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                <text>Barbara MacDonald Magone is the composer of this happy reel. She plays it for us in her own beautiful style. Barbara is admired by musicians for her solo piano playing and her sensitivity when performing with others. She composed 'Ashcraft-Fraser House' for Sally Ashcraft and Alasdair Fraser, the great ambassador of Scottish fiddle music, when they bought their first home in California.</text>
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                <text>Catherine McEvoy composed this jig. I named it 'Catherine's Classroom' after reading her story of how the tune came about. In her own words: 'I have a wooden cabin at the back of the house that I use for teaching in, and for musical purposes. I was on my own one evening waiting for pupils to come, and playing a few tunes, and it just came to me. I called it "The Cabin Jig" just to give it a name when I wrote it down, hoping to come up with something better. Unfortunately, it's not a very exciting story, and I never did get round to re-naming it.'</text>
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                <text>This grand old jig appears in &lt;em&gt;O'Neill's 1001&lt;/em&gt;. I first heard the legendary Joe Burke play this tune with the lovely surprise variation in the second part. Thanks to Holland Raper for learning the tune and playing it on her fiddle. She is a former student of Mick Gavin of Meelick, County Clare, and Detroit, and, at the time of writing, a student at Berklee College of Music in Boston.</text>
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                <text>The town of Portumna in County Galway was a port of call for my father, Mick Connolly, when he worked on the River Shannon. During school holidays I often sailed with my Dad up and down the river and I always looked forward to docking in Portumna after the twenty-five mile trip on Lough Derg. &lt;br /&gt;&lt;br /&gt;The bridge spanning the Shannon at Portumna always held a fascination for me, particularly when it was raised to let larger boats sail underneath. I loved to swim in the clear waters of the Shannon, and diving from the high bridge of Portumna was always a test of nerves and possibly a way of being a 'show off'. During one of my crazy show-off dives I twisted my back and though I lived to tell the tale, I carry a souvenir of that dive to this day! &lt;br /&gt;&lt;br /&gt;I wonder if my good friend, accordionist and composer Martin Mulhaire, ever jumped or swam near the bridge. However, I do know that he composed this grand reel, which is masterfully played here by Liz Carroll on her fiddle.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Concertina music</text>
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                <text>The long version of the reel 'Lord Gordon', which the great Michael Coleman recorded in the 1930s, contains a number of parts which are attributed to that master County Sligo fiddle player. Another version, with two parts, was recorded on a 78 by musicians from the Ballinakill area of County Galway. Here, Monsignor Charlie Coen gives us still another two-part setting of the tune, which he has given the clever title 'Lord Gordon's Father', surmising that the origins of Michael Coleman's masterpiece lie in an older, simpler setting of the tune, perhaps somewhat like this one.</text>
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                  <text>Hornpipes</text>
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          <element elementId="50">
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                <text>Flee as a Bird</text>
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                <text>Hornpipes</text>
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                <text>Clifford, Julia 68527492</text>
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                <text>A two-part version of 'Flee as a Bird' is another tune which I recorded from Julia Clifford and her son Billy in the early 1960s. It can be heard &lt;a href="http://connollymusiccollection.bc.edu/document/443" target="_self"&gt;elsewhere&lt;/a&gt; in the collection. Here, a longer setting of the tune, which can be found in &lt;em&gt;Ryan's Mammoth Collection&lt;/em&gt;, is performed by the wonderfully talented Kimberley Fraser from Cape Breton, Nova Scotia, Canada. Kimberley spent a few days with Sandy and me in our home in Maine, and we had lots of laughs and great music.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0512.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/05-12_Flee_as_a_Bird-Hornpipe.pdf</text>
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              <elementText elementTextId="10485">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270372182&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Reels</text>
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                <text>Dan Gurney's</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Accordion music--Ireland</text>
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                <text>Gurney, Dan</text>
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                <text>The rock-solid accordion music of Dan Gurney is heard on this track. When I asked Dan if he composed any music he was very humble as he answered, 'I did but it's not much good'. I'm sure that those who listen to this track will love your tune, Dan, and sing your praises. It's a lovely composition and you play it beautifully. Thanks for being so gracious.</text>
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              <elementText elementTextId="10665">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270372177&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Maeve Donnelly plays a composition of master composer Mrs. Matilda Murdoch, the queen of New Brunswick fiddle playing. Matilda has numerous compositions to her credit and she takes great pleasure in passing the tunes along to musicians eager to learn them. Matilda was delighted to hear the musical confluence that resulted when Maeve played this New Brunswick tune in her wonderful Irish fiddle style.</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Accordion music--Ireland</text>
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                <text>Paddy O'Brien from County Offaly made this tune for Sarah Kelly, the daughter of his friend and musical cohort, fiddle player James Kelly. All who attended Sarah's wedding had a wonderful day. Paddy, in his own unique style, performs it on this track.</text>
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                <text>Séamus Connolly</text>
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              <elementText elementTextId="10666">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>O'Carolan's (Number 174)</text>
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            <description>The topic of the resource</description>
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                <text>Folk dance music--Ireland</text>
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                <text>Turlough O'Carolan's eighteenth-century compositions have attracted the attention of musicians all over the world. His music occupies a unique and permanent place in the repertoire of Irish traditional music. I learned this tune from the guitar playing of my friend Anisa Angarola. We played it together on Anisa's CD &lt;em&gt;Birdwatcher Hill&lt;/em&gt;, and that track appears here. The tune can be found as number 174 in Donal O'Sullivan's magisterial collection &lt;em&gt;Carolan: The Life, Times and Music of an Irish Harper, Volume 1&lt;/em&gt;.</text>
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                <text>Angarola, Anisa (guitar, synthesizer) 22056752</text>
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                <text>Peggy Monaghan's</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Peggy Monaghan was Sean Nugent's sister, and he honoured her with this fine reel. It is played here by his son Larry Nugent. Thanks, Larry, for the tunes!</text>
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                <text>Nugent, Larry </text>
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                <text>This is another tune that was given to me by accordionist Larry Gavin, who lives in Tulla, in east County Clare. A version of this slip jig may be found in &lt;em&gt;Ryan's Mammoth Collection&lt;/em&gt;. It is played here in fine style by the talented Gr&amp;aacute;inne Murphy.</text>
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                <text>Spancilhill in east County Clare gives its name to this song which I first heard around 1958, sung by Robbie McMahon, who was himself from that very same neighbourhood. Robbie gave us his updated rendition during a wonderful afternoon of singing in his home a few years ago, after Mrs. Maura McMahon, in her usual manner of hospitality, served us a fine Irish meal. Robbie told my friends and me that Michael Considine from Spancilhill wrote the song. Mr. Considine was born around 1850 and immigrated to America as a young man. His intent was to bring his sweetheart to America when he had saved enough money for her passage, but, suffering from poor health, he somehow knew that his dream would never materialise. He passed away around 1873 in California, but the song found its way back to County Clare and was popularised by Robbie's singing of it.</text>
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                <text>One of the young musicians featured in this collection and for whom I have much admiration is Eric Eid-Reiner. In his own words he tells us about his composition's title: 'This tune has nothing to do with hunting, despite what one might logically guess. I wrote this reel while waiting a long time for a taxi from a company with 'fox' and 'field' in its name. I observed several taxis from that company pass right by before mine finally arrived.' Since writing this tune in 2007, Eric has slightly revised the melody, which can be found in his book of original tunes and heard on a 2014 CD by The Moving Violations. The band members on that recording are Van Kaynor and Ron Grosslein on fiddles, Eric Eid-Reiner on piano, and Chuck Corman on bass.</text>
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                <text>Top of the Bow</text>
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                <text>Flute music--Ireland</text>
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                <text>Flute player Shannon Heaton wrote 'Top of the Bow' for her friends Emerald and Eden, two fiddle-playing sisters. They had their fiddles out in the car, learning a tune on the way to a gig. However, after realizing that their playing had left little marks in the car's ceiling, they decided that it's best to use just the very tip-top of the fiddle bow when playing in the car...</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Growing up in Ireland, and while practicing my fiddle in the home of my grandmother, &lt;span&gt;Elizabeth Collins (n&amp;eacute;e Rochford)&lt;/span&gt;, I drank many's the mug of black tea. I remember her tea being very strong and having to drink it without milk. I questioned my granny as to why she made it so strong. Her response to me was that it was 'no good unless you could trot a mouse on it'. Food for thought I suppose. &lt;br /&gt;&lt;br /&gt;My good friend, the wonderful musician Josephine Keegan, composed this lovely tune. She plays it here for us on fiddle to her own piano accompaniment. Josephine did make some tea for Sandy and me when we visited her home in County Armagh and she did have milk! Josephine's composition may also be found in &lt;em&gt;The Keegan Tunes, Cuid a Tr&amp;aacute; (Book 3)&lt;/em&gt;.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>John Ryan's (Number One)</text>
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                <text>Mac Mathúna, Ciarán 36142146</text>
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                <text>Broadcaster and collector Ciar&amp;aacute;n Mac Math&amp;uacute;na recorded this tune from John Ryan, the concertina player from County Tipperary, who lived on Thomas Street in Dublin City, across the street from the headquarters of the old Pipers' Club. The tune is played here by my nephew Damien Connolly on melodeon.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>This tune was played for me by Johnny McGreevy in 1972 on my first visit to Chicago. It may be found in &lt;em&gt;Ryan's Mammoth Collection&lt;/em&gt; and in &lt;em&gt;O'Neill's Music of Ireland&lt;/em&gt;. My gratitude to Tina Lech for her interpretation of this fine old reel.</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0525.mp3</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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            <name>Has Part</name>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270372138&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 05</name>
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                  <text>Hornpipes</text>
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                <text>Dan Sullivan's Favourite</text>
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                <text>Hornpipes</text>
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                <text>Uilleann piper Jerry O'Sullivan recorded this hornpipe for the collection. Taking it from an old cassette tape of Dan Sullivan's Shamrock Band which I gave him, Jerry reversed the order of the parts. I was never certain as to which was the first and which was the second part, as the recording on the tape I had began in the middle of the tune. At least now my mind is set at ease, thanks to Jerry. I never did have a name for the tune, hence 'Dan Sullivan's Favourite' became its title. Dan Sullivan was an amazing musician who did much for Irish music through the many 78 RPM recordings that he and his band made.</text>
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                <text>Séamus Connolly</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0526.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/05-26_Dan_Sullivans_Favourite-Hornpipe.pdf</text>
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            <name>Rights</name>
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              <elementText elementTextId="10486">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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            <name>Has Part</name>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270372133&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 05</name>
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