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                <text>Celtic Lamb, The</text>
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                <text>This track comes from the CD &lt;em&gt;To The Dance Floor&lt;/em&gt;, released in 2006 by a Rhode Island-based group called The Gnomes. Among its members is Phil Edmonds, the composer of this beautiful tune. Phil and I went to the same school in Killaloe, where we learned to play the tinwhistle, and Phil's father, Eddie Edmonds, was one of my secondary school teachers. The words below are taken from the notes to their CD: &lt;br /&gt;&lt;br /&gt;'The Celtic Tiger is the term referring to the system of economics and way of life in Ireland for the past several years. While it has resulted in much wealth for many people (not all), the Celtic Tiger is devouring Irish Culture. Wherever money and material possessions become a priority, the quality of life decreases. Phil wrote this air, "The Celtic Lamb", hoping that Ireland, and all of us, will move towards a more sustainable and gentler lifestyle.' &lt;br /&gt;&lt;br /&gt;It gives me great pleasure to have another Killaloe man associated with this collection. Thanks, Phil, for the tune, and thanks to the rest of the band for their participation in this project.</text>
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                <text>Read, Otis (guitar) 309842361</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 04</name>
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                <text>Another fine tune from fiddle player and composer Mrs. Matilda Murdoch from New Brunswick, Canada. Maeve Donnelly from Quin in the County of Clare delightfully performs it on this track with an Irish interpretation. This was exactly what I was hoping to hear, and it also pleased Mrs. Murdoch very much.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Champaign Jig Goes to Columbia, The</text>
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                <text>During that &lt;a href="http://connollymusiccollection.bc.edu/document/434" target="_self"&gt;musical evening at the Gavins'&lt;/a&gt; in Balbriggan so long ago, Jimmy Keane, the piano accordion player from Chicago, played this tune. He informed me that it is one of Liz Carroll's compositions, entitled 'The Champaign Jig Goes to Columbia'. It can be found in &lt;em&gt;Liz Carroll Collected&lt;/em&gt;, a beautifully produced book of her wonderful compositions. Gr&amp;aacute;inne Murphy plays her version of the tune on this track.</text>
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                <text>Accordionist, concertina player, and composer Charlie Mulvihill from New York composed this tune. Charlie was very friendly with the great Paddy Killoran, master fiddle player from County Sligo. When Paddy Killoran died, his wife Betty gave Charlie the 78 RPM recordings that Paddy had recorded in the 1930s and '40s. Charlie transferred the records to tape for Mrs. Killoran to enjoy once again. Along with the Killoran recordings, Charlie gave her a tape of his own compositions which includes this jig cleverly structured around the recurrence of the note 'A'. He plays it on this track with his daughter Geraldine on piano and son Tommy on fiddle. I am grateful to Tommy Mulvihill for giving me permission to feature the track with this collection.</text>
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                  <text>Reels</text>
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                <text>Check Your Balance</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Fiddle tunes--Ireland</text>
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                <text>The wonderful young fiddle player Devin Shepherd, from Chicago, composed this tune and gave it to me for this collection. Lovely music, Devin. He gives us the tune's history: 'My idea with this tune was to compose something that sounded truly traditional. Therefore, I was delighted when the Cork fiddle player John Daly, who lived in Chicago for many years, commented that this tune was "like one the old guys would play back home"'.</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0618.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/06-18_Check_Your_Balance-Reel.pdf</text>
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          </element>
          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="10679">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270479302&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Reels</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="8657">
                <text>Chestnut Hill</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folk dance music--Ireland</text>
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              <elementText elementTextId="8660">
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              <elementText elementTextId="8661">
                <text>This reel was composed by S&amp;eacute;amus McGuire in honour of Chestnut Hill, Massachusetts, the location of Boston College. S&amp;eacute;amus was invited to teach and perform at the Boston College Gaelic Roots Festival. He plays his tune here with his brother Manus McGuire on fiddle and Garry O'Briain on mandocello and piano. S&amp;eacute;amus, Manus, and Garry were also part of the teaching staff at the University's Gaelic Roots Festival.</text>
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                <text>McGuire, Séamus (fiddle) (composer) 43512454</text>
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                <text>McGuire, Manus (fiddle) 43512465</text>
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                <text>Séamus Connolly</text>
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                <text>McGuire, Séamus </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0506.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/05-06_Chestnut_Hill-Reel.pdf</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
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              <elementText elementTextId="10661">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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            <name>Has Part</name>
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              <elementText elementTextId="11325">
                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270372202&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 05</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="359">
                  <text>Airs </text>
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    <elementSetContainer>
      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="5400">
                <text>Chúilfhionn, An</text>
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                <text>Coolin', The</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folk music--Ireland</text>
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              <elementText elementTextId="5403">
                <text>Folk songs,  Irish--Ireland</text>
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                <text>Celtic harp music--Ireland</text>
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                <text>Penny whistle music</text>
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                <text>Airs</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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              <elementText elementTextId="5408">
                <text>There are a number of versions of the ever-popular air 'The Coolin'. Two versions may be heard on this track, performed by harper/singer P&amp;aacute;draig&amp;iacute;n Caesar and her sister Siobh&amp;aacute;n on whistle. An English translation of the poem, written in the Irish language in the seventeenth century by Maurice O'Dugan, may be found in the anthology &lt;em&gt;1000 Years of Irish Poetry&lt;/em&gt;.</text>
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                <text>Caesar, Pádraigín (harp, vocals)</text>
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                <text>Caesar, Siobhán (whistle)</text>
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          <element elementId="45">
            <name>Publisher</name>
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              <elementText elementTextId="5412">
                <text>Séamus Connolly</text>
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              <elementText elementTextId="10831">
                <text>Boston College Libraries</text>
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              <elementText elementTextId="5415">
                <text>Caesar, Pádraigín </text>
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                <text>Caesar, Siobhán</text>
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              <elementText elementTextId="5417">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0621.mp3</text>
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              <elementText elementTextId="11554">
                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/06-21_An_Chuilfhionn-Song-Air.pdf</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
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            <elementTextContainer>
              <elementText elementTextId="10453">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>If ever you get a chance to visit The Clare Glens you will not be disappointed. They are a beautiful wooded area, very picturesque, with walkways on both sides of the Clare River. The Glens are very close to Newport, County Tipperary, and are only seven or eight miles from where I grew up. There are a number of swimming areas and a waterfall. Standing under the falls with the cold mountain water flowing over you is most invigorating. &lt;br /&gt;&lt;br /&gt;Not having a name for this polka, I thought, why not call it 'The Clare Glens'? I was honoured to get the opportunity to play it on my fiddle with Monsignor Charlie Coen on concertina. The tune originally came to us from another recording that Ciar&amp;aacute;n Mac Math&amp;uacute;na made of concertina player Paddy Neil from around that same area of Newport, County Tipperary, a place well-known for its polkas.</text>
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                <text>'Cloonlish House' was played for me years ago by its composer, Eddie Kelly. This hornpipe is played creatively and wonderfully here by Liz Carroll. &lt;span id="docs-internal-guid-ae9627a6-30a3-3b0a-06d3-5d501d30f8e9"&gt;&lt;span&gt;Liz's masterful interpretation seems to slowly open the doors of Cloonlish House, inviting all of us in.&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Closing Message: A Bit of Clare</text>
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                <text>And so, as my friend Dr. Paris Mansmann said, ‘The tunes and songs have been told.’&#13;
 &#13;
Let us lift our parting glasses and toast all who have been associated with this collection. To our younger generation of musicians, singers, and dancers, may I suggest keep the tradition alive, enjoy life; live, love, and laugh, and always keep the flag flying. Or, as they proudly say in County Clare, ‘Up the Banner!’ Remember, there's a bit of Clare in us all. &#13;
&#13;
"A Bit of Clare" was written by Killaloe poet and family friend J.P. "Jack" Noonan. Thanks to Jack's family for allowing me to publish his wonderful poem in this collection.&#13;
&#13;
Séamus Connolly&#13;
Sullivan Artist-in-Residence, 2004-2015&#13;
Boston College&#13;
&#13;
&#13;
&#13;
A BIT OF CLARE&#13;
&#13;
There’s a bit of Clare about you&#13;
&#13;
That I cannot quite explain.&#13;
&#13;
It’s elusive as the fragrance&#13;
&#13;
Of wild-woodbine after rain.&#13;
&#13;
Or it may be I was dreaming&#13;
&#13;
When I first looked in your eyes&#13;
&#13;
Of the grey mists o’er the Shannon&#13;
&#13;
Mingling with the star-specked skies.&#13;
&#13;
&#13;
With your fingertips caressing&#13;
&#13;
I can feel again the thrill&#13;
&#13;
Of the breezes that steal softly&#13;
&#13;
O’er the turf-banks on the Hill&#13;
&#13;
And I hear the lark at dawning&#13;
&#13;
When your lilting laughter peals&#13;
&#13;
It’s that bit of Clare about you&#13;
&#13;
Which your ev’ry act reveals.&#13;
&#13;
&#13;
But whatever is that something&#13;
&#13;
It brings back a memory&#13;
&#13;
Of the wild rose in the hedges&#13;
&#13;
And the berried rowan tree;&#13;
&#13;
There’s a breath of Irish Springtime&#13;
&#13;
Fragrant flowers and April rain&#13;
&#13;
In that bit of Clare about you&#13;
&#13;
That I cannot quite explain.&#13;
&#13;
-- Jack Noonan&#13;
&#13;
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                <text>Come to the Fair</text>
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                <text>'Come to the Fair' was a very popular waltz/song played by The Kilfenora C&amp;eacute;il&amp;iacute; Band in the 1960s. I have always enjoyed listening to the band's singer Mary Higgins performing the song on a recording made at a c&amp;eacute;il&amp;iacute; in Ennis in 1960. The recording of all of the tunes and songs played on that night was given to me to learn when I was invited to join The Kilfenora and embark on my first 'big' tour of England. What a thrill and an honour for me! The tune is performed here on this track by Tara Lynch (daughter of Jerry Lynch, the accordionist with the band in the 1950s) and myself. The track was enhanced by the musicianship of Gabriel Donohue on piano and keyboards.</text>
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                <text>Connolly, Séamus (fiddle) 33682623</text>
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                <text>This tune bears the name of noted fiddle player Con Cassidy, and it may well have been played as a single jig in his native County Donegal. There was no doubt about West Limerick accordion player Donie Nolan's interpretation of it as a slide. He played it throughout Australia in 1994 when he and another group of artists, including 'M&amp;eacute; F&amp;eacute;in', toured that amazing continent. For this collection, Donie took the time to meet me and Sandy at Peadar's Bar in Ardagh, County Limerick, and over the humming of the fridge, he recorded Con Cassidy's slide.</text>
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                <text>This reel is another composition of the talented Eamon Flynn from County Limerick. Eamon's brother Con was not heard from for many years and when he suddenly returned home there was rejoicing all around the neighbourhood. Eamon celebrated his brother's return with this reel. The track here was taken from an old cassette tape of Eamon. Thanks to Gabriel Donohue for cleaning it up for me in his studio for all to hear.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0727.mp3</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Multi-instrumentalist Brian Hebert from the Boston area conferred on me special recognition by composing and playing this slip jig. The chair mentioned in the tune's title is my endowed position as Sullivan Artist in Residence at The Center for Irish Programs at Boston College.</text>
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                <text>This hornpipe as played on this recording comes to us courtesy of fiddle player Liz Knowles. The original sources for the tune, Denis Murphy and Charlie Mulvihill (fiddle and accordion, respectively), recorded it for Ciar&amp;aacute;n Mac Math&amp;uacute;na's &lt;em&gt;American Journeywork&lt;/em&gt; programme in 1963. I gave this recording to Liz and she graciously played Denis's and Charlie's version for this project. A different version may be found in Captain Francis O'Neill's &lt;em&gt;1001 Gems&lt;/em&gt; collection of music.</text>
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                <text>My good friend Cindy Polo made this tune and dedicated it to another friend, Randy Bridgman. I enjoyed playing this tune with Cindy and Gabriel Donohue. In Cindy's own words, she tells us about 'The Crooked Hurricane': &lt;br /&gt;&lt;br /&gt;'What else to do while the power is out in the middle of a hurricane? Fiddle and fiddle! I composed this tune as Hurricane Irene battered eastern North Carolina in 2011. The hurricane did not travel as expected. Its unusual pattern of travel was described as crooked. The tune too is crooked in the style of some Canadian fiddle tunes. I dedicate the jig to my friend Randy Bridgman, a native of Newfoundland. This tune is also crooked, somewhat like the shape of many of the trees in my garden when the storm subsided.'</text>
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                <text>The music lives and breathes in the soul of Tara Lynch. Tara, daughter of Jerry Lynch (accordionist in the 1950s with the celebrated three-time All-Ireland champion Kilfenora C&amp;eacute;il&amp;iacute; Band), was born in New York. She learned her music from her father, and her style is steeped in the tradition of the old Kilfenora Band. The tune she plays on this track was part of the repertoire of the band in the 1960s and '70s, of which I was so honoured to be a member. I am also honoured to have Tara playing it for us: an unbroken link.</text>
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                  <text>Schottisches</text>
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                <text>Crystal Schottische</text>
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                <text>Old Times</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Folk dance music--Ireland</text>
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                <text>Fiddle tunes--Ireland</text>
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                <text>Here is another tune from the playing of Leizime Brusoe. Paul Wells provided the name 'Crystal Schottische'. I sent the tape over to S&amp;eacute;amus and Manus McGuire, two wonderful fiddle players, who gave graciously of their time to learn and perform it for this collection. Beautifully played, lads. &lt;br /&gt;&lt;br /&gt;A book I have called &lt;em&gt;Mellie Dunham's 50 Fiddlin' Dance Tunes&lt;/em&gt;, published by Carl Fischer in 1926, happens to include another version of this tune, called 'Old Times'. It was taken from the playing of Mellie Dunham, a fiddle player born in 1853 who lived in Norway, Maine.</text>
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                <text>McGuire, Séamus (fiddle) 43512454</text>
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                <text>O'Briain, Garry (mandocello) 58691214</text>
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                <text>Séamus Connolly</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Curragh of Kildare</text>
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                <text>The Curragh is a flat open plain in County Kildare, an area well-known for Irish horse breeding, training, and racing. My original source for this tune was Cathal McConnell, the master musician and singer from County Fermanagh. He played it for me when on that visit to Boston with his musical friends, The Boys of the Lough (see &lt;a href="http://connollymusiccollection.bc.edu/document/643" target="_self"&gt;Cathal's Reel&lt;/a&gt;). &lt;br /&gt;&lt;br /&gt;I gave the recording to my good friend Jerry O'Sullivan, who plays the tune on this track, but with his very own arrangement and interpretation. The phrasing, as one will see, is different from that of the written transcription of Cathal's playing. Fascinating, really, when one thinks of how music can be changed to suit the performer and the instrument. Thanks to both these fine exponents for their contrasting versions.</text>
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                <text>O'Sullivan, Jerry </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0833.mp3</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 08</name>
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