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                <text>Bobby Gardiner's (Number One)</text>
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                <text>Master accordionist Bobby Gardiner from Clare composed this reel. I first heard it on an LP he recorded in Ireland, produced by his fellow accordionist Dermot O'Brien: exciting and wonderful music. When I asked Bobby if he would perform it again, for this collection, he told me that he had no recollection of the tune but I certainly could put the tune in the book. I convinced him to play it for me, but for that to happen, I had to send him a copy of the tune so that he could re-learn it. On a visit to Boston College, Bobby did record it and I greatly enjoyed that session. Barbara MacDonald Magone was with us that day and she &amp;ndash; with her stories and laughs &amp;ndash; made it a memorable occasion.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>&lt;p dir="ltr"&gt;&lt;span&gt;The exciting recording on this track was made by RT&amp;Eacute; Raidi&amp;oacute; na Gaeltachta, featuring master musicians Tony MacMahon and Steve Cooney. The first jig is associated with the piping of Brother Gildas O'Shea. The second jig of the set, 'Bryan O'Lynn', is one of a number of closely related tunes, variants of which include &lt;a href="http://connollymusiccollection.bc.edu/document/453" target="_self"&gt;'The Planting Stick'&lt;/a&gt; and &lt;a href="http://connollymusiccollection.bc.edu/document/454" target="_self"&gt;'Magpie in the Tree'&lt;/a&gt;, found elsewhere in this collection. The two tunes on this track were played together previously by Tommy Potts and Tommy Reck, and they make for a beautiful pairing. Although the first tune does not appear in sheet music form in this collection, both tunes may be found in &lt;/span&gt;&lt;span&gt;&lt;em&gt;The Leo Rowsome Collection of Irish Music&lt;/em&gt;.&lt;/span&gt;&lt;span&gt; Thanks to Malachy Moran, manager of Audio Services and Archive at RT&amp;Eacute; Radio, for permission to use the recording for this project, and to Raidi&amp;oacute; na Gaeltachta. A special 'thank you' to Steve Cooney for his generous help in tracking down the original recording, and for the great guitar playing that complemented Tony's magical performance. Tony, thanks for the music and for bringing this track to my attention.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;div&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;</text>
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                <text>Cape Breton fiddle legend Mr. Buddy MacMaster gave this tune to our mutual friend, piano player Barbara MacDonald Magone. Barbara graciously passed it along to me when she recorded it for this collection in Portland, Maine, almost ten years ago.</text>
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                <text>Multi-instrumentalist Brian Hebert from the Boston area conferred on me special recognition by composing and playing this slip jig. The chair mentioned in the tune's title is my endowed position as Sullivan Artist in Residence at The Center for Irish Programs at Boston College.</text>
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                <text>The music lives and breathes in the soul of Tara Lynch. Tara, daughter of Jerry Lynch (accordionist in the 1950s with the celebrated three-time All-Ireland champion Kilfenora C&amp;eacute;il&amp;iacute; Band), was born in New York. She learned her music from her father, and her style is steeped in the tradition of the old Kilfenora Band. The tune she plays on this track was part of the repertoire of the band in the 1960s and '70s, of which I was so honoured to be a member. I am also honoured to have Tara playing it for us: an unbroken link.</text>
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                <text>Here is another tune from the playing of Leizime Brusoe. Paul Wells provided the name 'Crystal Schottische'. I sent the tape over to S&amp;eacute;amus and Manus McGuire, two wonderful fiddle players, who gave graciously of their time to learn and perform it for this collection. Beautifully played, lads. &lt;br /&gt;&lt;br /&gt;A book I have called &lt;em&gt;Mellie Dunham's 50 Fiddlin' Dance Tunes&lt;/em&gt;, published by Carl Fischer in 1926, happens to include another version of this tune, called 'Old Times'. It was taken from the playing of Mellie Dunham, a fiddle player born in 1853 who lived in Norway, Maine.</text>
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                <text>The name Shand is synonymous with the traditional music of Scotland. The rock-solid rhythm and strict tempo of master accordionist and composer Sir Jimmy Shand are forever embedded in my mind. Joyous memories of Mr. Shand's music have remained with me all my life. They take me back to my youth in Killaloe, as we tuned our crackly radio to the Scottish airwaves to listen to the star of radio and television playing with his band. &lt;br /&gt;&lt;br /&gt;Moving further along in years, my wife Sandy and I visited Sir Jimmy's hometown of Auchtermuchty, Scotland in the hope of meeting the maestro. Deciding that an unannounced visit might be intrusive, we continued on our journey.&lt;br /&gt;&lt;br /&gt;This introduction to Dominick McCarthy's Irish Barndance may seem unusual; nevertheless, it seems appropriate to write about Sir Jimmy in order to write about his equally talented son Jimmy Shand Jr., accordionist, composer, and accordion tuner.&amp;nbsp;On a recent visit to Auchtermuchty with my friends Drs. Jim and Cindy Polo, we were welcomed into the beautiful home of Jimmy Shand Jr. and his lovely wife Margaret. Jimmy had invited us, and on that trip I did not hesitate to knock on the door of the Shand residence. The kind warm hospitality that we received from Mr. and Mrs. Shand will now also be embedded in my mind. Music, stories, photographs, and holding Sir Jimmy's accordion were special treats on that occasion.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;And then our conversation turned to Jimmy Jr.'s music compositions. I told Jimmy that Dominick McCarthy from Clara in County Offaly had played the barndance for me over thirty years ago. Mr. Shand told me that he did not have any recollection of the tune. Upon giving Jimmy Jr. the sheet music, he began to whistle, and with a twinkle in his eye he smiled as the tune instantly came back to him. He was delighted to be reminded of this tune while saying it would be a welcome addition to his forthcoming book, &lt;em&gt;Jimmy Shand, Jr. Music Compositions.&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;Unforgettable memories all around. Thank you, sir, for your composition and for the welcome that you and Margaret gave to Cindy, Jim, and myself. Jimmy, I hope you never stop playing and composing!&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</text>
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                <text>Accordionist Larry Gavin, a longtime friend, put this tune on tape for me a few years ago at his home in Tulla, County Clare. Larry is a repository of Irish music, and he raised this tune up from his deep well. Apparently the tune was played by members of the old Aughrim Slopes C&amp;eacute;il&amp;iacute; Band from County Galway back in the 1940s. Larry, together with East Clare fiddle player Miche&amp;aacute;l O'Rourke and piano accompanist Charlie Lennon, recorded this version of the tune especially for me. The tune may also be heard on their own CD recording &lt;em&gt;Two Miles to Tulla&lt;/em&gt;&amp;nbsp;in a set with 'The Plains of Mayo'.</text>
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                <text>This is another of master composer Bob McQuillen's tunes. It may be found in his seventh book of compositions. It was composed for Miss Hetty Thomae from Vermont. On this track I had the honour of playing it with Bob and his band, Old New England.</text>
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                <text>Nicky McAuliffe gave me the name for this tune. It may be attributed to the eighteenth-century piper Walker 'Piper' Jackson from County Limerick. This is another of the tunes played for me fifty years ago in Tralee, County Kerry, by Julia Clifford and her son Billy Clifford (see &lt;a href="http://connollymusiccollection.bc.edu/document/572" target="_self"&gt;'Old Torn Petticoat'&lt;/a&gt;).</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0301.mp3</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Concertina player John Ryan lived on Thomas Street in Dublin, just opposite the old Pipers' Club. One can only imagine the music echoing up and down the streets of that part of the city! Ciar&amp;aacute;n Mac Math&amp;uacute;na visited John Ryan's home and recorded this polka, one of many tunes that he brought with him from his native County Tipperary. It is played here on melodeon by my nephew Damien.</text>
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                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Man from Clare, The</text>
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                <text>This tune, played by Damien Connolly on fiddle this time, is one of his own compositions. I'm not sure who the title refers to, but since he was born in County Clare, maybe it's himself!</text>
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                <text>This tune is not a composition of 'Professor' Bob McQuillen, but of the master fiddle player from New Hampshire, Rodney Miller. Rodney is considered today to be the foremost exponent of the music of New England. He has traveled all over the world playing his music and passing it on through his teaching. Spending the day with Rodney at his home was an inspiration for me, and trying out the beautiful fiddles that he makes and sells was truly special. Thank you, Rodney, for the music and for the memories: you are one of my heroes.</text>
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                <text>The amazing and distinctive fiddle music of Liz Carroll from Chicago is featured on this track. Here, she performs one of her own compositions in the creative playing style which is very much her hallmark. I am honoured that this great player so generously gave of herself and her composition for this collection. The tune named above was composed as a birthday present for Miss Chilcott. It also may be found in Liz's book,&lt;em&gt; Liz Carroll Collected: Original Irish Tunes&lt;/em&gt;.</text>
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                <text>Another song from the pen of Robbie McMahon. I first heard him sing it at a County Clare Fleadh Cheoil over fifty years ago, and it has stayed with me down through the years. Robbie sang it again for me the afternoon that I visited his home in 2009, and I was delighted to capture it on disc. Thanks again, my friend, for the joy that you have given to all of us who knew you and who loved your expressive interpretations of all those lovely songs.</text>
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                <text>Paddy O'Brien, the learned and beloved accordionist from County Offaly who now lives in Minneapolis, recorded 'O'Brien's Tower', one of his many compositions, for me while on a visit to the home of Sally K. Sommers Smith Wells and her husband Paul Wells. Paddy possesses a vast repertoire of music, an encyclopedic knowledge of its history, and a profound understanding of the tradition. In his published music collections, a must for scholars and enthusiasts of Irish music, Paddy has compiled hundreds and hundreds of tunes, with stories for every one. Thank you, Paddy, for your music, your encouragement, and your enormous contributions to the traditional music of Ireland.</text>
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                <text>Geraldine Cotter liked this tune the first time she heard me playing it. 'Let's try and record it', she said, and as I played the jig a second time she followed right along. This track is the result of our efforts. I do not have a name for this jig, but I have given it a title based on the fact that I first heard it many years ago on a 78 record.</text>
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              <elementText elementTextId="10523">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>Old Tipperary</text>
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                <text>A great old jig that I first played with the legendary Clare piper Willie Clancy. It seems appropriate that Padraic Mac Math&amp;uacute;na, son of Ciar&amp;aacute;n Mac Math&amp;uacute;na, the radio and television presenter, should play it with me for this collection. Padraic spent much of his youth in Miltown Malbay where Willie Clancy lived, and Padraic's playing on the pipes is certainly a musical reflection of the nuances of Willie Clancy's music. Hospitality is at its best in the home of Padraic, his good wife Anne, and their lovely children. Sandy and I often reminisced about the evening we spent with them in Dublin, which was topped off when the man himself, Ciar&amp;aacute;n Mac Math&amp;uacute;na, shared a wonderful dinner with all of us.</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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