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                  <text>Set dances</text>
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                <text>Stranger, The</text>
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                <text>Mrs. Crotty from the town of Kilrush in County Clare played this set dance for Ciar&amp;aacute;n Mac Math&amp;uacute;na's radio programmes, &lt;em&gt;Ceolta Tire&lt;/em&gt; and &lt;em&gt;A Job of Journeywork&lt;/em&gt;. I had the honour of playing it with Mrs. Crotty in her home many years ago. As I look back on those years, now long gone, and think how privileged I was to have played music with some of the giants in Irish music, I realise that my world would not have been the same had I not met those people. I can say the same for Father Charlie Coen! Now listen as the Monsignor plays 'The Stranger'.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0302.mp3</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270196457&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>I found an old brown manuscript page and remembered that my former sister-in-law Maureen Glynn had given it to me. Maureen grew up in Brooklyn, New York. She was a talented lady and widely respected in the Irish music and dance world. Maureen was a great musician: a piano, fiddle, and whistle player who taught hundreds of children in and around The Big Apple. She was also an Irish dance teacher, but most times could be heard playing music at the feiseanna instead of adjudicating the dancing. Maureen loved the old music and it was always a delight to play with her. &lt;br /&gt;&lt;br /&gt;The track heard here is taken from a cassette recording that I made years ago of myself playing the tune from that manuscript. If memory serves me well, I believe it was a handwritten transcription of a page from &lt;em&gt;The Roche Collection&lt;/em&gt;, where this tune occurs in the key of G under the title above. I moved the tune to the key of A, in order to give it a more open, pipes-like sound on the fiddle. At the time of recording, some variations had come to mind and I did not want to forget them, so onto the tape they went. I forgot about the tune after that, but I recently found the tape in a drawer in my music room. I thought it would make a worthy addition to this collection. So here is Maureen Glynn's old brown manuscript. A tune not to be forgotten. Enjoy!</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Here is another tune from the playing of Leizime Brusoe. Paul Wells provided the name 'Crystal Schottische'. I sent the tape over to S&amp;eacute;amus and Manus McGuire, two wonderful fiddle players, who gave graciously of their time to learn and perform it for this collection. Beautifully played, lads. &lt;br /&gt;&lt;br /&gt;A book I have called &lt;em&gt;Mellie Dunham's 50 Fiddlin' Dance Tunes&lt;/em&gt;, published by Carl Fischer in 1926, happens to include another version of this tune, called 'Old Times'. It was taken from the playing of Mellie Dunham, a fiddle player born in 1853 who lived in Norway, Maine.</text>
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                <text>McGuire, Séamus (fiddle) 43512454</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270196435&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>The tune on this track was composed by my nephew Damien Connolly. When I asked Damien what memories this tune's title referred to, he immediately said, 'Well, I grew up listening to a blend of Clare, Sligo, and Kerry fiddling. This is a tune that kind of reminds me of Paddy Canny and East Clare music in general.' Listen as he tells of his memories.</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Flute music--Ireland</text>
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                <text>The reel played on this track by Catherine McEvoy was one that Paddy O'Brien and I had considered recording with Charlie Lennon for &lt;em&gt;The Banks of the Shannon&lt;/em&gt; mini-LP that we made in the 1970s. I'm not exactly sure why we did not record it. Then, thirty years later, I had the distinct honour of recording a CD called &lt;em&gt;The Boston Edge&lt;/em&gt; with another maestro of the accordion, Joe Derrane, with John McGann playing guitar. Joe, like Paddy O'Brien, came up with this very same reel, and also suggested that we record it for &lt;em&gt;The Boston Edge&lt;/em&gt;. In the end, for whatever reason, the tune did not make it onto that record either. &lt;br /&gt;&lt;br /&gt;Looking back now on both these situations, maybe the reason the tune was not recorded was because we never could find a name for it. One could say that that in itself is not a good reason, and so to redeem ourselves I asked our good friend Catherine McEvoy to do us the honour. In giving it a name for this collection, I had two good choices: 'The Banks of the Shannon', or 'The Boston Edge'. Both titles sound good to me; after all, both masters of the accordion clearly liked the tune. However, I have chosen to call it 'The Banks of the Shannon' because the version Catherine plays on this track comes from a recording of Paddy O'Brien. Unfortunately, I never did capture Joe Derrane playing it. Now it's Catherine's turn.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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              <name>Title</name>
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                  <text>Reels</text>
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                <text>Moate Reel, The</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Fiddle tunes--Ireland</text>
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                <text>McCann, Brendan</text>
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                <text>The town of Moate is in County Westmeath. It has a strong musical tradition and at one time had a famous c&amp;eacute;il&amp;iacute; band that made a number of 78 RPM recordings. The late accordionist Brendan McCann, who lived in Connecticut, grew up near Moate. As a tribute to Brendan and his music, Josephine Keegan from County Armagh, whose music is to be found throughout this collection, composed and recorded this track.</text>
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                <text>Keegan, Josephine (fiddle, piano) (composer) 72741909</text>
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                <text>Séamus Connolly</text>
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                <text>Keegan, Josephine </text>
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              <elementText elementTextId="9750">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_1020.mp3</text>
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              <elementText elementTextId="9751">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/10-20_The_Moate_Reel.pdf</text>
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              <elementText elementTextId="10734">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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          <element elementId="50">
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                <text>Roger Casey's Reel</text>
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          <element elementId="49">
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                <text>Folk dance music--Ireland</text>
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                <text>Casey, Roger</text>
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                <text>Redican, Larry</text>
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                <text>One of the most gratifying experiences for any musician is to have the opportunity to play for good dancers. Roger Casey from New York, now an Irish stepdancing adjudicator, was an excellent competitive dancer. When he practiced for competitions back in the 1950s and '60s, Roger had the pleasure of dancing in his kitchen to the music of fiddle master Larry Redican. &lt;br /&gt;&lt;br /&gt;The reel heard on this track is played by Tina Lech on fiddle. She learned it from the fiddle playing of Larry Redican and, not having a name for the tune, I gave it the above title to honour my good friend Roger. I was so touched and honoured when Roger presented me with a number of tapes of Larry Redican's fiddle music from those practice sessions. Incidentally, the tunes performed by Larry Redican in this collection are used by kind permission of Mr. Larry Redican Jr.</text>
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                <text>Boston College Libraries</text>
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                <text>Lech, Tina </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/10-19_Roger_Caseys_Reel.pdf</text>
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              <elementText elementTextId="10733">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Another tune that Larry Gavin sent to me is this reel. Larry found it in 'The Bible' of Irish music, the &lt;em&gt;O'Neill's 1001&lt;/em&gt; collection of tunes. It is played here for us by the great Catherine McEvoy with accompaniment by her nephew, Paddy McEvoy, on piano.</text>
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                <text>Séamus Connolly</text>
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                <text>Dennis Watson from County Roscommon, now living in Chicago, is a flute player and piper. Shannon Heaton recorded this tune, her own composition, on her recent CD &lt;em&gt;The Blue Dress&lt;/em&gt;. She plays it again for this collection and dedicates it to Dennis Watson.</text>
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                <text>Heaton, Matt (bouzouki)</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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          <element elementId="50">
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                <text>Ladies of Leinster, The</text>
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                <text>I first heard this reel played by the man who influenced many musicians of my generation, the great Se&amp;aacute;n Maguire. Se&amp;aacute;n had a happy knack of transposing tunes to different keys than those that might have been originally documented. The reel is played here by Boston's own Brendan Bulger.</text>
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                <text>Bulger, Brendan (fiddle)</text>
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                <text>Knox, Bill (guitar)</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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            <name>Rights</name>
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              <elementText elementTextId="10730">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Flynn's Reel</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Flynn, Eamon</text>
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                <text>This is the first tune that Eamon Flynn composed over forty years ago. He plays it for us on accordion with our mutual friend, Miss Helen Kisiel, on piano. The tune may also be heard on Eamon's CD recording &lt;em&gt;Down by the Glenside&lt;/em&gt;.</text>
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                <text>Flynn, Eamon (accordion) (composer)</text>
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                <text>Séamus Connolly</text>
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                <text>I tried as best I could to learn this tune from a tape made in the home of Mr. and Mrs. Paddy Gavin in Balbriggan, County Dublin, almost forty years ago. The tape was damaged a little but one could hear a great session of music played that night by the Gavin family and Jimmy Keane from Chicago. At one point on the tape, someone sat down at the piano and begin to pick out the melody of the reel heard on this track, as though composing, reading, or trying to remember it. I loved the tune and what I could make out of it, so I reconstructed it in my own way, whilst trying my utmost to remain faithful to what I could decipher of the original version. After all that and years later, I spoke to Kathleen Gavin, who recalls being at the piano that night sight-reading the tune from a piece of manuscript paper. The tune's origins remain a mystery. Its composer may not like my reconstruction, or how I played it on this track, nor the title that Kathleen has suggested. Please know though, whoever you may be, that we certainly like your tune or composition, and we thank you for it.&lt;br /&gt;&lt;br /&gt;P.S. It has come to our attention that this tune is a composition of Leitrim fiddle player and multi-instrumentalist Joe Liddy. He titled the tune "The Sweat House."</text>
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                <text>Another tune from the legendary Cathal McConnell. He gave me this tune, and the others in this collection, during that visit to Boston and Cambridge, Massachusetts, over thirty years ago (see &lt;a href="http://connollymusiccollection.bc.edu/document/643" target="_self"&gt;'Cathal's Reel'&lt;/a&gt;).</text>
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                <text>Paddy Cronin was always very eager to learn new tunes. Paddy loved 'going through the books' with his fiddle in hand. He had a vast store of old tunes and an amazing repertoire, including this reel, played here for us by the lovely ladies of music, Liz and Yvonne, the wonderful Kane sisters from County Galway.</text>
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          <element elementId="50">
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                <text>Edenderry, The</text>
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                <text>Larry Gavin sent this tune to me on a tape over thirty years ago. Getting a tape of music from Ireland, and more especially from Larry, was always special. I was always assured of getting a new tune or two from my good friend. On this track we hear Joanie Madden playing the version found in &lt;em&gt;O'Neill's 1001&lt;/em&gt; collection, the same version that was played by Larry so long ago. Lar, I still have that tape. Thanks for the memories.</text>
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              <elementText elementTextId="9581">
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/09-29_The_Edenderry-Reel.pdf</text>
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              <elementText elementTextId="10723">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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        <name>Playlist 09</name>
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                <text>Old Schoolmaster, The</text>
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                <text>'Maestro' Se&amp;aacute;n Maguire played this tune in the key of A major at a concert in Kilfenora, County Clare, many years ago. My friend Sally K. Sommers Smith Wells reminded me that it somehow was like the song 'Love Will You Marry Me?' Brendan Bulger from Boston plays the tune, a version of which may be found in &lt;em&gt;O'Neill's 1001&lt;/em&gt; collection.</text>
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              <elementText elementTextId="10722">
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                <text>Martin Hayes, the great fiddle player from East Clare, gives us this beautiful rendition of a tune I have given the title 'Tulla Lodge'. This tune was given to me by Larry Gavin.</text>
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                <text>My nephew Damien Connolly plays a reel of his own composition. In his words he tells us about his native Killaloe: 'I am very proud of my hometown of Killaloe, County Clare. I lived there for twelve years before moving to Ennis. Killaloe is my first love, as it were. Every morning I would open the window and look out on the hills of the surrounding countryside and breathe in the fresh air. I have so many fond childhood memories from that old town. It's situated right on the river Shannon, so it's a beautiful place indeed... A couple of years ago, I purchased a bouzouki off eBay, tuned it up, and this is the tune that fell right out.'</text>
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