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                <text>Joanie Madden of Cherish the Ladies fame composed this happy jig. In her own words Joanie tells us of her inspiration: 'I was inspired to write this tune after a very rocky ferry ride to the beautiful island of Inishbofin off the coast of Connemara in County Galway'.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Bobbie Lawrie's</text>
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                <text>Roberta (Bobbie) Lawrie comes from the musical Lawrie family from Birmingham, England. On one occasion when I was visiting her home, Bobbie recorded some of her compositions for me. At that time, nobody in her household knew that she was composing tunes on her whistle. I'm glad that I had the opportunity to capture some of these tunes on tape. Catherine McEvoy was delighted to learn and play this tune for this collection. As mentioned &lt;a href="http://connollymusiccollection.bc.edu/document/553" target="_self"&gt;elsewhere&lt;/a&gt;, Catherine also grew up in Birmingham.</text>
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                <text>Bobby Gardiner's (Number One)</text>
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                <text>Master accordionist Bobby Gardiner from Clare composed this reel. I first heard it on an LP he recorded in Ireland, produced by his fellow accordionist Dermot O'Brien: exciting and wonderful music. When I asked Bobby if he would perform it again, for this collection, he told me that he had no recollection of the tune but I certainly could put the tune in the book. I convinced him to play it for me, but for that to happen, I had to send him a copy of the tune so that he could re-learn it. On a visit to Boston College, Bobby did record it and I greatly enjoyed that session. Barbara MacDonald Magone was with us that day and she &amp;ndash; with her stories and laughs &amp;ndash; made it a memorable occasion.</text>
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                <text>The art form of lilting is demonstrated here by Bobby Gardiner. My grandmother Elizabeth Collins (n&amp;eacute;e Rochford), herself a very good lilter, told me that 'jiggers', as she called them, were commonly called upon whenever musicians were not available to play for dancers. Button accordionist Bobby Gardiner both lilts and plays with 'The Clare Swing'. Listen to him on these tracks lilting, then playing his very own tune. Barbara MacDonald Magone joins in on the piano.</text>
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                <text>I first heard this tune played as a hornpipe by Paddy O'Brien with The Lough Gowna C&amp;eacute;il&amp;iacute; Band in the early 1960s. In fact, the tune was originally composed as a four-part march by Gordon MacQuarrie of Cape Breton. MacQuarrie, a noted fiddle player and composer, published the tune in 1940 in his book &lt;em&gt;The Cape Breton Collection of Scottish Melodies&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;It is fascinating to imagine the musical meetings that occurred when musicians from Ireland immigrated to America and encountered not only American-born players of Irish traditional music, but also players of Scottish music from Cape Breton. This tune is a great example of such musical cross-pollination. Perhaps Paddy O'Brien picked the tune up in America from a fiddle player, or from MacQuarrie's book, converted it to a hornpipe, and took it back to Ireland with him when he returned in the early 1960s. And now, 'The Bonnie Lass of Headlake' has travelled back and forth across the Atlantic many times; this time in fine style indeed, played by John Daly on the fiddle with Kevin Brehony at the piano.</text>
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                <text>An expression in Ireland when I was growing up was, 'Ah, cop-on', which means something like 'get with it'. Damien Connolly, my nephew, remembers the saying too, and he suggested the above title as a name for the composition which he plays on this track. Damien writes: 'A Bottle of Cop-On: One of my friends from Sixmilebridge, Paul Delaney, used to say, "You need a good bottle of cop-on". Perhaps he was right! Maybe I still need a good bottle of it. The first few bars of the second part kept coming to me for months til I finally decided to do something about it. I wrote this tune back in 2006.'</text>
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                <text>Irish c&amp;eacute;il&amp;iacute; dancing was very popular in the late 1950s and early '60s, and dancers loved the idea of dancing to the music of different bands. In the late 1950s I was invited to join The Ormond Star C&amp;eacute;il&amp;iacute; Band, one of a number of bands that were formed around the banks of The Shannon and Lough Derg. The Ormond Star counted among its members many fine musicians, including All-Ireland champion button accordionist Paddy Ryan from Coolbawn, Nenagh, County Tipperary, and fiddle player Liam O'Connor, originally from Brosna, County Kerry. Liam taught me many tunes, including the one played on this track by my friend Nicole Rabata on flute, with myself on fiddle. Just for the record, The Ormond Star did travel to Dublin to make a long-playing recording &amp;ndash; exciting times for me as a teenager.</text>
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                <text>I have a tape of a wonderful evening of music in the home of the Gavin family of Balbriggan, County Dublin, which includes this hornpipe played by Jimmy Keane from Chicago. I wanted to include the tune in this collection, so I phoned Jimmy to ask about its origins. He said the tune wasn't his composition, so after some thought I phoned Brian O'Kane (a member of the All-Ireland Champion Siamsa C&amp;eacute;il&amp;iacute; Band in the 1960s) in Dublin to ask if he knew anything about the tune. He informed me that he indeed had written it himself, but had no name for it. Looking back now, it seems that I had made an association between the names Keane and O'Kane, and their styles of playing, which happily led me to the identity of the actual composer of this fine hornpipe. Thanks for the tune, Brian, and thanks to Gr&amp;aacute;inne Murphy for learning and playing it here for us.</text>
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                <text>I first heard this reel played by Br&amp;iacute;d Donnelly, a fine flute player with The Pride of Erin C&amp;eacute;il&amp;iacute; Band from County Fermanagh. My friend Nicky McAuliffe calls it 'The West Clare', but I'm sure the musicians in West Clare would be pleased with the title I have given it here, just as they would have been delighted with Br&amp;iacute;d's playing of it. Catherine McEvoy plays the reel on this track, with her nephew Paddy McEvoy on the piano. The music lives on.</text>
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                <text>'The Bridge', as it was affectionately called, was home to Dinny O'Brien, concertina and fiddle player. It was also the home of accordionist Paddy O'Brien, my musical colleague in the 1960s and '70s. The bridge in question is on the road between Portroe and Nenagh, County Tipperary. As a tribute to the O'Brien family, and in particular to Paddy, I composed this reel. It is played on this track by a former student of M&amp;aacute;ire O'Keeffe's, Tara Breen, a young fiddle player who has won the Fiddler of Dooney competition and the All-Ireland Championship. Tara's playing is a special treat. The tune is in E major, a key not commonly used in Irish music.</text>
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                <text>Bridge of Portumna, The</text>
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                <text>Folk dance music--Ireland</text>
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                <text>The town of Portumna in County Galway was a port of call for my father, Mick Connolly, when he worked on the River Shannon. During school holidays I often sailed with my Dad up and down the river and I always looked forward to docking in Portumna after the twenty-five mile trip on Lough Derg. &lt;br /&gt;&lt;br /&gt;The bridge spanning the Shannon at Portumna always held a fascination for me, particularly when it was raised to let larger boats sail underneath. I loved to swim in the clear waters of the Shannon, and diving from the high bridge of Portumna was always a test of nerves and possibly a way of being a 'show off'. During one of my crazy show-off dives I twisted my back and though I lived to tell the tale, I carry a souvenir of that dive to this day! &lt;br /&gt;&lt;br /&gt;I wonder if my good friend, accordionist and composer Martin Mulhaire, ever jumped or swam near the bridge. However, I do know that he composed this grand reel, which is masterfully played here by Liz Carroll on her fiddle.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Bridie's Joy</text>
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            <name>Subject</name>
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                <text>Folk dance music--Ireland</text>
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                <text>Peadar O'Loughlin's name seems to be eternally present in the world of Irish music. His music brought much joy to the Connolly household when I was growing up in County Clare. It was such a heartwarming pleasure to have him visit the home of Geraldine Cotter the afternoon that he and Geraldine recorded 'Bridie's Joy' for Sandy and me. Years earlier, on an LP record issued by Ceirn&amp;iacute;n&amp;iacute; Cladaigh, he and piper Ronan Browne played this same reel. A great tune that's worth hearing again.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0218.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/02-18_Bridies_Joy-Reel.pdf</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270184055&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>This reel is another composition of Eamon Flynn, taken from his CD recording with permission. It is named for the village of Brosna in County Kerry, a place well-known for great Irish music and whose name has been given to a number of tunes including 'The Brosna Slide'.</text>
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                <text>&lt;p dir="ltr"&gt;&lt;span&gt;The exciting recording on this track was made by RT&amp;Eacute; Raidi&amp;oacute; na Gaeltachta, featuring master musicians Tony MacMahon and Steve Cooney. The first jig is associated with the piping of Brother Gildas O'Shea. The second jig of the set, 'Bryan O'Lynn', is one of a number of closely related tunes, variants of which include &lt;a href="http://connollymusiccollection.bc.edu/document/453" target="_self"&gt;'The Planting Stick'&lt;/a&gt; and &lt;a href="http://connollymusiccollection.bc.edu/document/454" target="_self"&gt;'Magpie in the Tree'&lt;/a&gt;, found elsewhere in this collection. The two tunes on this track were played together previously by Tommy Potts and Tommy Reck, and they make for a beautiful pairing. Although the first tune does not appear in sheet music form in this collection, both tunes may be found in &lt;/span&gt;&lt;span&gt;&lt;em&gt;The Leo Rowsome Collection of Irish Music&lt;/em&gt;.&lt;/span&gt;&lt;span&gt; Thanks to Malachy Moran, manager of Audio Services and Archive at RT&amp;Eacute; Radio, for permission to use the recording for this project, and to Raidi&amp;oacute; na Gaeltachta. A special 'thank you' to Steve Cooney for his generous help in tracking down the original recording, and for the great guitar playing that complemented Tony's magical performance. Tony, thanks for the music and for bringing this track to my attention.&lt;/span&gt;&lt;/p&gt;&#13;
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                <text>Cape Breton fiddle legend Mr. Buddy MacMaster gave this tune to our mutual friend, piano player Barbara MacDonald Magone. Barbara graciously passed it along to me when she recorded it for this collection in Portland, Maine, almost ten years ago.</text>
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                <text>David Reiner has published a number of fiddle books, including &lt;em&gt;Anthology of Fiddle Tunes&lt;/em&gt; (Mel Bay). According to Dave, this tune came together in his head while he was hiking with his parents and brother in the Canadian Rocky Mountains. After he returned from the hike he picked up his fiddle and, he writes, 'made a few improvements to the tune, including the ending that tumbles down arpeggios like a waterfall into a canyon.' The great Liz Carroll recreates Dave's musical hiking adventure with her interpretation of this composition.</text>
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                <text>Another composer of fine tunes was fiddle and flute player Brendan Tonra from County Mayo, who immigrated to Boston around 1959. Brendan played this tune, one of his compositions, on a recording made in 1979 by the Boston branch of Comhaltas Ceolt&amp;oacute;ir&amp;iacute; &amp;Eacute;ireann. It may be found in Brendan's own collection, &lt;em&gt;A Musical Voyage, with Brendan Tonra&lt;/em&gt;, produced by his friend Helen Kisiel. My setting of this reel can be found on a 1989 recording called &lt;em&gt;Here and There&lt;/em&gt;, on the Green Linnet label. The tune is played for this collection by S&amp;eacute;amus and Manus McGuire.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270350094&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Reels</text>
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                <text>Cathal's Reel</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Reels (Music)</text>
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                <text>Flute music--Ireland</text>
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                <text>McConnell, Cathal 65520190</text>
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                <text>The revered traditional music group The Boys of the Lough performed in Boston in the late 1980s. At a house gathering that same evening, their flutist Cathal McConnell played this tune for me. The tune is performed for us on this track by Catherine McEvoy, who brings to bear her very own masterly interpretation and style.</text>
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                <text>McEvoy, Catherine (flute) 29160418</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0711.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/07-11_Cathals_Reel.pdf</text>
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            </elementTextContainer>
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          <element elementId="47">
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              <elementText elementTextId="10688">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270491899&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Jigs</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="6681">
                <text>Catherine's Classroom</text>
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            <description>An alternative name for the resource. The distinction between titles and alternative titles is application-specific.</description>
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                <text>Cabin Jig, The</text>
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                <text>Catherine McEvoy composed this jig. I named it 'Catherine's Classroom' after reading her story of how the tune came about. In her own words: 'I have a wooden cabin at the back of the house that I use for teaching in, and for musical purposes. I was on my own one evening waiting for pupils to come, and playing a few tunes, and it just came to me. I called it "The Cabin Jig" just to give it a name when I wrote it down, hoping to come up with something better. Unfortunately, it's not a very exciting story, and I never did get round to re-naming it.'</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0508.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/05-08_Catherines_Classroom-Jig.pdf</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270372197&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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        <name>Playlist 05</name>
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