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                <text>'Cloonlish House' was played for me years ago by its composer, Eddie Kelly. This hornpipe is played creatively and wonderfully here by Liz Carroll. &lt;span id="docs-internal-guid-ae9627a6-30a3-3b0a-06d3-5d501d30f8e9"&gt;&lt;span&gt;Liz's masterful interpretation seems to slowly open the doors of Cloonlish House, inviting all of us in.&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Accordion player Brendan McCann lived near Hartford in the state of Connecticut. He had many fine tunes in his repertoire, including this hornpipe which he first heard in his hometown of Moate, County Westmeath, many years ago. I was thrilled when Brendan sent it to me on a cassette tape. It is played here by Damien, my nephew, who also lives in Connecticut.</text>
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                <text>As the howling winds from the Atlantic Ocean blew into Kinvara Harbour, M&amp;aacute;ire O'Keeffe continued to play her fiddle into the night without interruption (see &lt;a href="http://connollymusiccollection.bc.edu/document/698" target="_self"&gt;'Maurice O'Keeffe's'&lt;/a&gt;). The tune that she plays here was learned from the playing of Julia Clifford and her husband John.</text>
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                <text>O'Keeffe, Máire (fiddle)</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>This next tune comes from the playing of another fiddle player from County Kerry, the great master Paddy Cronin. When Paddy lived in Boston he always had his fiddle on the dining room table next to one of O'Neill's collections of music. Most every time that he walked past the table he would play a tune or look through 'the bible', as he called it, for new tunes to play.&lt;br /&gt;&lt;br /&gt;This tune can be found as 'Larry Lynch's' in &lt;em&gt;O'Neill's Music of Ireland&lt;/em&gt; and 'Lincoln's' in &lt;em&gt;Ryan's Mammoth Collection&lt;/em&gt;. The wonderful fiddle duet here by Liz and Yvonne Kane would very much please the ear of Paddy Cronin, and would most certainly bring a smile to his face.</text>
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                <text>On the &lt;a href="http://connollymusiccollection.bc.edu/document/582" target="_self"&gt;aforementioned occasion&lt;/a&gt; some forty years ago, Kathleen Lawrie played 'The Fiddler Around the Faerie Tree' for me as a set dance. Kathleen had learned the tune from dancing master Brendan de Glin from Derry. A shorter version of this tune may be found in O'Neill's collection &lt;em&gt;The Dance Music of Ireland, 1001 Gems&lt;/em&gt; as a hornpipe called 'The Mullingar Races'. I am delighted that Kathleen agreed to record it again for this collection.</text>
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                <text>Boston accordionist Billy Caples played this tune for me in the late 1970s. Billy was a well-known musician who played in the dance halls around Boston. When not performing, Billy spent his time teaching music. The tune is played on this recording by my nephew Damien Connolly, who now lives in Connecticut.</text>
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                <text>David Curry was born in 1899 in Belfast, where he worked as a conductor, arranger, and broadcaster. He also played violin. I have always enjoyed listening to his music, which included his own arrangements of traditional melodies. I recorded some of these tunes from the radio when I was young, which allowed me an opportunity to learn them. One such tune is the hornpipe featured here, played and arranged in a two-part version for piano by the inimitable Barbara MacDonald Magone. By presenting tunes associated with Mr. Curry, I pay my sincere homage to him in the hope that his name and musical works are never forgotten.</text>
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                <text>Uilleann pipe music--Ireland</text>
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                <text>Dan Sullivan's Shamrock Band from Boston recorded this tune in 1929 on a 78 RPM record. I came to befriend the band's banjo player, Neil Nolan, back in the '70s, and we had many good times playing music. Neil played his instrument left-handed and was a very confident musician, as can be heard on some of the band&amp;rsquo;s recordings. Uilleann piper Jerry O'Sullivan recorded the hornpipe for this collection.</text>
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                <text>O'Sullivan, Jerry (uilleann pipes) 31619251</text>
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              <elementText elementTextId="10471">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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          <element elementId="50">
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              <elementText elementTextId="5679">
                <text>Lynches and Wards of Clogher, The</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Hornpipes</text>
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                <text>Fiddle tunes--Ireland</text>
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                <text>Lynch family</text>
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                <text>Throughout its illustrious career, the celebrated Kilfenora C&amp;eacute;il&amp;iacute; Band from north County Clare has had various band members with the surnames Lynch and Ward, including P.J. Lynch, Tom Ward, and Jimmy Ward. This composition by the extraordinary Tommy Peoples &amp;ndash; who was himself a member of that great band &amp;ndash; gives well-deserved honour to the Lynch and Ward families for their great contributions to Irish music.</text>
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                <text>Peoples, Tommy (fiddle) (composer) 23815449</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Corney Drew's</text>
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                <text>This hornpipe as played on this recording comes to us courtesy of fiddle player Liz Knowles. The original sources for the tune, Denis Murphy and Charlie Mulvihill (fiddle and accordion, respectively), recorded it for Ciar&amp;aacute;n Mac Math&amp;uacute;na's &lt;em&gt;American Journeywork&lt;/em&gt; programme in 1963. I gave this recording to Liz and she graciously played Denis's and Charlie's version for this project. A different version may be found in Captain Francis O'Neill's &lt;em&gt;1001 Gems&lt;/em&gt; collection of music.</text>
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                <text>Fiddle player Gear&amp;oacute;id &amp;Oacute; Laidhigh and flute player John Darcy recorded this tune, a composition of Mr. &amp;Oacute; Laidhigh's, for Ciar&amp;aacute;n Mac Math&amp;uacute;na. Ciar&amp;aacute;n traveled throughout Ireland recording musicians and singers, and later presented them on his weekly radio programmes, &lt;em&gt;Ceolta Tire&lt;/em&gt; and &lt;em&gt;A Job of Journeywork&lt;/em&gt;. On this recording, the tune is played on fiddle by my dear friend, colleague, and musical collaborator Laurel Martin.</text>
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                <text>I loved the times that I visited with John Doherty, the fiddle master from County Donegal. Playing music with him was an inspiration. Hearing his stories and listening to him play made me ask myself why I even bothered to play the fiddle. Mr. Doherty was so encouraging and generous with his music, and I treasure the tapes that he made for me. The highland played here by Paddy Glackin was recorded by piper and producer Peter Browne from Raidi&amp;oacute; Teilif&amp;iacute;s &amp;Eacute;ireann during a visit that Sandy and I made to the Dublin studios. Thanks, boys. John Doherty would be proud of your rendition.</text>
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                <text>Margaret Lawrie's Galliard</text>
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                <text>Margaret Lawrie wrote this third and final tune that she and Michael Burnham recorded for this collection. It may also be heard on their own CD &lt;em&gt;Bygone Days&lt;/em&gt;, a recording dedicated to Meg's grandfather, fiddle player Michael Cullen from County Roscommon. The tune is based on the gaillarde, or gagliarda, a dance form which was popular in continental Europe in the sixteenth century. Margaret also told me that the galliard was popular in England, but not so with The Birmingham C&amp;eacute;il&amp;iacute; Band of which she was a member!</text>
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                <text>The many accordion styles in Irish and Scottish music have always held a fascination for me. The music of Mr. Dominick McCarthy is a mixture of the music of these neighboring countries. I first heard his music on Radio &amp;Eacute;ireann, and I remember seeing him perform with fiddle player Se&amp;aacute;n Ryan at one of the early All-Ireland Fleadhanna Ceoil in the 1950s. Both of these men played a lot together where they lived in the Midlands of Ireland. Dominick McCarthy played this fling for me in his own distinctive style when I was on a visit to his home in the 1980s.</text>
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                <text>I had a scratchy old 78 RPM recording of a band from Boston and could barely identify the tune they were playing. I believe the person playing the accordion on the track was Billy Caples, a well-known Boston accordion player and teacher. I sent it to Baltimore to Billy McComiskey. He and flutist Laura Byrne learned the tune and made this recording with Donna Long playing the piano: shades of Boston's Dudley Street dance halls in the 1950s.</text>
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                <text>Another tune from the pen and heart of fiddle player Matilda Murdoch is the one played on this track by Maeve Donnelly. Maeve remains true to the spirit of Matilda's own style of playing, while giving it her own personal interpretation, weaving through the tune with an Irish and Canadian touch. Thanks again, Maeve, and thank you, Matilda: from Canada to County Clare.</text>
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                <text>I first heard this tune on a long-playing record titled &lt;em&gt;Music from the Glens&lt;/em&gt;, featuring the musical Quinn family from New York. Mr. Louis Quinn, father of this talented family, was a fiddle player who came to America from South Armagh. Mr. Quinn probably heard this tune growing up in that beautiful part of the county, an area well-known for Irish music and c&amp;eacute;il&amp;iacute; dancing. The tune gets its name from Henry Savage, who came from a long lineage of fiddle players in that area. Here, Shannon Heaton plays her interpretation of this barndance. I am very grateful to Shannon and her husband Matt, who so generously took time from their busy schedules to come all the way from Boston to spend time with Sandy and me, for playing such delightful music for this project.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 08</name>
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                  <text>Barndances</text>
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                <text>Kilfenora Barndance, The</text>
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                <text>This tune was one of the ones that I did not know on that tape sent to me over fifty years ago by Kitty Linnane, then leader of the famous Kilfenora C&amp;eacute;il&amp;iacute; Band (see &lt;a href="http://connollymusiccollection.bc.edu/document/725" target="_self"&gt;'Come to the Fair'&lt;/a&gt;). Indeed, many of the tunes on that tape were new to me. I had my work cut out for me, having to learn all of them for our upcoming tour of England. I am delighted that Tara Lynch (of the famed Kilfenora name) joined me on this track. It felt like home having Tara play with me. Thank you, my friend.</text>
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                <text>Connolly, Séamus (fiddle) 33682623</text>
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                <text>Lynch, Tara </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0806.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/08-06_The_Kilfenora_Barndance.pdf</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 08</name>
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