clare and Northern Ireland fiddling. I have taken the liberty of naming the tune after the home area of Mrs. Galvin in County Clare.</text>
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                <text>Mr. and Mrs. Ted McGraw</text>
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                <text>Folk dance music--Ireland</text>
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                <text>I have known Ted and Bridget McGraw of Rochester, New York, since the 1980s. I have great memories of playing with Ted in The Village Coachhouse, in Brookline, Massachusetts, a veritable musical institution that was owned by the Varian family of Cork. Here Ted recounts how he came to have a tune written for him and Bridgie by Jimmy Shand, Jr., renowned Scottish accordionist, composer, and accordion tuner: 'We were in Scotland in '86 heading out of Auchtermuchty looking for Jimmy Shand's house when I spotted Jimmy Jr. standing by his gate across the road. He was instantly recognizable from his record jackets. His famous father was adjudicating somewhere up the country so Jimmy Jr. graciously invited us in for a chat. When I saw his shop I immediately asked if he could convert an old Hohner Club Morino to Irish tuning. The bargain was made and even at that time, it was difficult to match the quality of 'Artiste' reeds, so about a year later the box came back to me in Rochester with the tune enclosed, dated Oct. '87. The tone quality of the box, by the way, was beautiful!' The jig is played here for us by Josephine Keegan on fiddle and piano.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>The fiddle playing of Mrs. Ellen Galvin, who was born in the 1880s, certainly did sound as though it were from an earlier time in history. I remember seeing her perform in a concert in West Clare in the late 1950s. I was enthralled with her music then, and I still am. The tune transcribed here was recorded and collected from Mrs. Galvin, and a copy of the tape was passed along to me by accordion master Tony MacMahon. Thanks, Tony! My friends Barbara MacDonald Magone and Kevin McElroy helped out on the recording you are about to hear.&#13;
&lt;p&gt;We shall hear Barbara play some of her own compositions (&lt;a href="http://connollymusiccollection.bc.edu/document/617" target="_self"&gt;&amp;lsquo;Ashcraft-Fraser House&amp;rsquo;&lt;/a&gt;, &lt;a href="http://connollymusiccollection.bc.edu/document/630" target="_self"&gt;&amp;lsquo;The Reel Bus&amp;rsquo;&lt;/a&gt;, and &lt;a href="http://connollymusiccollection.bc.edu/document/649" target="_self"&gt;&amp;lsquo;A Riverview Cabin&amp;rsquo;&lt;/a&gt;) as we venture through this collection.&lt;/p&gt;</text>
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                <text>McElroy, Kevin</text>
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