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                <text>Thomas Power's Jig</text>
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                <text>Folk dance music--Ireland</text>
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                <text>This jig, played here for us by Josephine Keegan from South Armagh, was learned from the cassette tape that Michael Power sent me of the playing of his father, Thomas Power, a lovely fiddle player from Doonbeg in west County Clare (see &lt;a href="http://connollymusiccollection.bc.edu/document/544" target="_self"&gt;'Thomas Power's Polka'&lt;/a&gt;).</text>
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                <text>Keegan, Josephine (fiddle) 72741909</text>
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                <text>Keegan, Josephine </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0726.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/07-26_Thomas_Powers_Jig.pdf</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491833&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 07</name>
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                <text>Shandon Bells</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Having lived in the beautiful and historic city of Cork in the 1960s, I often think back to the happy times I had while beginning to find my feet in the big world of city life. The clock tower of St. Anne's Church has special meaning for me because the Bells of Shandon often chimed as I walked past the church. Whenever I hear the wonderful poem 'The Bells of Shandon', penned by Francis Sylvester Mahony, it is with deep affection and recollection that I think of the Shandon Bells. Mahony's words are very meaningful to me, and I quote from his poem here for all to read: &lt;br /&gt;&lt;br /&gt;'With deep affection &lt;br /&gt;And recollection &lt;br /&gt;I often think of &lt;br /&gt;Those Shandon Bells &lt;br /&gt;Whose sounds so wild would, &lt;br /&gt;In the days of childhood, &lt;br /&gt;Fling round my cradle &lt;br /&gt;Their magic spells. &lt;br /&gt;On this I ponder &lt;br /&gt;Where'er I wander, &lt;br /&gt;And thus grow fonder, &lt;br /&gt;Sweet Cork, of thee. &lt;br /&gt;With thy bells of Shandon, &lt;br /&gt;That sound so grand on &lt;br /&gt;The pleasant waters &lt;br /&gt;Of the river Lee.' &lt;br /&gt;&lt;br /&gt;The grand old jig 'Shandon Bells', the first in O'Neill's &lt;em&gt;The Dance Music of Ireland, 1001 Gems&lt;/em&gt;, is played on this track by Nicole Rabata on flute and myself on fiddle. We play it as a four-part tune. I played it many times as a two-part jig in the city by the River Lee. I first heard the two extra parts played by David Curry and his orchestra. They are two parts well worth hearing and preserving for posterity.</text>
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                <text>Rabata, Nicole (flute)</text>
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                <text>Connolly, Séamus (fiddle) 33682623</text>
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                <text>McElroy, Kevin (mandolin) 70994386</text>
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                <text>Séamus Connolly</text>
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                <text>Rabata, Nicole </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0724.mp3</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Charlie Mulvihill's Jig in A</text>
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                <text>Jigs</text>
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                <text>Accordion music--Ireland</text>
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                <text>Accordionist, concertina player, and composer Charlie Mulvihill from New York composed this tune. Charlie was very friendly with the great Paddy Killoran, master fiddle player from County Sligo. When Paddy Killoran died, his wife Betty gave Charlie the 78 RPM recordings that Paddy had recorded in the 1930s and '40s. Charlie transferred the records to tape for Mrs. Killoran to enjoy once again. Along with the Killoran recordings, Charlie gave her a tape of his own compositions which includes this jig cleverly structured around the recurrence of the note 'A'. He plays it on this track with his daughter Geraldine on piano and son Tommy on fiddle. I am grateful to Tommy Mulvihill for giving me permission to feature the track with this collection.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>How Are You, Sandy? (Sandy Connolly's)</text>
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                <text>It meant much to my wife Sandy and me when Bill Black, our friend from Cape Cod, sent us a tune that he composed in her honour entitled 'How Are You, Sandy?' Bill later sent the tune under the new title 'Sandy Connolly's' when she left us to go to her eternal reward. Thank you, sir, for caring so much. Sandy was very moved by your thoughtfulness. My friend Kevin McElroy joins me on this track.</text>
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                <text>David Reiner has published a number of fiddle books, including &lt;em&gt;Anthology of Fiddle Tunes&lt;/em&gt; (Mel Bay). According to Dave, this tune came together in his head while he was hiking with his parents and brother in the Canadian Rocky Mountains. After he returned from the hike he picked up his fiddle and, he writes, 'made a few improvements to the tune, including the ending that tumbles down arpeggios like a waterfall into a canyon.' The great Liz Carroll recreates Dave's musical hiking adventure with her interpretation of this composition.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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                <text>I Love You Not and I Care Not</text>
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                <text>One could say not a very pleasing or romantic title, but certainly a tune worth preserving, even more so when it's played on the fiddle by Maeve Donnelly. Whilst driving through Italy with Chrysandra (Sandy), my wife, this old jig came into my head, and I scribbled some of the notes on paper so that I would remember it again. I had first heard the tune played on the C&amp;eacute;il&amp;iacute; House programme in the 1960s by the well-known nine-brother band The McCusker Brothers, from Northern Ireland. What a pleasant coincidence it was, upon my return from Italy, to hear the tune on Maeve's 2002 recording &lt;em&gt;Maeve Donnelly&lt;/em&gt;. Maeve has done me the honour of playing it again for this collection.</text>
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                <text>Donnelly, Maeve (fiddle) 63623960</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0703.mp3</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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          <element elementId="50">
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              <elementText elementTextId="6933">
                <text>Joy of My LIfe</text>
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                <text>This well-known jig is performed on this track by yours truly, S&amp;eacute;amus Connolly. With help on the banjo from my friend Kevin McElroy, we offer this grand two-part jig as a way to invite musicians to play this tune once again. The interesting second part of the tune comes from the fiddle playing of Thomas Power from Doonbeg in County Clare.</text>
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                <text>A lovely slip jig played here for us by its composer, master fiddle player Larry Redican. Lough Key in County Roscommon is one of the beautiful lakes in Ireland famous for its fishing.</text>
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                <text>Redican, Larry (fiddle) (composer)</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0629.mp3</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Eamon Flynn composed this slow jig for his daughter Sarah on Valentine's Day when she was five years old. Sarah asked her dad to 'do a song' for her. What a lovely present to get, one that will remain documented forever. This recording comes to us courtesy of Eamon. It was taken from his CD &lt;em&gt;Down by the Glenside&lt;/em&gt;, which he recorded with our mutual friend Helen Kisiel playing piano.</text>
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                <text>Flynn, Eamon (fiddle) (composer)</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>Flynn, Eamon </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0617.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/06-17_Sarahs_Valentine-Jig.pdf</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270479303&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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              <name>Title</name>
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                  <text>Jigs</text>
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                <text>Poke and a Tickle, A</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>Piano music--Ireland</text>
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          <element elementId="41">
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              <elementText elementTextId="6895">
                <text>While reflecting on Eric Eid-Reiner's musical compositions, my first thought was that he created 'happy music'. Indeed, as Eric himself described it, this is 'a light-hearted jig with a sense of humour'. Eric kindly arrived at Boston College one Sunday morning at eight o'clock to record this tune in the Irish Room at Gasson Hall. An unreasonable and unnatural hour, one might say, for a musician to record. Thanks for being so gracious, as always, Eric.</text>
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                <text>Eid-Reiner, Eric (piano) (composer)</text>
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                <text>Séamus Connolly</text>
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                <text>Eid-Reiner, Eric </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0616.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/06-16_A_Poke_and_a_Tickle-Single_Jig.pdf</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="10550">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270479306&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Old as the Hills</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>Jack Coen gave me the name for this jig, which can be found as a two-part tune in A major in the &lt;em&gt;O'Neill's 1001&lt;/em&gt; collection. I first heard the tune played by 'The Man of Many Tunes', Larry Gavin. I also heard a version of it performed by Mr. David Curry and his orchestra in a radio broadcast when I was still living in Ireland. A classical musician, David Curry took traditional tunes in the public domain and arranged them for orchestra. Maine flute player Nicole Rabata and I play David Curry's four-part setting of 'Old as the Hills'. We transposed it to the key of G major, the key that Larry Gavin played it in many years ago.</text>
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                <text>Joanie Madden of Cherish the Ladies fame composed this happy jig. In her own words Joanie tells us of her inspiration: 'I was inspired to write this tune after a very rocky ferry ride to the beautiful island of Inishbofin off the coast of Connemara in County Galway'.</text>
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                <text>Plains of Mayo, The</text>
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                <text>This jig is tune number 304 in [George] &lt;em&gt;Petrie's Complete Irish Music&lt;/em&gt;. It is given a special melodic lift by Larry Gavin and Miche&amp;aacute;l O'Rourke on accordion and fiddle. Charlie Lennon adds his own unmistakable accompaniment on piano. They recorded this version of the tune especially for me. The tune may also be heard on their own CD recording &lt;em&gt;Two Miles to Tulla&lt;/em&gt; in a set with 'The Galway Jig'.</text>
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                <text>Mordaunt's Fancy</text>
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                <text>This jig was played in my home in Killaloe, County Clare, when I was a young boy. It was not played by me, but by button accordionist Terry Lane on the turntable of our record player! Now, whenever I hear Mr. Lane's recordings, or 'Mordaunt's Fancy', it brings back childhood memories. My friend Geraldine Cotter from Ennis, County Clare, joins me on piano. We recorded the track in Geraldine's home in front of a blazing turf fire.</text>
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                <text>Kevin Burke learned this tune from a tape of Larry Redican which I sent to him, one of a number of tapes given to me by dancing master Mr. Roger Casey. Kevin plays this jig in his own lonesome and swinging style.</text>
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                <text>Burke, Kevin (fiddle) 281258798</text>
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                <text>Séamus Connolly</text>
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                <text>Lame Crowley</text>
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                <text>I knew that Billy McComiskey, Laura Byrne, and Donna Long, with their superlative musicianship, would be the right people to play this tune. I learned it many years ago from my long-time friend Mr. Larry Gavin. Billy was curious as to where the jig had come from, while saying in a few words that it sounded to him like a beautiful old melody. Glad you like it as much as I do, Billy.</text>
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                <text>Boston College Libraries</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0531.mp3</text>
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        <name>Playlist 05</name>
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                <text>Whelan's Auld Sow</text>
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                <text>Jigs</text>
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                <text>The leader of the band Cherish the Ladies is Joanie Madden, who plays this tune for us on the flute. I first heard Eddie Moloney play it. Eddie came from Ballinakill in County Galway and may have named the tune. Tommy Whelan was a member of the Ballinakill Traditional Players. However, I do not know if he indeed owned a sow...</text>
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                <text>Madden, Joanie (flute) 38423903</text>
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                <text>Séamus Connolly</text>
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                <text>Keith Corrigan played melodeon and had some grand old tunes including this jig. It is another of the tunes that he played for me at his home in Qu&amp;eacute;bec. It is played on this track by Damien, my nephew.</text>
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                <text>Growing up in Ireland, and while practicing my fiddle in the home of my grandmother, &lt;span&gt;Elizabeth Collins (n&amp;eacute;e Rochford)&lt;/span&gt;, I drank many's the mug of black tea. I remember her tea being very strong and having to drink it without milk. I questioned my granny as to why she made it so strong. Her response to me was that it was 'no good unless you could trot a mouse on it'. Food for thought I suppose. &lt;br /&gt;&lt;br /&gt;My good friend, the wonderful musician Josephine Keegan, composed this lovely tune. She plays it here for us on fiddle to her own piano accompaniment. Josephine did make some tea for Sandy and me when we visited her home in County Armagh and she did have milk! Josephine's composition may also be found in &lt;em&gt;The Keegan Tunes, Cuid a Tr&amp;aacute; (Book 3)&lt;/em&gt;.</text>
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