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                  <text>Jigs</text>
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                <text>Terry's Jig</text>
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                <text>Here we have another melody composed by the Grand Lady of New Brunswick fiddle music, Mrs. Matilda Murdoch. Its performer on this track, who once again gives Matilda's music a genuine Irish flavour, is none other than Maeve Donnelly.</text>
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                <text>Donnelly, Maeve (fiddle) 63623960</text>
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                <text>Murdoch, Matilda (composer)</text>
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                <text>Séamus Connolly</text>
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                <text>Donnelly, Maeve </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0820.mp3</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270512741&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 08</name>
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                  <text>Reels</text>
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                <text>Thirteen Arches</text>
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                <text>Folk dance music--Ireland</text>
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                <text>A thirteen-arched bridge spans the majestic River Shannon as it flows through my hometown of Killaloe, County Clare. On the opposite side of the bridge is Ballina, County Tipperary. As a child I had fun saying, 'I can stand in Killaloe and Ballina at the same time'. I composed this tune in remembrance of my father, Michael 'Mick' Connolly, who, when working as the skipper of a tugboat named the &lt;em&gt;St. Patrick&lt;/em&gt;, piloted it underneath the largest of the arches. The young fiddle player Kelsey Lutz, from Ann Arbor, Michigan, was sixteen years old when she recorded the tune for this project. Irish music will forever remain vibrant when young people play our music as Kelsey does.</text>
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                <text>Lutz, Kelsey (fiddle)</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>Lutz, Kelsey </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0227.mp3</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270184040&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 02</name>
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                  <text>Jigs</text>
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                <text>Thomas Power's Jig</text>
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                <text>This jig, played here for us by Josephine Keegan from South Armagh, was learned from the cassette tape that Michael Power sent me of the playing of his father, Thomas Power, a lovely fiddle player from Doonbeg in west County Clare (see &lt;a href="http://connollymusiccollection.bc.edu/document/544" target="_self"&gt;'Thomas Power's Polka'&lt;/a&gt;).</text>
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                <text>Keegan, Josephine (fiddle) 72741909</text>
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                <text>Keegan, Josephine </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0726.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/07-26_Thomas_Powers_Jig.pdf</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491833&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 07</name>
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                  <text>Marches</text>
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                <text>Thomas Power's March</text>
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                <text>Another tune from the playing of Thomas Power from Doonbeg in County Clare. On this track, I am joined by Kevin McElroy on bodhr&amp;aacute;n and Nicole Rabata on flute to perform our interpretation of the march.</text>
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                <text>Connolly, Séamus (fiddle) 33682623</text>
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                <text> Séamus Connolly</text>
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                <text>Thomas Power, fiddle player from Doonbeg, County Clare, had a repertoire of unusual old tunes. His son Michael, who lives in upstate New York, sent me a recording of his father playing this and a number of other tunes. Fiddle player Kevin Burke did a masterful job of learning this fine forgotten tune and endowing it with his magic swing. Incidentally, piper Padraic Mac Math&amp;uacute;na suggested to me that this melody might well be related to the old song 'An tSe&amp;aacute;n Bhean Bhocht', or 'The Poor Old Woman'. Musician and scholar Kieran O'Hare has brought to my attention the similarity between 'Thomas Power's Polka' and the song 'The Shearin's No for You' as performed by Scottish singer Ed Miller.</text>
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                <text>Rev. John Quinn from County Leitrim sent me this tune in the 1980s. It was a copy of handwritten music from &lt;em&gt;The Mulvey Manuscript&lt;/em&gt;. Stephen Grier wrote it out on the twenty-fifth of May, 1883. Father John has supplied me with many tunes from his part of the country over the last thirty years, for which I am most grateful. &lt;br /&gt;&lt;br /&gt;I am grateful also to the wonderful fiddle player Martin Hayes for taking time from his busy schedule to record this tune for me. Martin's playing, as always, has depth of soul, with an understanding of the tune's beauty and simplicity. Beautifully played with feeling and emotion. Up the Banner, Martin!</text>
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                <text>My good friend Ann Mulqueen, one of Ireland's wonderful traditional singers, composed 'Tigh an Cheoil'. Tigh an Cheoil, the great pub in An Rinn in County Waterford, should be on everyone's list of places to visit when looking for a good pint, great songs, and music. Listen as Ann brings us back to her time as Bean an T&amp;iacute; sa Tigh an Cheoil. Beautiful words, beautiful singing by the author. This track appears on her CD, &lt;em&gt;Mo Ghr&amp;aacute;sa Thall na D&amp;eacute;ise&lt;/em&gt;.</text>
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                <text>I met Tom Turkington, a fiddle player from Cookstown, County Tyrone, only once. It was at the beginning of the 1960s at a County Clare Fleadh Cheoil, when he performed at a celebrity concert with his son David on the piano. Musicians love talking about and trying one another's instruments, and on that occasion Tom played a number of tunes &amp;ndash; none of which I knew at the time &amp;ndash; on my fiddle. This experience reinforced a fascination I have always had with regional styles of music.&lt;br /&gt;&lt;br /&gt;Knowing the close connection the music of Northern Ireland has with Scottish music and the music of Cape Breton Island, I asked Kimberley Fraser, the great young fiddle player from Cape Breton, to give her interpretation of this and some of the other tunes that Tom Turkington played that night. Kimberley's remarkable blending of her own Cape Breton style with a Northern Ireland fiddle style on these recordings produces powerful, driving, and rhythmic music much in the spirit of the way Tom Turkington himself played. Thanks, Kimberley, for your splendid fiddle playing.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Tóstal, An</text>
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                <text>Leo Rowsome, known as 'The King of the Pipers', wrote this lovely reel. It is played on this track by fiddle player John Daly. 'An T&amp;oacute;stal', according to my good friend Helena Rowsome, Leo's daughter, means 'a pageant or assembly of ordinary people'. Here Helena describes 'An T&amp;oacute;stal' in her own words. Thank you, dear friend. &lt;br /&gt;&lt;br /&gt;'I well remember when An T&amp;oacute;stal was held in Dublin. The entire city was cleaned up and flower baskets, flags and bunting of all colours placed on O'Connell Bridge. I recall thinking that Dublin must be the best place on earth. It provided a great incentive to tidy the city and instill civic pride again in its people. It was from An T&amp;oacute;stal that the current well-known 'Tidy Towns' competition came.&lt;br /&gt;&lt;br /&gt; On one designated Sunday during An T&amp;oacute;stal (which would last for a couple of weeks), the GPO would be decorated with more flags than usual and a big platform placed outside for dignitaries of the State... I recall seeing the President, Se&amp;aacute;n T. O'Kelly, on the platform addressing the people during his presidency in 1954. I was eight then and daddy lifted me up to see the goings on... &lt;br /&gt;&lt;br /&gt;Dad played at many events during An T&amp;oacute;stal, including a C&amp;eacute;il&amp;iacute; at the Mansion House. He composed the reel for obvious reasons: his celebration of a great festival. An T&amp;oacute;stal lasted from 1953 into the 1960s when it sort of phased out.'</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491871&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Trip to Moultonborough</text>
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                <text>&lt;p&gt;Meghan Mette was one of the musicians featured on &lt;a href="http://connollymusiccollection.bc.edu/document/555" target="_self"&gt;'A Polka for Matt'&lt;/a&gt;. She is the younger sister to Eliza Mette, who can be heard on &lt;a href="http://connollymusiccollection.bc.edu/document/728" target="_self"&gt;'Summer's Waltz'&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p&gt;Here Meghan plays one of her own compositions and, below, she tells us in her own words how the tune came to be. What beautiful sentiments about our music and song from such a young person. It tells us much about her soul.&lt;/p&gt;&#13;
&lt;p&gt;'Every summer of my life I have gone with my family down to New Hampshire to spend a week on Squam Lake. These weeks are always wonderful, but my fondest memories come from a time when I was much younger, a time when the entire family was able to join us at the lake.&lt;/p&gt;&#13;
&lt;p&gt;For us, as children, the lake was a sea of mysteries waiting to be discovered and fully taken advantage of on sunny days: swimming, canoeing, going to the rope swing in Sandwich Bay, or maybe a motorboat ride out to the islands, setting up camp for a picnic. However, when a rainy day came along, we were far from disappointed. Today there would be a trip to Moultonborough. We would all pile into our cars and drive through the sprinkling rain &amp;ndash; or the downpour &amp;ndash; to Moultonborough Country Candy Shop.&lt;/p&gt;&#13;
&lt;p&gt;The tired floorboards would creak as all of us children ran to collect our brown paper bags at the front of the candy bar, our mothers calling "Five dollar limit!" It is amazing, however, how much candy one can purchase for five dollars at a penny candy store. On the car ride home we would trade some candy &amp;ndash; as long as it was an equal trade of course...&lt;/p&gt;&#13;
&lt;p&gt;I wrote this strathspey in honor of those memories. Although we have grown up since then and many of my cousins no longer join us at the lake, we continue to go to Moultonborough once a year, because the tradition &amp;ndash; like the music &amp;ndash; must be passed on, never forgotten. Tradition is what allows us to hold the past dear, while all the time making and adding new memories and creations to our lives. We can never let these traditions die.'&lt;/p&gt;</text>
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                <text>Another track from fiddle player M&amp;aacute;ire O'Keeffe. Her title for this tune refers to an area near Rathmore, County Kerry, famous for its music. M&amp;aacute;ire learned this polka from Sonny Riordan.</text>
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                <text>Rodney Miller once again demonstrates that he is not only a fiddle player of extraordinary talent, but also a fine crafter of tunes. Here he plays his composition 'Turlough'.</text>
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                <text>I have had the great pleasure of living in New England for many years, first in Massachusetts, and now in Maine. When I reflect on the beauty of the region, I picture its snow, its mountains, rivers, and lakes. I think of springtime when everything greens up and comes alive. I think on the changing colours of autumn leaves, the amazing foliage, and the turning of the seasons. All of the above are wonderful gifts and all are part of nature's beauty. These visions are forever captured for me in this lovely musical piece, composed and performed on this track by fiddle player Rodney Miller from New Hampshire.</text>
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                <text>Tyrone Among the Bushes</text>
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                <text>Another tune from the playing of Tom Turkington from County Tyrone. This hornpipe is one of the tunes that he played on my fiddle so long ago at a concert at a Fleadh Cheoil in County Clare. S&amp;eacute;amus Duffy, the traditional singer and adjudicator, introduced Tom that night with the words, 'We'll go up north now to Tyrone Among the Bushes!' I think it makes a great title for this hornpipe, which is played on this track by Kimberley Fraser from Cape Breton. Again, my sincere thanks to Kimberley and to all the musicians who took the time to learn tunes and perform them for this collection. All of you are heroes.</text>
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        <name>Playlist 07</name>
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                <text>Played here as a polka, this melody is a macaronic song, with Irish and English words. It is the one and only tune that fiddle player Matt Cranitch and I recorded for this collection. It came very naturally to us, since it is a famous song in our native province of Munster. The tune also appears in P.W. Joyce's collection &lt;em&gt;Ancient Irish Music&lt;/em&gt;.</text>
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        <name>Playlist 04</name>
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