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                <text>The royal welcome Sandy and I received when we visited the home of Geraldine Cotter outside Ennis, with the turf fire burning, really made us picture ourselves one day moving back to Ireland. As we set up our recording equipment, we happened to record (as they say in Ireland, 'accidentally on purpose') Geraldine's playing of what she called 'The Clare Reel'. As it is printed in the &lt;em&gt;O'Neill's 1001&lt;/em&gt; collection, this tune is named 'The Scolding Wife'. I was delighted to hear it again. It was in 1974 that I first heard it played by Tipperary accordionist Paddy O'Brien. Paddy and I had considered recording it for our &lt;em&gt;The Banks of the Shannon&lt;/em&gt; record that we made back then.</text>
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                <text>John 'Scully' Casey, father to the great County Clare fiddle player Bobby Casey, was a well-known and respected fiddle player in his day. Bobby, in his generosity, recorded this reel for me years ago. It is played on this recording by Gr&amp;aacute;inne Murphy.</text>
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                <text>I was honoured when Mrs. Matilda Murdoch from New Brunswick composed this hornpipe for me on her ninetieth birthday. After a night of playing music together at her daughter's home in Massachusetts, Matilda presented me with this very recording of herself playing her composition. A wonderful lady, a great composer and fiddle player, Matilda Murdoch has done much for the music of the Gael. God bless you, my friend. Gabriel Donohue added piano accompaniment to Matilda's fiddle, and we both spoke to her at her home as she celebrated her ninety-second birthday. She loved the track with Gabriel's piano playing. She asked Gabriel if he would go on tour with her &amp;ndash; so young at heart!</text>
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                <text>I am so honoured that my great friend, the prolific composer Bob McQuillen, wrote this tune for me. 'The Professor', as I call him, is a special person in my life and I have for many years admired his compositions and music. Bob is heard playing his beloved piano with his 'Dear Girls', as he likes to describe Deanna Stiles, the flutist, and Jane McBride Orzechowski, the fiddle player, in his band. Old New England, as they are known, recorded this track for me in Bob's home in New Hampshire.</text>
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                <text>Seán McCusker's</text>
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                <text>Accordion music--Ireland</text>
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                <text>Mentioned earlier in this collection was &lt;a href="http://connollymusiccollection.bc.edu/document/542" target="_self"&gt;The Pride of Erin C&amp;eacute;il&amp;iacute; Band&lt;/a&gt; from Fermanagh, a group of wonderful people who loved to play their music. One of the band members was flute and button accordionist Se&amp;aacute;n McCusker. Se&amp;aacute;n has a number of fine tunes attributed to him and this tune is, I believe, one of his compositions. It is beautifully performed for us here by Damien Connolly.</text>
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                <text>Seán Óg</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Penny whistle music</text>
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                <text>Another composition of Larry Nugent, who plays a reel named for one of his twin sons, Se&amp;aacute;n. The contribution of the boy's father and his grandfather, Sean Nugent Sr., to Irish music and culture will have a lasting impact. Let's hope that Se&amp;aacute;n &amp;Oacute;g and his brother Emmet carry on the family tradition.</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0823.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/08-23_Sean_Og-Reel.pdf</text>
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                <text>Shandon Bells</text>
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                <text>Having lived in the beautiful and historic city of Cork in the 1960s, I often think back to the happy times I had while beginning to find my feet in the big world of city life. The clock tower of St. Anne's Church has special meaning for me because the Bells of Shandon often chimed as I walked past the church. Whenever I hear the wonderful poem 'The Bells of Shandon', penned by Francis Sylvester Mahony, it is with deep affection and recollection that I think of the Shandon Bells. Mahony's words are very meaningful to me, and I quote from his poem here for all to read: &lt;br /&gt;&lt;br /&gt;'With deep affection &lt;br /&gt;And recollection &lt;br /&gt;I often think of &lt;br /&gt;Those Shandon Bells &lt;br /&gt;Whose sounds so wild would, &lt;br /&gt;In the days of childhood, &lt;br /&gt;Fling round my cradle &lt;br /&gt;Their magic spells. &lt;br /&gt;On this I ponder &lt;br /&gt;Where'er I wander, &lt;br /&gt;And thus grow fonder, &lt;br /&gt;Sweet Cork, of thee. &lt;br /&gt;With thy bells of Shandon, &lt;br /&gt;That sound so grand on &lt;br /&gt;The pleasant waters &lt;br /&gt;Of the river Lee.' &lt;br /&gt;&lt;br /&gt;The grand old jig 'Shandon Bells', the first in O'Neill's &lt;em&gt;The Dance Music of Ireland, 1001 Gems&lt;/em&gt;, is played on this track by Nicole Rabata on flute and myself on fiddle. We play it as a four-part tune. I played it many times as a two-part jig in the city by the River Lee. I first heard the two extra parts played by David Curry and his orchestra. They are two parts well worth hearing and preserving for posterity.</text>
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                <text>Séamus Connolly</text>
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                <text>Rabata, Nicole </text>
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                <text>The young fiddle player Liam Lewis played this jig on a tape given to me by a friend one night after a concert. I stuck the tape into the cover of my fiddle case and forgot about it. Finding it later was a lovely surprise. My friend Laurel Martin learned the jig from the tape and traveled all the way to my home in Maine to record it. A version of the tune may be found in &lt;em&gt;The Roche Collection&lt;/em&gt;. This tune was a favourite of flute player Eddie Moloney from Ballinakill, County Galway.</text>
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                <text>Shores of My Native Land</text>
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                <text>Rita Gallagher from County Donegal recorded this song for me in her own inimitable style over twenty years ago at an All-Ireland Fleadh Cheoil. I have loved the song and Rita's masterful interpretation of it.</text>
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                <text>Silver Slipper, The</text>
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                <text>Dan Sullivan's Shamrock Band from Boston recorded this tune in 1929 on a 78 RPM record. I came to befriend the band's banjo player, Neil Nolan, back in the '70s, and we had many good times playing music. Neil played his instrument left-handed and was a very confident musician, as can be heard on some of the band&amp;rsquo;s recordings. Uilleann piper Jerry O'Sullivan recorded the hornpipe for this collection.</text>
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                <text>Sitting in the Window</text>
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                <text>When my wife Chrysandra worked in Washington, DC, we lived across the Potomac in Alexandria, Virginia. During the summer months while she was working I would play my fiddle all day. I wish I had that same energy now! The tune that I play on this track came together out of nowhere. I worked on it on and off for years and finally gave up on it. Not having a recording device the day I finished it (or was trying to), I phoned my good friend Laurel Martin and asked her if she would record it as I played it over the phone. Thanks to Laurel, the tune surfaced again and survives in this form.</text>
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                <text>One of the young musicians featured in this collection and for whom I have much admiration is Eric Eid-Reiner. In his own words he tells us about his composition's title: 'This tune has nothing to do with hunting, despite what one might logically guess. I wrote this reel while waiting a long time for a taxi from a company with 'fox' and 'field' in its name. I observed several taxis from that company pass right by before mine finally arrived.' Since writing this tune in 2007, Eric has slightly revised the melody, which can be found in his book of original tunes and heard on a 2014 CD by The Moving Violations. The band members on that recording are Van Kaynor and Ron Grosslein on fiddles, Eric Eid-Reiner on piano, and Chuck Corman on bass.</text>
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                <text>Spancilhill in east County Clare gives its name to this song which I first heard around 1958, sung by Robbie McMahon, who was himself from that very same neighbourhood. Robbie gave us his updated rendition during a wonderful afternoon of singing in his home a few years ago, after Mrs. Maura McMahon, in her usual manner of hospitality, served us a fine Irish meal. Robbie told my friends and me that Michael Considine from Spancilhill wrote the song. Mr. Considine was born around 1850 and immigrated to America as a young man. His intent was to bring his sweetheart to America when he had saved enough money for her passage, but, suffering from poor health, he somehow knew that his dream would never materialise. He passed away around 1873 in California, but the song found its way back to County Clare and was popularised by Robbie's singing of it.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>A fine version of 'Sporting Nell', played here for us by one of my favourite young fiddle players, the talented Tina Lech from Boston. I first heard this reel in Chicago in 1972 played by another of my favourite fiddle players, the great Johnny McGreevy.</text>
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                <text>Josephine Keegan, the prolific composer, fiddle player, and pianist, made up this top-notch tune. Thanks, Josephine, for sending it to me for inclusion in this collection.</text>
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                <text>Mrs. Crotty from the town of Kilrush in County Clare played this set dance for Ciar&amp;aacute;n Mac Math&amp;uacute;na's radio programmes, &lt;em&gt;Ceolta Tire&lt;/em&gt; and &lt;em&gt;A Job of Journeywork&lt;/em&gt;. I had the honour of playing it with Mrs. Crotty in her home many years ago. As I look back on those years, now long gone, and think how privileged I was to have played music with some of the giants in Irish music, I realise that my world would not have been the same had I not met those people. I can say the same for Father Charlie Coen! Now listen as the Monsignor plays 'The Stranger'.</text>
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                <text>A beautiful waltz played by its composer, Eliza Mette, from Cape Elizabeth, Maine, with Kimberley Fraser at the piano. Eliza made up this tune for her friend Summer, another young and talented musician. Eliza generously took the time (from doing her homework) to record it for this collection. When she went away to college, I missed hearing her play. I am happy to say that she is still playing her beloved fiddle and composing other tunes. Thank you, Eliza: keep playing and composing.</text>
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                <text>Another tune from the pen and heart of fiddle player Matilda Murdoch is the one played on this track by Maeve Donnelly. Maeve remains true to the spirit of Matilda's own style of playing, while giving it her own personal interpretation, weaving through the tune with an Irish and Canadian touch. Thanks again, Maeve, and thank you, Matilda: from Canada to County Clare.</text>
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                <text>Tara and Dáire</text>
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                <text>&lt;span&gt;Marie Reilly, the fiddle player from New York, played this reel at a Gaelic Roots Festival concert at Boston College, her alma mater. Thanks to Marie for bringing the tune to our attention. I did my utmost to find the tune's composer in order to give credit in the collection, but my efforts were unsuccessful. I now know that this delightful reel is a version of 'The Easy Club' composed by Jim Sutherland. The track is played here by Tara Breen and D&amp;aacute;ire Mulhern, for whom I named the tune before I learned of its correct title. Thanks to composer Jim Sutherland for his lovely reel.&lt;/span&gt;</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0319.mp3</text>
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                <text>Tart ar an Ól</text>
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                <text>A version of this tune can be found in &lt;em&gt;The Roche Collection&lt;/em&gt;, but I first heard it played by Eddie Moloney from Ballinakill, County Galway. Eddie, Tommy Mulhaire, and his son Brendan were among those who travelled on a number of occasions in the 1960s with Mulhaire's C&amp;eacute;il&amp;iacute; Band to perform in different towns around County Kerry. These performances were part of a series of concerts and music weekends organised by Diarmuid &amp;Oacute; Cath&amp;aacute;in, who was later to become president of Comhaltas Ceolt&amp;oacute;ir&amp;iacute; &amp;Eacute;ireann. I was thrilled when Joanie Madden, daughter of yet another Galway musician, Joe Madden, recorded the tune for me. Thanks, Joanie &amp;ndash; keep up the great work that you and Cherish the Ladies do. We cherish you! Sl&amp;aacute;inte to you all!</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0127.mp3</text>
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