https://connollymusiccollection.bc.edu/items/browse?tags=Playlist+04&page=2&output=atom <![CDATA[The Séamus Connolly Collection of Irish Music]]> 2024-03-28T01:21:32-07:00 Omeka https://connollymusiccollection.bc.edu/document/608 <![CDATA[Cornboy, The]]> 2016-10-12T08:09:08-07:00

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When we were traveling throughout America on the first Comhaltas Ceoltóirí Éireann tour of champion musicians, singers, and dancers in 1972, I had the great pleasure of playing this reel with fiddle player Paddy Glackin. Paddy and I played it again in the Raidió Teilifís Éireann studios for this collection. Thanks to Peter Browne for his assistance in making this recording.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/700 <![CDATA[Con Cassidy's]]> 2016-10-12T08:09:23-07:00

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This tune bears the name of noted fiddle player Con Cassidy, and it may well have been played as a single jig in his native County Donegal. There was no doubt about West Limerick accordion player Donie Nolan's interpretation of it as a slide. He played it throughout Australia in 1994 when he and another group of artists, including 'Mé Féin', toured that amazing continent. For this collection, Donie took the time to meet me and Sandy at Peadar's Bar in Ardagh, County Limerick, and over the humming of the fridge, he recorded Con Cassidy's slide.

Publisher

Séamus Connolly
Boston College Libraries

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Some transcriptions are based on historical source recordings. More info.
Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/561 <![CDATA[Roseanne's Reel]]> 2016-10-12T08:09:02-07:00

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The lovely fiddle music of Máire O'Keeffe is once again heard on this track. The tune was passed down from John Lenihan to Maurice O'Keeffe, who in turn gave it to Máire.

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Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/609 <![CDATA[Bridge at Newtown, The]]> 2016-10-12T08:09:08-07:00

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'The Bridge', as it was affectionately called, was home to Dinny O'Brien, concertina and fiddle player. It was also the home of accordionist Paddy O'Brien, my musical colleague in the 1960s and '70s. The bridge in question is on the road between Portroe and Nenagh, County Tipperary. As a tribute to the O'Brien family, and in particular to Paddy, I composed this reel. It is played on this track by a former student of Máire O'Keeffe's, Tara Breen, a young fiddle player who has won the Fiddler of Dooney competition and the All-Ireland Championship. Tara's playing is a special treat. The tune is in E major, a key not commonly used in Irish music.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/562 <![CDATA[Peig and Mick Ryan]]>
When my wife Sandy and I visited Peig a few years ago we recorded her music including this polka (with me playing along). At eighty-four years young, Peig had the same old enthusiasm and fondness for the music. Paddy Neil from near Newport, County Tipperary, recorded this polka for Ciarán Mac Mathúna over fifty years ago. I had originally named it for Mr. Neil, but I'm confident he would approve of my naming it for his friends and neighbours, Peig and Mick Ryan.]]>
2016-10-12T08:09:03-07:00

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Traditional Irish music is on a strong footing, due in no small way to Peig and Mick Ryan from Murroe, County Limerick. At a time when the music was unpopular, Peig and her husband Mick worked diligently to promote Irish music and culture in all its forms. We have been friends forever it seems. Peig and Mick would visit my home in Killaloe, County Clare, and hearing Peig's flute playing and Mick's singing was always a delight.

When my wife Sandy and I visited Peig a few years ago we recorded her music including this polka (with me playing along). At eighty-four years young, Peig had the same old enthusiasm and fondness for the music. Paddy Neil from near Newport, County Tipperary, recorded this polka for Ciarán Mac Mathúna over fifty years ago. I had originally named it for Mr. Neil, but I'm confident he would approve of my naming it for his friends and neighbours, Peig and Mick Ryan.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/485 <![CDATA[Ah, a Simple Little Yoke]]> 2016-10-12T08:08:50-07:00

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When I visited the accordion master Finbarr Dwyer at his home in County Clare, he played this jig, which he had composed when he was about ten years old. Finbarr did not think too highly of the tune: he can be heard on the recording describing it with the words in the above title. But I have no doubt that whoever hears this track will enjoy the creation of this prolific composer and extraordinary musical genius.

Publisher

Séamus Connolly
Boston College Libraries

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Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/486 <![CDATA[Limerick Jig, The]]> 2016-10-12T08:08:50-07:00

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Back in the early 1960s, I was very friendly with Mrs. Taylor, the concertina player from West Limerick who lived in London. We exchanged many letters over the years in which music was always a topic. The well-known flute player Paddy Taylor learned 'The Limerick Jig' from his mother and recorded it for the Claddagh record company many years ago. It is played on this track, at a slower pace than Mr. Taylor's recording of it, by Nicky and Anne McAuliffe on fiddle and flute, respectively.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/435 <![CDATA[Grandfather's Thought]]> The Star of Munster Trio, Music from Sliabh Luachra, Volume 2.]]> 2016-10-12T08:08:44-07:00

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This hornpipe from Julia, John, and Billy Clifford is played here for us by Shannon Heaton on flute. The tune may be found on an LP that the Cliffords recorded during their years in London, England, entitled The Star of Munster Trio, Music from Sliabh Luachra, Volume 2.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/610 <![CDATA[Scully Casey's]]> 2016-10-12T08:09:09-07:00

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John 'Scully' Casey, father to the great County Clare fiddle player Bobby Casey, was a well-known and respected fiddle player in his day. Bobby, in his generosity, recorded this reel for me years ago. It is played on this recording by Gráinne Murphy.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/611 <![CDATA[Going Home]]> 2016-10-12T08:09:09-07:00

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I have known and admired the music of Eamon Flynn since 1957. Eamon, like myself, lived in Boston for many years, and we often played music together. When Eamon decided to move to the state of Vermont he began to compose some smashing tunes, including this one which he plays here on accordion. And, yes, Eamon did eventually go home to his native Mountcollins in County Limerick, where he now resides and continues to play and compose.

Publisher

Séamus Connolly
Boston College Libraries

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Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/612 <![CDATA[Carraigín Ruadh]]> A Musical Voyage, with Brendan Tonra, produced by his friend Helen Kisiel. My setting of this reel can be found on a 1989 recording called Here and There, on the Green Linnet label. The tune is played for this collection by Séamus and Manus McGuire.]]> 2016-10-12T08:09:09-07:00

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Another composer of fine tunes was fiddle and flute player Brendan Tonra from County Mayo, who immigrated to Boston around 1959. Brendan played this tune, one of his compositions, on a recording made in 1979 by the Boston branch of Comhaltas Ceoltóirí Éireann. It may be found in Brendan's own collection, A Musical Voyage, with Brendan Tonra, produced by his friend Helen Kisiel. My setting of this reel can be found on a 1989 recording called Here and There, on the Green Linnet label. The tune is played for this collection by Séamus and Manus McGuire.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/436 <![CDATA[Bonnie Lass of Headlake, The]]> The Cape Breton Collection of Scottish Melodies.

It is fascinating to imagine the musical meetings that occurred when musicians from Ireland immigrated to America and encountered not only American-born players of Irish traditional music, but also players of Scottish music from Cape Breton. This tune is a great example of such musical cross-pollination. Perhaps Paddy O'Brien picked the tune up in America from a fiddle player, or from MacQuarrie's book, converted it to a hornpipe, and took it back to Ireland with him when he returned in the early 1960s. And now, 'The Bonnie Lass of Headlake' has travelled back and forth across the Atlantic many times; this time in fine style indeed, played by John Daly on the fiddle with Kevin Brehony at the piano.]]>
2016-10-12T08:08:44-07:00

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I first heard this tune played as a hornpipe by Paddy O'Brien with The Lough Gowna Céilí Band in the early 1960s. In fact, the tune was originally composed as a four-part march by Gordon MacQuarrie of Cape Breton. MacQuarrie, a noted fiddle player and composer, published the tune in 1940 in his book The Cape Breton Collection of Scottish Melodies.

It is fascinating to imagine the musical meetings that occurred when musicians from Ireland immigrated to America and encountered not only American-born players of Irish traditional music, but also players of Scottish music from Cape Breton. This tune is a great example of such musical cross-pollination. Perhaps Paddy O'Brien picked the tune up in America from a fiddle player, or from MacQuarrie's book, converted it to a hornpipe, and took it back to Ireland with him when he returned in the early 1960s. And now, 'The Bonnie Lass of Headlake' has travelled back and forth across the Atlantic many times; this time in fine style indeed, played by John Daly on the fiddle with Kevin Brehony at the piano.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/613 <![CDATA[Danny Meehan's]]> Arís, Danny played this reel. It is masterfully played on this track by Liz Knowles, with that driving rhythmic style peculiar to County Donegal.]]> 2016-10-12T08:09:09-07:00

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Master fiddle player Danny Meehan from Donegal lived in London for many years. During his time there, Danny worked by day in the building trade. At night he would do what he liked best: he played his fiddle with his friends and colleagues, and in a group named Le Chéile. The group made two wonderful and exciting recordings. On their second CD, entitled Arís, Danny played this reel. It is masterfully played on this track by Liz Knowles, with that driving rhythmic style peculiar to County Donegal.

Publisher

Séamus Connolly
Boston College Libraries

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Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/541 <![CDATA[Celtic Lamb, The]]> To The Dance Floor, released in 2006 by a Rhode Island-based group called The Gnomes. Among its members is Phil Edmonds, the composer of this beautiful tune. Phil and I went to the same school in Killaloe, where we learned to play the tinwhistle, and Phil's father, Eddie Edmonds, was one of my secondary school teachers. The words below are taken from the notes to their CD:

'The Celtic Tiger is the term referring to the system of economics and way of life in Ireland for the past several years. While it has resulted in much wealth for many people (not all), the Celtic Tiger is devouring Irish Culture. Wherever money and material possessions become a priority, the quality of life decreases. Phil wrote this air, "The Celtic Lamb", hoping that Ireland, and all of us, will move towards a more sustainable and gentler lifestyle.'

It gives me great pleasure to have another Killaloe man associated with this collection. Thanks, Phil, for the tune, and thanks to the rest of the band for their participation in this project.]]>
2016-10-12T08:08:58-07:00

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This track comes from the CD To The Dance Floor, released in 2006 by a Rhode Island-based group called The Gnomes. Among its members is Phil Edmonds, the composer of this beautiful tune. Phil and I went to the same school in Killaloe, where we learned to play the tinwhistle, and Phil's father, Eddie Edmonds, was one of my secondary school teachers. The words below are taken from the notes to their CD:

'The Celtic Tiger is the term referring to the system of economics and way of life in Ireland for the past several years. While it has resulted in much wealth for many people (not all), the Celtic Tiger is devouring Irish Culture. Wherever money and material possessions become a priority, the quality of life decreases. Phil wrote this air, "The Celtic Lamb", hoping that Ireland, and all of us, will move towards a more sustainable and gentler lifestyle.'

It gives me great pleasure to have another Killaloe man associated with this collection. Thanks, Phil, for the tune, and thanks to the rest of the band for their participation in this project.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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https://connollymusiccollection.bc.edu/document/563 <![CDATA[Ullulu Mo Mháilín]]> Ancient Irish Music.]]> 2016-10-12T08:09:03-07:00

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Played here as a polka, this melody is a macaronic song, with Irish and English words. It is the one and only tune that fiddle player Matt Cranitch and I recorded for this collection. It came very naturally to us, since it is a famous song in our native province of Munster. The tune also appears in P.W. Joyce's collection Ancient Irish Music.

Publisher

Séamus Connolly
Boston College Libraries

Type

Some transcriptions are based on historical source recordings. More info.
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