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                <text>One of America's most distinguished master musicians, North Carolina banjo player, fiddle player, and composer Tony Ellis was out on his tractor one day when he began to hear this barndance in his head. Not knowing whether he'd heard the tune somewhere before, or if it was something new, he went inside and pulled out his fiddle. &lt;br /&gt;&lt;br /&gt;I was not at home when he rang me, but he played the tune onto my answering machine and asked if I had ever heard it. As soon as I received his message, I returned his phone call and told him that I had never heard the tune before. &lt;br /&gt;&lt;br /&gt;Later, on one of his CD recordings, &lt;em&gt;Quaker Girl&lt;/em&gt;, Tony recorded the tune for posterity and gave it the above title. I am very proud that my friend, the wonderful fiddle player Liz Knowles, kept Tony's interpretation and feeling in mind yet added her very own nuances, colour, and variations when she played the tune for this collection. Thanks, Liz!</text>
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                <text>Knowles, Liz (fiddle) 68565066</text>
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                <text>Knowles, Liz </text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Paddy Kierse, as Ciarán Mac Mathúna said on his Radio Éireann program A Job of Journeywork, was a lovely old musician. Ciarán recorded his playing of this tune on a visit to north County Clare. Mr. Kierse, from Kilnaboy, near Kilfenora, had wonderful old tunes, stories, and history from that part of the county. &#13;
&#13;
Monsignor Charlie Coen from New York State, formerly of Woodford, County Galway, did an excellent job playing the tune in the style of Mr. Kierse. We recorded the tune at my home in Maine. Kevin McElroy pulled out Sandy's old guitar and strummed along.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0402.mp3</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>America's foremost uilleann piper, Jerry O'Sullivan, learned this and a number of other tunes from recordings of Dan Sullivan and his band that I sent to him. Jerry recorded the tunes with the engineering expertise of Gabriel Donohue, himself an amazing musician, singer, and a man of many talents. The tune here is played by Jerry as a highland but it could also be played as a reel.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Kathleen Coen's</text>
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                <text>Flute player Mr. Jack Coen, brother of Monsignor Charlie Coen, was visiting his daughter Kathleen in Clinton, Massachusetts. I took a trip down that same day to meet Jack and to play a few tunes with him. Many of the tunes we played that day I had learned from a reel-to-reel tape of Jack and his friend Paddy O'Brien from County Tipperary. The tape was recorded in the Bronx, New York, in the 1950s, and a copy was sent back to Ireland. That day, Jack told me that Kathleen played the piano and, if I encouraged her, she might play a tune. Kathleen did play this polka with her father and I captured it as my prize for the day. With such a family connection, it is appropriate then that Father Charlie would be our performer on this track.</text>
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                <text>Another tune from the repertoire of Mrs. Ellen Galvin. It is played on this track for all of us to enjoy by one of my heroes, Josephine Keegan. Josephine again makes full use of modern recording technology in order to be recorded playing both fiddle and piano. A beautiful blend of West Clare and Northern Ireland fiddling. I have taken the liberty of naming the tune after the home area of Mrs. Galvin in County Clare.</text>
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                <text>The accordion master Peter 'P.J.' Conlon recorded an amazing series of 78 RPM records. He recorded this jig (under the title 'Clancy's Jig'), as did his friend Bill Sullivan, who called it 'Conlon's'. Here it is played on melodeon by my nephew Damien Connolly.</text>
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                <text>Connolly, Damien (melodeon)</text>
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                <text>The music of Ed Haley, a fiddle player born in West Virginia in 1883, has for over twenty years given me much enjoyment and pleasure. My good friend Mr. Joe Wilson, former director of The National Council for the Traditional Arts, gave me a tape of Haley's music. He played this particular tune in a very distinctive West Virginia style, but with a definite Irish influence, incorporating ornamentation similar to that employed by the Sligo fiddle players Coleman, Killoran, and Morrison, who came to America in the early 1900s. I asked S&amp;eacute;amus McGuire to learn and play the tune for my collection. Masterfully played, thank you, S&amp;eacute;amus.</text>
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                <text>McGuire, Séamus (fiddle) 43512454</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Reels</text>
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                <text>Accordion player, fiddle player, and all-around entertainer Frank Quinn lived in New York and recorded for a number of record companies in the 1930s. I heard this reel played by him on an old 78 RPM recording. Jimmy Noonan plays flute on this selection and is joined by Dan Gurney on accordion. Together they give us a wonderful rendition of this tune. A great afternoon of music played at my home in Maine culminated in this reel which they had only learned that day. Thanks again, lads, for all the hard work.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Hornpipes</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Fly by Night</text>
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                <text>Low Level, The</text>
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                <text> Best Shot</text>
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          <element elementId="49">
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                <text>I first heard this hornpipe in the early 1960s, played by Mr. Kieran Kelly, a wonderful accordionist from near Athlone, County Westmeath. The tune has been recorded by a number of musicians and has been given different titles, including 'The Low Level' and 'Fly by Night'. Settings of this hornpipe in two different keys may be found in Ryan's&lt;em&gt; Mammoth Collection&lt;/em&gt;, where one is named 'Best Shot'. As my friend Peter Catto of Brookline, Massachusetts, cleverly suggested, 'When you fly by night, your best shot is to not fly at a lower level!' The tune is played on this track by Boston's own fiddle player, Brendan Bulger. Brendan gives the hornpipe a bouncy lift, clearly imparting his own unique musical imprint.</text>
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                <text>I have a tape of a wonderful evening of music in the home of the Gavin family of Balbriggan, County Dublin, which includes this hornpipe played by Jimmy Keane from Chicago. I wanted to include the tune in this collection, so I phoned Jimmy to ask about its origins. He said the tune wasn't his composition, so after some thought I phoned Brian O'Kane (a member of the All-Ireland Champion Siamsa C&amp;eacute;il&amp;iacute; Band in the 1960s) in Dublin to ask if he knew anything about the tune. He informed me that he indeed had written it himself, but had no name for it. Looking back now, it seems that I had made an association between the names Keane and O'Kane, and their styles of playing, which happily led me to the identity of the actual composer of this fine hornpipe. Thanks for the tune, Brian, and thanks to Gr&amp;aacute;inne Murphy for learning and playing it here for us.</text>
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                <text>Another of Jimmy Hogan's North County Clare tunes. It is played here, as was &lt;a href="http://connollymusiccollection.bc.edu/document/463" target="_self"&gt;'Jimmy Hogan's Number One'&lt;/a&gt;, by Josephine Keegan on fiddle.</text>
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                <text>Recorded by Se&amp;aacute;n Maguire, the celebrated master fiddle player, with Josephine Keegan on piano, as well as by Maeve Donnelly and Peadar O'Loughlin on their CD &lt;em&gt;The Thing Itself&lt;/em&gt;. A version of this tune was given to Breand&amp;aacute;n Breathnach by John Maguire, a whistle player from County Cavan. John Maguire was Se&amp;aacute;n's father. Brendan Bulger's playing of the tune is heard on this track.</text>
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                <text>Humours of Ballyhaunis</text>
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                <text>Flute music--Ireland</text>
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                <text>The 'goings on' or happy and fun times in Ballyhaunis, County Mayo, give this slip jig its name. I first heard the tune played by the talented musical Quinn family from New York. A version of the tune may be found in O'Neill's great collection of Irish music. A tune well worth playing and worth its weight in gold: on this track performed for us by Shannon Heaton.</text>
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            <name>Publisher</name>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0416.mp3</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270350160&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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            <element elementId="50">
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                  <text>Reels</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="8487">
                <text>Seán McCusker's</text>
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          <element elementId="49">
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            <description>The topic of the resource</description>
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                <text>Folk dance music--Ireland</text>
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                <text>Accordion music--Ireland</text>
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                <text>McCusker, Seán</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="8492">
                <text>Mentioned earlier in this collection was &lt;a href="http://connollymusiccollection.bc.edu/document/542" target="_self"&gt;The Pride of Erin C&amp;eacute;il&amp;iacute; Band&lt;/a&gt; from Fermanagh, a group of wonderful people who loved to play their music. One of the band members was flute and button accordionist Se&amp;aacute;n McCusker. Se&amp;aacute;n has a number of fine tunes attributed to him and this tune is, I believe, one of his compositions. It is beautifully performed for us here by Damien Connolly.</text>
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            <name>Creator</name>
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                <text>Connolly, Damien </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0417.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/04-17_Sean_McCuskers-Reel.pdf</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="10651">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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            <name>Has Part</name>
            <description>A related resource that is included either physically or logically in the described resource.</description>
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              <elementText elementTextId="11304">
                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270350154&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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              <name>Title</name>
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                  <text>Reels</text>
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          <element elementId="50">
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              <elementText elementTextId="8503">
                <text>Patsy Hanly's</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Flute music--Ireland</text>
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                <text>I played a recording of this reel for my friend Jimmy Noonan. The identity of the player was a mystery to me, but Jimmy's astute judgment identified the musician as Patsy Hanly, the flute player from County Roscommon. Who better, then, to play this reel for my collection than Jimmy Noonan himself? Jimmy is joined by two-row button accordionist Dan Gurney. Patsy would be proud of their rendition.</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0418.mp3</text>
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                <text>Bird's Nest, The</text>
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                <text>Tina Lech, a former fiddle instructor at Boston College, performs this tune for all of us to hear. Tina learned the reel from a tape I gave to her of Larry Redican, the Dublin fiddle player who lived in New York. The tune's title was given to me by Nicky McAuliffe from County Kerry. Expert that he is, Nicky told me that master Cape Breton fiddle player Angus Chisholm had recorded it under the name 'The Bird's Nest'.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0419.mp3</text>
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                <text>On that night in Ennis in the home of my brother Martin and his wife Pauline (see &lt;a href="http://connollymusiccollection.bc.edu/document/585" target="_self"&gt;&amp;lsquo;John Egan&amp;rsquo;s&amp;rsquo;&lt;/a&gt;), I thought I had captured Kevin Crawford playing a slip jig called 'What Care I For The Minister?' However, in the confusion, commotion, and mayhem that ensued when we realised that the tape recorder had been unplugged, it turned out that the slip jig Kevin played that evening was one called 'The First Slip'. &lt;br /&gt;&lt;br /&gt;Featured here on this track, this melody also appears in &lt;em&gt;The Dance Music of Willie Clancy&lt;/em&gt;, a collection compiled by Pat Mitchell and published in 1976. Everything turned out just fine, as it happens: 'The First Slip' is a wonderful melody, and I was able to get my friend Kathleen Guilday to play 'What Care I For the Minister?', found &lt;a href="http://connollymusiccollection.bc.edu/document/538" target="_self"&gt;elsewhere&lt;/a&gt; in this collection.</text>
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