Browse Content (38 total)
- Creator is exactly "Connolly, Séamus (fiddle) 33682623"
Magic Slipper, The
Flutist Nicole Rabata joins me to play 'The Magic Slipper', a polka I learned from Boston accordionist Billy Caples. Mr. Caples was a well-known musician who had his own orchestra during the Dudley Street era of music and dancing.
Mordaunt's Fancy
This jig was played in my home in Killaloe, County Clare, when I was a young boy. It was not played by me, but by button accordionist Terry Lane on the turntable of our record player! Now, whenever I hear Mr. Lane's recordings, or 'Mordaunt's Fancy',…
Mountain Pathway, The
Kevin McElroy, Barbara MacDonald Magone, and I came together to record this tune, which we learned from the cassette tape of fiddle player Mrs. Ellen Galvin that was given to me by Tony MacMahon. A version of this tune was recorded by the great Sligo…
Mrs. Galvin's Barndance
The fiddle playing of Mrs. Ellen Galvin, who was born in the 1880s, certainly did sound as though it were from an earlier time in history. I remember seeing her perform in a concert in West Clare in the late 1950s. I was enthralled with her music…
My Meitheal Class
A week-long Irish music school known as Meitheal is held every year in Limerick. The five-day immersion in Irish music is directed by flute player Garry Shannon. As a teacher at the summer school, I had an assignment to work with a group of students…
North Road, The
My young friend Meghan Mette composed this reel. I was delighted that she asked me to play it with her, along with Nicole Rabata on flute and Kevin McElroy on mandolin. She tells us how the tune came about: 'I wrote this tune for Séamus first…
O'Carolan's (Number 174)
Turlough O'Carolan's eighteenth-century compositions have attracted the attention of musicians all over the world. His music occupies a unique and permanent place in the repertoire of Irish traditional music. I learned this tune from the guitar…
Old 78 Record, An
Geraldine Cotter liked this tune the first time she heard me playing it. 'Let's try and record it', she said, and as I played the jig a second time she followed right along. This track is the result of our efforts. I do not have a name for this jig,…
Old as the Hills
Jack Coen gave me the name for this jig, which can be found as a two-part tune in A major in the O'Neill's 1001 collection. I first heard the tune played by 'The Man of Many Tunes', Larry Gavin. I also heard a version of it performed by Mr. David…
Old Times
I found an old brown manuscript page and remembered that my former sister-in-law Maureen Glynn had given it to me. Maureen grew up in Brooklyn, New York. She was a talented lady and widely respected in the Irish music and dance world. Maureen was a…
Old Tipperary
A great old jig that I first played with the legendary Clare piper Willie Clancy. It seems appropriate that Padraic Mac Mathúna, son of Ciarán Mac Mathúna, the radio and television presenter, should play it with me for this…
Peig and Mick Ryan
Traditional Irish music is on a strong footing, due in no small way to Peig and Mick Ryan from Murroe, County Limerick. At a time when the music was unpopular, Peig and her husband Mick worked diligently to promote Irish music and culture in all its…
Queen of May, The
Leo Rowsome recorded this intricate hornpipe many years ago on a 78 RPM record. I recorded it with master piper Liam O'Flynn in 1988 on my record Notes From My Mind. On this track flute player Kevin Crawford joins me in keeping the tune alive.
Queen of the Faeries
I learned this set dance from the playing of Larry Redican. Its first few measures seem to be related to the melody of an old tune – also a set dance – called 'The King of the Fairies'. And so, 'here's me' (an old Irish expression)…
Shandon Bells
Having lived in the beautiful and historic city of Cork in the 1960s, I often think back to the happy times I had while beginning to find my feet in the big world of city life. The clock tower of St. Anne's Church has special meaning for me because…
Thomas Power's March
Another tune from the playing of Thomas Power from Doonbeg in County Clare. On this track, I am joined by Kevin McElroy on bodhrán and Nicole Rabata on flute to perform our interpretation of the march.
Ullulu Mo Mháilín
Played here as a polka, this melody is a macaronic song, with Irish and English words. It is the one and only tune that fiddle player Matt Cranitch and I recorded for this collection. It came very naturally to us, since it is a famous song in our…
Victor's Return, The
I recorded this tune with another nephew, Karl Connolly, playing piano, on the same day as Kevin Crawford's unfortunate experience. I first heard the tune in the 1950s played by the Tulla Céilí Band from County Clare. A version of this…