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                <text>Old Mill Road, The</text>
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                <text>As I travel throughout the country, I have a compulsive habit of looking at street signs in the hope of discovering a good name or title for a new musical composition. I have seen a few variations on the above title and often wondered what road accordionist Paddy O'Brien was referring to when he named this tune, one of his many fine compositions. Paddy, from County Offaly, has been a friend and inspiration for many years. I have fond memories of him and me as teenagers playing music together in Tullamore, County Offaly. We were both young then, but the memories live on.</text>
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                <text>O'Brien, Paddy (accordion) (composer) 28799446</text>
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                <text>Séamus Connolly</text>
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                <text>O'Brien, Paddy </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0614.mp3</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270479313&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                  <text>Jigs</text>
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                <text>Plains of Mayo, The</text>
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                <text>This jig is tune number 304 in [George] &lt;em&gt;Petrie's Complete Irish Music&lt;/em&gt;. It is given a special melodic lift by Larry Gavin and Miche&amp;aacute;l O'Rourke on accordion and fiddle. Charlie Lennon adds his own unmistakable accompaniment on piano. They recorded this version of the tune especially for me. The tune may also be heard on their own CD recording &lt;em&gt;Two Miles to Tulla&lt;/em&gt; in a set with 'The Galway Jig'.</text>
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                <text>Séamus Connolly</text>
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                <text>Boston College Libraries</text>
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                <text>Gavin, Larry </text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0605.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/06-05_The_Plains_of_Mayo-Jig.pdf</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270479334&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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                <text>Poke and a Tickle, A</text>
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                <text>While reflecting on Eric Eid-Reiner's musical compositions, my first thought was that he created 'happy music'. Indeed, as Eric himself described it, this is 'a light-hearted jig with a sense of humour'. Eric kindly arrived at Boston College one Sunday morning at eight o'clock to record this tune in the Irish Room at Gasson Hall. An unreasonable and unnatural hour, one might say, for a musician to record. Thanks for being so gracious, as always, Eric.</text>
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                <text>Eid-Reiner, Eric (piano) (composer)</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/IMC_M064_2013_03_0616.mp3</text>
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                <text>http://library.bc.edu/connolly/plugins/Dropbox/files/06-16_A_Poke_and_a_Tickle-Single_Jig.pdf</text>
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                <text>&lt;iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/270479306&amp;amp;color=ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false" frameborder="no" scrolling="no" width="100%" height="166"&gt;&lt;/iframe&gt;</text>
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                <text>Some transcriptions are based on historical source recordings. &lt;a href="/exhibits/show/essays/essay-sweeney"&gt;More info.&lt;/a&gt;</text>
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        <name>Playlist 06</name>
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                  <text>Hornpipes</text>
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                <text>Queen of May, The</text>
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                <text>Hornpipes</text>
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                <text>Flute music--Ireland</text>
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                <text>Rowsome, Leo 92519391</text>
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                <text>Leo Rowsome recorded this intricate hornpipe many years ago on a 78 RPM record. I recorded it with master piper Liam O'Flynn in 1988 on my record &lt;em&gt;Notes From My Mind&lt;/em&gt;. On this track flute player Kevin Crawford joins me in keeping the tune alive.</text>
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                <text>Crawford, Kevin (flute) 71291044</text>
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                <text>On this track we hear a lovely reel performed by its composer, Barbara MacDonald Magone. Barbara tells us in her own words below how the tune came to be: 'In the spring of 2005, the San Francisco Fiddle Club (of which I am a member) took a tour of the Pacific Northwest. We traveled in two huge buses which were somewhat modified to accommodate the fiddle players (i.e., an area for sessions and refreshments). These buses were aptly named "Strathspey Bus" and "Reel Bus". I rode on the latter. Although I was a bit apprehensive at first about the trip, it turned out to be a wonderful experience. Bonnie Rutherford, a younger member of the SFFC, helped me to come up with the name of this tune.'</text>
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                <text>Eamon Flynn composed this slow jig for his daughter Sarah on Valentine's Day when she was five years old. Sarah asked her dad to 'do a song' for her. What a lovely present to get, one that will remain documented forever. This recording comes to us courtesy of Eamon. It was taken from his CD &lt;em&gt;Down by the Glenside&lt;/em&gt;, which he recorded with our mutual friend Helen Kisiel playing piano.</text>
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                <text>Savage Paddy</text>
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                <text>My nephew Damien Connolly plays his own composition on this track. I asked Damien for information on the tune and its title. He writes: 'I composed this tune on an old fiddle I purchased at an auction. The fiddle itself wasn't great, but it had a really nice tone. One day while playing around with the overtones on the lower strings, this tune came out. I just loved how gutsy the tune sounded so I called it "Savage Paddy". Whenever I love anything I say that it's "savage".'</text>
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              <elementText elementTextId="10676">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;&lt;img style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc/4.0/88x31.png" alt="Creative Commons License" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/" rel="license"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.</text>
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                <text>I was honoured when Mrs. Matilda Murdoch from New Brunswick composed this hornpipe for me on her ninetieth birthday. After a night of playing music together at her daughter's home in Massachusetts, Matilda presented me with this very recording of herself playing her composition. A wonderful lady, a great composer and fiddle player, Matilda Murdoch has done much for the music of the Gael. God bless you, my friend. Gabriel Donohue added piano accompaniment to Matilda's fiddle, and we both spoke to her at her home as she celebrated her ninety-second birthday. She loved the track with Gabriel's piano playing. She asked Gabriel if he would go on tour with her &amp;ndash; so young at heart!</text>
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                <text>Another tune from the pen and heart of fiddle player Matilda Murdoch is the one played on this track by Maeve Donnelly. Maeve remains true to the spirit of Matilda's own style of playing, while giving it her own personal interpretation, weaving through the tune with an Irish and Canadian touch. Thanks again, Maeve, and thank you, Matilda: from Canada to County Clare.</text>
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                <text>Tom Turkington's in B Flat</text>
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                <text>&lt;a href="http://connollymusiccollection.bc.edu/document/581" target="_self"&gt;Tom Turkington's performance on my fiddle that night long ago&lt;/a&gt; in County Clare featured this hornpipe in B flat. I don't have a title for this tune, so I pay tribute to Tom Turkington by naming it for him. Listening to the great Kimberley Fraser's performance of the tune brings me back in time and somehow makes me long for that old fiddle of mine.</text>
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                <text>Rodney Miller once again demonstrates that he is not only a fiddle player of extraordinary talent, but also a fine crafter of tunes. Here he plays his composition 'Turlough'.</text>
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                <text>I have had the great pleasure of living in New England for many years, first in Massachusetts, and now in Maine. When I reflect on the beauty of the region, I picture its snow, its mountains, rivers, and lakes. I think of springtime when everything greens up and comes alive. I think on the changing colours of autumn leaves, the amazing foliage, and the turning of the seasons. All of the above are wonderful gifts and all are part of nature's beauty. These visions are forever captured for me in this lovely musical piece, composed and performed on this track by fiddle player Rodney Miller from New Hampshire.</text>
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                  <text>Reels</text>
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                <text>Many of my fellow chronic misplacers of keys can relate to the above title. What a great name for a great tune! It is played here in grand style by its composer Richard Dwyer in another excerpt from his solo CD &lt;em&gt;In a Creative Mood&lt;/em&gt;. Richie's wonderful playing of this happy reel on the accordion brings a smile to my face and lifts my heart along the way.</text>
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                <text>Winifred's Well</text>
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                <text>Another composition by Margaret Lawrie, twin sister of Kathleen Lawrie, who plays on several tracks in this collection. The tune somehow reminded her of scenes she encountered in the Welsh Highlands, so Michael Burnham, who plays fiddle on this track with Meg on piano, suggested she name it for Winifred, a Welsh saint. The tune was also recorded by Margaret and Michael for their CD &lt;em&gt;Bygone Days&lt;/em&gt;. I am delighted to have the tune included in this collection.</text>
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