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                <text>Golden Flower, The</text>
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                <text>My long-time friend Bill Black, who lives on Cape Cod, would often send tunes to my wife Sandy that he had composed in her honour. Bill's compositions greatly cheered my dear wife during her illness. She particularly liked his tune 'How Are You, Sandy', or as Bill re-named it, 'Sandy Connolly's', a jig featured &lt;a href="http://connollymusiccollection.bc.edu/document/508" target="_self"&gt;elsewhere&lt;/a&gt; in this collection played by yours truly. &lt;br /&gt;&lt;br /&gt;I know that Sandy would be proud of this tune, 'The Golden Flower' (a translation of her full name, 'Chrysandra'), which Bill composed after she left us to go to her eternal reward. As soon as I heard it, I knew that I wanted it to be the first tune in this collection. I was moved to tears by Bill's gift. &lt;br /&gt;&lt;br /&gt;The other gift associated with Bill's composition is this hauntingly beautiful performance of 'The Golden Flower' by our special friends Hilary and Duncan Cumming on violin and piano. Hilary and Duncan played at our wedding at Saint Anne's Church in Lowell, Massachusetts. I somehow feel that their playing of Bill Black's gift has eased Sandy's journey to the Land of Peace where she will have pain no more. She is watching over all of us. Thank you Bill, Hilary, and Duncan.</text>
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                <text>Cumming, Hilary Walther </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0101.mp3</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270176384&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Folk dance music--Ireland</text>
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                <text>I believe it is important to feature master fiddle player Julia Clifford and her son Billy playing the first dance tune in this collection. It was the first reel that they recorded for me that night in Tralee over fifty years ago, when Julia invited me to record herself and Billy playing tunes she thought I might not have. When they played a tune I admitted to never having heard, she would ask me in surprise, 'You don't have it, do you?' &lt;br /&gt;&lt;br /&gt;As I look back now, I realise that it was an act of musical generosity to a young musician, which perhaps contained within it the inspiration not only for this project, but also for how I, throughout my life as a musician and teacher, have been driven and encouraged to do my utmost in passing along to others this incredible and astonishing oral and aural tradition. For that I say, 'Thank you, Julia; thank you, Billy'. Little did you both realise fifty years ago when you made that tape for me how much influence your music would have on today's musicians and students alike.</text>
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                <text>2</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>&lt;p dir="ltr"&gt;&lt;span&gt;'The Planting Stick' is a variant of the venerable jig 'Bryan O'Lynn', a tune I first learned from my grandmother, Elizabeth Collins (n&amp;eacute;e Rochford). A number of versions of 'Bryan O'Lynn' are to be found in this collection. The tune appears in Patrick W. Joyce's collection &lt;/span&gt;&lt;em&gt;Ancient Irish Music&lt;/em&gt;&lt;span&gt; as 'The Planting Stick'. However, the first time I heard the version which Maeve Donnelly plays for us on this track was on a cassette tape recorded in New York in the 1950s, played by an unknown fiddle player. Paddy Canny from Tulla in County Clare was in the company in New York that same evening, and he played yet another version of 'Bryan O'Lynn'. &lt;/span&gt;&lt;/p&gt;&#13;
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                <text>And now to confuse things even more or, as they say at home in Ireland, 'to throw more turf on the fire', my brother Martin Connolly here plays 'Magpie in the Tree', which is yet another version of the classic jig 'Bryan O'Lynn'. Martin, a great accordion player and the maker of the 'Kincora' accordion, told me that the County Kerry fiddle player Johnny Cronin played this jig for him over the phone. Johnny was in New York and Martin was in John's sister's house near Killarney.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Johnny's 21st Birthday</text>
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                <text>Uilleann pipe music--Ireland</text>
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                <text>Dr. Tomás Ó Canainn wrote this tune and recorded it with his daughter Nuala to honour and celebrate the twenty-first birthday of their musical friend Johnny McCarthy. Their recording was named Béal na Trá and was issued in 1982 on the Outlet label. In keeping with Tomás' being a piper, the tune on this track is played on the pipes by my good friend from New York, Jerry O'Sullivan.</text>
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                <text>Séamus Connolly</text>
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                <text>O'Sullivan, Jerry </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0105.mp3</text>
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              <elementText elementTextId="10503">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Is It Any Good, Séamus?</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Jigs</text>
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                <text>Connolly, Séamus 33682623</text>
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                <text>Kelly, Eddie</text>
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                <text>Fiddle player, accordionist, and composer Eddie Kelly played this tune for me and asked, 'Is it any good, S&amp;eacute;amus?' I recorded Eddie playing it in a session on the street at an All-Ireland Fleadh Cheoil around 1990. The title somehow suggests that it is a composition of Eddie Kelly, but I'm not certain. I am honoured to have Manus McGuire associated with this collection, and here he gives us his interpretation of this grand jig.</text>
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                <text>McGuire, Manus (fiddle) 43512465</text>
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              <elementText elementTextId="10504">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270176374&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Farewell to Whiskey</text>
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                <text>Folk dance music--Ireland</text>
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                <text>Composed by the legendary Scottish fiddle player Niel Gow in 1799, this tune's title is apparently a reaction to the temporary prohibition of distillation in Scotland due to the failure of that year's barley crop. Played on this recording by master musician Monsignor Charles Coen, it first came to my attention when Ciar&amp;aacute;n Mac Math&amp;uacute;na, the well-known broadcaster on Radio &amp;Eacute;ireann, featured it on his &lt;em&gt;Ceolta Tire&lt;/em&gt; programme. He had recorded it from Paddy Neil, a concertina player from near Newport, County Tipperary. Paddy's version, in particular the second part, is different from what is usually played. Thanks to Monsignor Coen for learning and recording it for me, and to Nicky McAuliffe from County Kerry for the tune information.</text>
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                <text>Jimmy Neary was a fiddle player from County Mayo who lived in Chicago. Johnny McGreevy, another fiddle player from Chicago and a hero of mine, gave me this tune in 1972 when I was on my first visit to that city, on the first ever Comhaltas Ceolt&amp;oacute;ir&amp;iacute; &amp;Eacute;ireann concert tour of North America. The tune is played here by my friends Jimmy Noonan from Cleveland, Ohio, who now lives in Boston, and Dan Gurney from New York State, two musicians who do much for traditional Irish music through their teaching and performing. Jimmy is on the faculty of the Boston College Irish Studies Program where he teaches flute and whistle. Dan, who plays the accordion, graduated from Harvard University with a degree in music.</text>
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                <text>Ciar&amp;aacute;n Mac Math&amp;uacute;na from Radio &amp;Eacute;ireann recorded this tune from concertina player Mrs. Ryan from Ballinaclough, Nenagh, County Tipperary. Although this tune is played as a slide, the area around North Tipperary and Limerick is particularly well-known for its polka music. Monsignor Charles Coen lilts the tune using his mother's words to it on the first track, then plays the tune on the concertina on the following track. &lt;br /&gt;&lt;br /&gt;'My poor father is minding sheep &lt;br /&gt;Me sisters and brothers are fast asleep &lt;br /&gt;I've been out in the hay all night &lt;br /&gt;Get up and let me in!'</text>
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                <text>Fiddle player Gear&amp;oacute;id &amp;Oacute; Laidhigh and flute player John Darcy recorded this tune, a composition of Mr. &amp;Oacute; Laidhigh's, for Ciar&amp;aacute;n Mac Math&amp;uacute;na. Ciar&amp;aacute;n traveled throughout Ireland recording musicians and singers, and later presented them on his weekly radio programmes, &lt;em&gt;Ceolta Tire&lt;/em&gt; and &lt;em&gt;A Job of Journeywork&lt;/em&gt;. On this recording, the tune is played on fiddle by my dear friend, colleague, and musical collaborator Laurel Martin.</text>
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                <text>This reel first came to my attention when it was played by a group of wonderful young musicians from Dublin. Their band, known as The Castle C&amp;eacute;il&amp;iacute; Band, made a big name for themselves in the 1960s and were much admired throughout Ireland for their rhythm, phrasing, and selection of tunes. James Keane and his brother Se&amp;aacute;n &amp;ndash; the fiddle player with The Chieftains &amp;ndash; were central to the success and popularity of the band, so who better than accordionist James Keane from Dublin and New York to play this tune for us?</text>
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                <text>Corney Drew's</text>
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                <text>This hornpipe as played on this recording comes to us courtesy of fiddle player Liz Knowles. The original sources for the tune, Denis Murphy and Charlie Mulvihill (fiddle and accordion, respectively), recorded it for Ciar&amp;aacute;n Mac Math&amp;uacute;na's &lt;em&gt;American Journeywork&lt;/em&gt; programme in 1963. I gave this recording to Liz and she graciously played Denis's and Charlie's version for this project. A different version may be found in Captain Francis O'Neill's &lt;em&gt;1001 Gems&lt;/em&gt; collection of music.</text>
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                <text>Tom Morrison from Dunmore in County Galway recorded this polka in the early 1920s. Catherine McEvoy, originally from Birmingham, England, and now living in County Meath, delights us with her recording of this same tune: two great flute players at work with the same tune almost one hundred years apart.</text>
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                <text>The name Rowsome is ubiquitous in the world of Irish music. Down through the years I have had the honour of playing music with the piping master Leo Rowsome and with his children, Leon, Liam, and Helena. Fiddle player Liam Rowsome composed this tune in the key of A major. It is recorded here by fiddle player Brendan Bulger, All-Ireland fiddle champion from Boston. Brendan chose to play it in a different key. He told me he had fun doing so. Well done, Brendan.</text>
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                <text>'Come to the Fair' was a very popular waltz/song played by The Kilfenora C&amp;eacute;il&amp;iacute; Band in the 1960s. I have always enjoyed listening to the band's singer Mary Higgins performing the song on a recording made at a c&amp;eacute;il&amp;iacute; in Ennis in 1960. The recording of all of the tunes and songs played on that night was given to me to learn when I was invited to join The Kilfenora and embark on my first 'big' tour of England. What a thrill and an honour for me! The tune is performed here on this track by Tara Lynch (daughter of Jerry Lynch, the accordionist with the band in the 1950s) and myself. The track was enhanced by the musicianship of Gabriel Donohue on piano and keyboards.</text>
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                <text>Throughout its illustrious career, the celebrated Kilfenora C&amp;eacute;il&amp;iacute; Band from north County Clare has had various band members with the surnames Lynch and Ward, including P.J. Lynch, Tom Ward, and Jimmy Ward. This composition by the extraordinary Tommy Peoples &amp;ndash; who was himself a member of that great band &amp;ndash; gives well-deserved honour to the Lynch and Ward families for their great contributions to Irish music.</text>
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                <text>McGreevy's Tansey's</text>
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                <text>Johnny McGreevy from Chicago played this reel for me in 1972. I have given it this title because it reminds me of 'Tansey's Reel', a tune recorded by the Sligo fiddle player Paddy Killoran. My good friends Jimmy Noonan and Dan Gurney recorded this version at my home in Maine. Thanks, lads. Well done: great swing!</text>
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