Browse Content (52 total)

  • Relation is exactly "Connolly, Séamus"

Remembering Curly

07-37_Remembering_Curly-Air.pdf
Paula, a fiddle student in one of my classes at the Rocky Mountain Fiddle Camp, asked me to 'make a tune' in honour of her late father, Curly. Paula really wanted to play something new at the student concert which was to be held at the end of the…

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My Meitheal Class

07-33_My_Meitheal_Class-Jig.pdf
A week-long Irish music school known as Meitheal is held every year in Limerick. The five-day immersion in Irish music is directed by flute player Garry Shannon. As a teacher at the summer school, I had an assignment to work with a group of students…

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Bells of Congress, The

07-29_The_Bells_of_Congress-Planxty.pdf
The Bells of Congress were presented to the United States by the Ditchley Foundation of Great Britain in 1976. A replica of the bells in London's Westminster Abbey, they are rung in honour of the opening and closing of Congress, and on state…

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Thomas Power's March

07-28_Thomas_Powers_March.pdf
Another tune from the playing of Thomas Power from Doonbeg in County Clare. On this track, I am joined by Kevin McElroy on bodhrán and Nicole Rabata on flute to perform our interpretation of the march.

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Shandon Bells

07-24_Shandon_Bells-Jig.pdf
Having lived in the beautiful and historic city of Cork in the 1960s, I often think back to the happy times I had while beginning to find my feet in the big world of city life. The clock tower of St. Anne's Church has special meaning for me because…

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Man at the Helm

07-23_Man_at_the_Helm-Reel.pdf
I made this tune to honour the late Larry Reynolds of Galway, my friend for many years. Larry took me under his wing when I arrived in Boston in the 1970s. As president of Comhaltas Ceoltóirí Éireann in Boston, he guided the…

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How Are You, Sandy? (Sandy Connolly's)

07-15_How_Are_You_Sandy_Sandy_Connollys-Jig.pdf
It meant much to my wife Sandy and me when Bill Black, our friend from Cape Cod, sent us a tune that he composed in her honour entitled 'How Are You, Sandy?' Bill later sent the tune under the new title 'Sandy Connolly's' when she left us to go to…

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Leamanagh Castle

07-07_Leamanagh_Castle-Reel.pdf
Flute player Frank Neylon had a repertoire of fine tunes associated with his native Kilnaboy in north County Clare. Frank was living in Boston, Massachusetts, when I arrived there from Ireland in the 1970s. He was well-known and respected by all as a…

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Brave Irish Boys, The

07-06_The_Brave_Irish_Boys-March.pdf
Irish céilí dancing was very popular in the late 1950s and early '60s, and dancers loved the idea of dancing to the music of different bands. In the late 1950s I was invited to join The Ormond Star Céilí Band, one of a…

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Joy of My LIfe

07-02_Joy_of_My_Life-Jig.pdf
This well-known jig is performed on this track by yours truly, Séamus Connolly. With help on the banjo from my friend Kevin McElroy, we offer this grand two-part jig as a way to invite musicians to play this tune once again. The interesting…

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Billy Caples' Barndance

06-32_Billy_Caples_Barndance.pdf
This barndance is another tune from the repertoire of Boston accordionist Billy Caples. I am joined by Nicole Rabata playing flute and Kevin McElroy playing the tenor banjo. Gabriel Donohue later added his piano playing to the track.

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Old as the Hills

06-15_Old_as_the_Hills-Jig.pdf
Jack Coen gave me the name for this jig, which can be found as a two-part tune in A major in the O'Neill's 1001 collection. I first heard the tune played by 'The Man of Many Tunes', Larry Gavin. I also heard a version of it performed by Mr. David…

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Mordaunt's Fancy

06-03_Mordaunts_Fancy-Jig.pdf
This jig was played in my home in Killaloe, County Clare, when I was a young boy. It was not played by me, but by button accordionist Terry Lane on the turntable of our record player! Now, whenever I hear Mr. Lane's recordings, or 'Mordaunt's Fancy',…

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Queen of May, The

06-01_The_Queen_of_May-Hornpipe.pdf
Leo Rowsome recorded this intricate hornpipe many years ago on a 78 RPM record. I recorded it with master piper Liam O'Flynn in 1988 on my record Notes From My Mind. On this track flute player Kevin Crawford joins me in keeping the tune alive.

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O'Carolan's (Number 174)

05-16_OCarolans_Number_174-Waltz.pdf
Turlough O'Carolan's eighteenth-century compositions have attracted the attention of musicians all over the world. His music occupies a unique and permanent place in the repertoire of Irish traditional music. I learned this tune from the guitar…

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Ullulu Mo Mháilín

04-35_Ullulu_Mo_Mhailin-Polka.pdf
Played here as a polka, this melody is a macaronic song, with Irish and English words. It is the one and only tune that fiddle player Matt Cranitch and I recorded for this collection. It came very naturally to us, since it is a famous song in our…

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Peig and Mick Ryan

04-25_Peig_and_Mick_Ryan-Polka.pdf
Traditional Irish music is on a strong footing, due in no small way to Peig and Mick Ryan from Murroe, County Limerick. At a time when the music was unpopular, Peig and her husband Mick worked diligently to promote Irish music and culture in all its…

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Bridge at Newtown, The

04-24_The_Bridge_at_Newtown-Reel.pdf
'The Bridge', as it was affectionately called, was home to Dinny O'Brien, concertina and fiddle player. It was also the home of accordionist Paddy O'Brien, my musical colleague in the 1960s and '70s. The bridge in question is on the road between…

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Cornboy, The

04-21_The_Cornboy-Reel.pdf
When we were traveling throughout America on the first Comhaltas Ceoltóirí Éireann tour of champion musicians, singers, and dancers in 1972, I had the great pleasure of playing this reel with fiddle player Paddy Glackin. Paddy…

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Old 78 Record, An

03-20_An_Old_78_Record-Jig.pdf
Geraldine Cotter liked this tune the first time she heard me playing it. 'Let's try and record it', she said, and as I played the jig a second time she followed right along. This track is the result of our efforts. I do not have a name for this jig,…

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