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                <text>Kathleen Boyle, a great musician from Glasgow, composed this tune for her mother and father. They had returned home to County Donegal after living for forty-seven years in Scotland. Kathleen, who plays her composition on this track, travels back and forth from Scotland to America very often. She is a member of Joanie Madden's Cherish the Ladies ensemble. There is more on this young lady elsewhere in the collection.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0717.mp3</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Tóstal, An</text>
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                <text>Leo Rowsome, known as 'The King of the Pipers', wrote this lovely reel. It is played on this track by fiddle player John Daly. 'An T&amp;oacute;stal', according to my good friend Helena Rowsome, Leo's daughter, means 'a pageant or assembly of ordinary people'. Here Helena describes 'An T&amp;oacute;stal' in her own words. Thank you, dear friend. &lt;br /&gt;&lt;br /&gt;'I well remember when An T&amp;oacute;stal was held in Dublin. The entire city was cleaned up and flower baskets, flags and bunting of all colours placed on O'Connell Bridge. I recall thinking that Dublin must be the best place on earth. It provided a great incentive to tidy the city and instill civic pride again in its people. It was from An T&amp;oacute;stal that the current well-known 'Tidy Towns' competition came.&lt;br /&gt;&lt;br /&gt; On one designated Sunday during An T&amp;oacute;stal (which would last for a couple of weeks), the GPO would be decorated with more flags than usual and a big platform placed outside for dignitaries of the State... I recall seeing the President, Se&amp;aacute;n T. O'Kelly, on the platform addressing the people during his presidency in 1954. I was eight then and daddy lifted me up to see the goings on... &lt;br /&gt;&lt;br /&gt;Dad played at many events during An T&amp;oacute;stal, including a C&amp;eacute;il&amp;iacute; at the Mansion House. He composed the reel for obvious reasons: his celebration of a great festival. An T&amp;oacute;stal lasted from 1953 into the 1960s when it sort of phased out.'</text>
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                <text>Brehony, Kevin (piano)</text>
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                <text>Daly, John </text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>My friend in Tulla, Larry Gavin, sent me this reel thirty-five years ago. I love Larry's accordion playing and I am grateful to him for supplying many wonderful tunes to me during all the years that I have lived in America. Larry, as they say, you 'kept me at it'. The reel is played on this track by Joanie Madden.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491865&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>I first heard this song many years ago, sung by Ed and Ruth Fitzgerald from Kildare, Prince Edward Island, Canada. The song tells the story of the seas surrounding the Island. Ed composed the song for a competition on the Island, but forgot about it for many years until we got together one night for some music and song in the home of our friends, Alice B&amp;eacute;rub&amp;eacute; and her husband Gerry Gill in Summerside, Prince Edward Island. We set up the recording machine after a lovely dinner prepared by Gerry, and this song was revived for us by Ed and Ruth. We had a wonderful evening.</text>
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                <text>Riverview Cabin A</text>
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                <text>Barbara MacDonald Magone composed this tune on a trip to one of the best-known and best-loved fiddle camps. She writes, 'This reel was written for the great cabin I inhabited (with many good musician friends) over the many years that I taught at the Valley of the Moon Scottish Fiddle camp in the redwoods in northern California.'</text>
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                <text>Man at the Helm</text>
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                <text>I made this tune to honour the late Larry Reynolds of Galway, my friend for many years. Larry took me under his wing when I arrived in Boston in the 1970s. As president of Comhaltas Ceolt&amp;oacute;ir&amp;iacute; &amp;Eacute;ireann in Boston, he guided the organisation from strength to strength. Larry always gave a great welcome to any musician young or old who came to visit or live in Boston.</text>
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                <text>Having lived in the beautiful and historic city of Cork in the 1960s, I often think back to the happy times I had while beginning to find my feet in the big world of city life. The clock tower of St. Anne's Church has special meaning for me because the Bells of Shandon often chimed as I walked past the church. Whenever I hear the wonderful poem 'The Bells of Shandon', penned by Francis Sylvester Mahony, it is with deep affection and recollection that I think of the Shandon Bells. Mahony's words are very meaningful to me, and I quote from his poem here for all to read: &lt;br /&gt;&lt;br /&gt;'With deep affection &lt;br /&gt;And recollection &lt;br /&gt;I often think of &lt;br /&gt;Those Shandon Bells &lt;br /&gt;Whose sounds so wild would, &lt;br /&gt;In the days of childhood, &lt;br /&gt;Fling round my cradle &lt;br /&gt;Their magic spells. &lt;br /&gt;On this I ponder &lt;br /&gt;Where'er I wander, &lt;br /&gt;And thus grow fonder, &lt;br /&gt;Sweet Cork, of thee. &lt;br /&gt;With thy bells of Shandon, &lt;br /&gt;That sound so grand on &lt;br /&gt;The pleasant waters &lt;br /&gt;Of the river Lee.' &lt;br /&gt;&lt;br /&gt;The grand old jig 'Shandon Bells', the first in O'Neill's &lt;em&gt;The Dance Music of Ireland, 1001 Gems&lt;/em&gt;, is played on this track by Nicole Rabata on flute and myself on fiddle. We play it as a four-part tune. I played it many times as a two-part jig in the city by the River Lee. I first heard the two extra parts played by David Curry and his orchestra. They are two parts well worth hearing and preserving for posterity.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                  <text>Flings</text>
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                <text>Dominick McCarthy's</text>
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                <text>Folk music--Ireland</text>
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                <text>The many accordion styles in Irish and Scottish music have always held a fascination for me. The music of Mr. Dominick McCarthy is a mixture of the music of these neighboring countries. I first heard his music on Radio &amp;Eacute;ireann, and I remember seeing him perform with fiddle player Se&amp;aacute;n Ryan at one of the early All-Ireland Fleadhanna Ceoil in the 1950s. Both of these men played a lot together where they lived in the Midlands of Ireland. Dominick McCarthy played this fling for me in his own distinctive style when I was on a visit to his home in the 1980s.</text>
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                <text>McCarthy, Dominick (accordion)</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0725.mp3</text>
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              <elementText elementTextId="10465">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                  <text>Jigs</text>
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                <text>Thomas Power's Jig</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>This jig, played here for us by Josephine Keegan from South Armagh, was learned from the cassette tape that Michael Power sent me of the playing of his father, Thomas Power, a lovely fiddle player from Doonbeg in west County Clare (see &lt;a href="http://connollymusiccollection.bc.edu/document/544" target="_self"&gt;'Thomas Power's Polka'&lt;/a&gt;).</text>
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                <text>Keegan, Josephine (fiddle) 72741909</text>
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                <text>Keegan, Josephine </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0726.mp3</text>
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              <elementText elementTextId="10559">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491833&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 07</name>
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              <name>Title</name>
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                  <text>Reels</text>
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                <text>Con's Return</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Reels (Music)</text>
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                <text>Accordion music--Ireland</text>
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                <text>Flynn, Con</text>
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                <text>This reel is another composition of the talented Eamon Flynn from County Limerick. Eamon's brother Con was not heard from for many years and when he suddenly returned home there was rejoicing all around the neighbourhood. Eamon celebrated his brother's return with this reel. The track here was taken from an old cassette tape of Eamon. Thanks to Gabriel Donohue for cleaning it up for me in his studio for all to hear.</text>
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                <text>The Bells of Congress were presented to the United States by the Ditchley Foundation of Great Britain in 1976. A replica of the bells in London's Westminster Abbey, they are rung in honour of the opening and closing of Congress, and on state occasions and all national holidays. The Old Post Office in Washington houses the Bells of Congress and a guided tour of the building by the National Park Service is worth taking. &lt;br /&gt;&lt;br /&gt;In the 1980s, as part of a musical delegation to Washington, D.C., representing the State of Massachusetts, I had the honour of visiting the Old Post Office and hearing the bells ring. When in full peal, the bells can take up to three and a half hours to complete their continuous performance. However, my composition on this track takes only a few minutes. I am joined by Gabriel Donohue on guitar.</text>
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                <text>My good friend Ann Mulqueen, one of Ireland's wonderful traditional singers, composed 'Tigh an Cheoil'. Tigh an Cheoil, the great pub in An Rinn in County Waterford, should be on everyone's list of places to visit when looking for a good pint, great songs, and music. Listen as Ann brings us back to her time as Bean an T&amp;iacute; sa Tigh an Cheoil. Beautiful words, beautiful singing by the author. This track appears on her CD, &lt;em&gt;Mo Ghr&amp;aacute;sa Thall na D&amp;eacute;ise&lt;/em&gt;.</text>
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                <text>Mulqueen, Ann (vocals) (composer) 21766115</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                  <text>Jigs</text>
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                <text>Great Composer, The</text>
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                <text>A prolific composer in the world of Irish music was master fiddle player Larry Redican. I didn't have a name for this jig, hence the title 'The Great Composer' came to mind. Larry plays the fiddle on this tune, which was a favourite of his friend Mr. Roger Casey, an Irish dance adjudicator. Roger kindly gave me all the recordings of Larry Redican which are featured in this collection, with the exception of the recording of &lt;a href="http://connollymusiccollection.bc.edu/document/515" target="_self"&gt;'Larry's Strange Jig'&lt;/a&gt;.</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>Redican, Larry </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0732.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/07-32_The_Great_Composer-Jig.pdf</text>
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              <elementText elementTextId="10560">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491818&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Jigs</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="7062">
                <text>My Meitheal Class</text>
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          <element elementId="49">
            <name>Subject</name>
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                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="7064">
                <text>Jigs</text>
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                <text>Flute music--Ireland</text>
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                <text>Fiddle tunes--Ireland</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="7067">
                <text>A week-long Irish music school known as Meitheal is held every year in Limerick. The five-day immersion in Irish music is directed by flute player Garry Shannon. As a teacher at the summer school, I had an assignment to work with a group of students who were interested in learning how to make up tunes. The music of composers Liz Carroll, Josephine Keegan, and Phil Cunningham from Scotland were used as examples. Students were asked to study the approach and methods used by these well-known composers. 'I'm not too sure where this is going to go', I said to myself. 'Music, I believe, happens when one is least thinking about it." However, after much listening, discussion, agreement, and collaborating, the students composed this tune. A talented group of young musicians &amp;ndash; concertina players, accordionists, and other instruments all performing together &amp;ndash; a wonderful sight to hear and behold! I have no fear for the future of Irish music. Nicole Rabata, a young flute player from Portland, Maine, joins me on this track. Listen and enjoy.</text>
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                <text>Rabata, Nicole (flute)</text>
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                <text>Connolly, Séamus (fiddle) 33682623</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>Rabata, Nicole </text>
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                <text>Connolly, Séamus</text>
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              <elementText elementTextId="7076">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0733.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/07-33_My_Meitheal_Class-Jig.pdf</text>
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            <name>Rights</name>
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              <elementText elementTextId="10561">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491816&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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              <elementText elementTextId="11959">
                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 07</name>
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                  <text>Jigs</text>
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          <element elementId="50">
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                <text>Bill Sullivan's Jig</text>
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          <element elementId="49">
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                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="7080">
                <text>Jigs</text>
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              <elementText elementTextId="7081">
                <text>Melodeon music</text>
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              <elementText elementTextId="7082">
                <text>Sullivan, William F. 16824076</text>
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                <text>Conlon, Peter (P.J.)</text>
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                <text>&lt;span&gt;Accordion player William Sullivan immigrated from Clifden, Ireland, to New York City in the 1920s, later settling in Parlin, New Jersey. He recorded this tune on Sampler Records in the late 1980s in a duo with Mitzie Collins, a hammered dulcimer and piano player. Bill Sullivan was a friend of the 1920s accordion player Peter 'P.J.' Conlon, and they often played music together. My friend Ted McGraw from Rochester told me that both these accordionists appeared on a 78 RPM recording on the Clarion label, with Peter Conlon on one side of the record and Bill Sullivan on the other. The jig is played on this track by my nephew Damien Connolly on melodeon. The title that I gave to the jig is 'Bill Sullivan's'. Names change from time to time: Bill Sullivan had named it for Mr. Conlon.&lt;/span&gt;</text>
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                <text>Connolly, Damien (melodeon)</text>
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                <text>Larry's Strange Jig</text>
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                <text>Ted McGraw has an amazing collection of music in his library. He sent me this recording of Larry Redican and suggested that it was 'a strange jig'. Ted doesn't know where the recording took place, and he has little or no information about the tune. My own intuition seems to suggest that the jig may be of Canadian origin. Thank you, Ted, for bringing the tune to light once more.</text>
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                <text>The New England fiddle player Rodney Miller composed 'Gaelic Roots' at Boston College during one of the University's weeks of Irish music, song, and dance, when he was a special guest and visiting professor. Rodney honours us on this track with his beautiful music and sweet tone. He performed this tune on one of his own handmade instruments.</text>
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